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state of the art market old masters and neo old masters 2327212

Artnet News, in collaboration with Morgan Stanley, analyzed auction data from the Artnet Price Database to assess the state of the European Old Master market since 2018. The investigation explores how efforts to contemporize Old Masters—through juxtapositions at art fairs like TEFAF and Masterpiece London, and gallery shows such as David Zwirner's 'Endless Enigma'—have correlated with market trends for Contemporary and Ultra-Contemporary artists whose work is visibly influenced by classical European art. The report also examines the impact of living artists inspired by Old Masters, suggesting that restricting analysis to historical works alone may underestimate their ongoing influence on the art market.

Comment | Beryl Cook UK retrospective shows there is much more to the artist than amazing bums

A major retrospective of Beryl Cook's work, titled "Pride and Joy," is on view at The Box in Plymouth, UK. The exhibition showcases the self-taught artist's vibrant paintings of plus-sized, joyful women in social settings, challenging the long-held art-world snobbery that previously excluded her work from major institutions like the Tate.

Never-Before-Seen Paintings Reveal Anthony Van Dyck’s Formative Italian Period

A major new exhibition at Genoa's Palazzo Ducale, "Van Dyck: The European. The Journey of a Genius from Antwerp to Genoa and London," presents a comprehensive survey of Anthony van Dyck's formative years in Italy. Featuring around 60 works, including loans from the Louvre, Prado, and National Gallery, the show reveals how his six-year Italian sojourn was a period of intense experimentation and emancipation from his master Rubens, leading to his signature theatrical portrait style.

ultra contemporary old masters 2744796

A significant trend is emerging in the New York art scene this winter, as a wave of gallery and museum exhibitions highlights contemporary artists engaging deeply with European Old Masters. While some critics dismiss art historical references as "reference-baiting" to boost market value, artists like Émile Brunet and Eleanor Johnson are demonstrating a profound technical and intellectual commitment to these lineages. Their work moves beyond mere pastiche, utilizing traditional materials, Northern Renaissance aesthetics, and Baroque glazing techniques to address modern themes of labor, humanism, and information overload.

london courtauld new contemporary art galleries blavatnik 1234771100

London’s Courtauld Gallery will open two new contemporary art galleries at its Somerset House campus, funded by a £10 million ($13.8 million) gift from the Blavatnik Family Foundation. The top-floor spaces, originally built as a display area for the Royal Society in the 18th century, are expected to debut in 2029. The donation brings the foundation’s total support for the Courtauld to £20 million ($27.5 million), following earlier backing for the museum’s 2021 renovation. The new galleries will be programmed in part by students in the Courtauld’s curating master’s program and will host exhibitions connecting historical and contemporary art.

new money new taste intel report march 2025 2622189

The article, part of Artnet's Intelligence Report, profiles the rise of a new generation of art collectors, exemplified by Justine Freeman, granddaughter of legendary patron Betty Freeman. It highlights how millennials and Gen Z, who accounted for a quarter to a third of bidders at major auction houses in 2024, are reshaping the market by focusing on ultra-contemporary artists like Jadé Fadojutimi and Hilary Pecis, as well as nontraditional collectibles such as sneakers and Hermès bags. Notable sales include Maurizio Cattelan's banana artwork "Comedian" for $6.2 million to a 34-year-old crypto entrepreneur.

art basel paris avant premiere vip sales report 1234758287

Art Basel Paris launched a new ultra-exclusive invitation-only preview called Avant Première, held one day before the official VIP preview. The four-hour event on Tuesday afternoon saw strong sales, with Thaddaeus Ropac selling works including a 1953 Alberto Burri for €4.2 million and two George Baselitz pieces, while Hauser & Wirth sold Gerhard Richter's 1987 *Abstraktes Bild* for $23 million, the highest reported sale. The fair limited each gallery to six invites with plus-ones, resulting in an estimated 3,000 attendees compared to 6,000 for the regular First Choice preview, creating a more manageable and urgent atmosphere.

How to Take Great Photographs of Art, According to Artists

Contemporary gallery-going has become synonymous with digital documentation, as visitors increasingly use smartphones to capture paintings, sculptures, and installations. This shift from passive observation to active photography serves as a method of personal archiving, allowing viewers to preserve the fleeting experience of a physical exhibition and share it within their social circles.

gagosian rewrites art basel paris rulebook by bringing old master to modern and contemporary fair 1234757896

Gagosian has secured special permission from Art Basel Paris to exhibit a rediscovered Old Master painting by Peter Paul Rubens, titled "The Virgin and Christ Child, with Saints Elizabeth and John the Baptist" (c. 1611–14), at a fair that typically restricts its main sector to works created between 1900 and 2025. The painting, last sold at Sotheby’s New York in 2020 for just over $7 million, will be shown alongside modern and contemporary works by artists such as John Currin, Jenny Saville, and Pablo Picasso. The exception was granted by Art Basel’s management and Selection Committee due to the work's exceptional quality and its resonance with the gallery's booth.

7 Art Exhibitions Worth Planning A Trip Around This Fall

Sophia Penske, founder of Penske Projects and an art advisor at Gagosian Art Advisory, highlights seven European art exhibitions worth traveling for this fall. Key shows include "Picasso and Klee in the Heinz Berggruen Collection" at Madrid's Thyssen-Bornemisza Museo Nacional (October 28, 2025 to February 1, 2026), "Warhol, Pollock and other American spaces" also in Madrid (October 21, 2025 to January 25, 2026), and "Exposition Générale" at Paris's Fondation Cartier pour l’art contemporain (opening October 25). The article also recommends the Rosewood Villa Magna hotel and cultural stops in Madrid, and mentions Yayoi Kusama in Basel and Leonora Carrington in Milan as other seasonal draws.

Botticelli Painting Banned from Export Will Stay in the UK

A Botticelli painting, *The Virgin and Child Enthroned* (1470s), previously placed under an export ban to keep it in the UK, has been acquired by the Klesch Collection. The work, valued at £10.2 million, will remain in England through a three-year loan to the Ashmolean Museum at the University of Oxford. The painting was bought in 1904 by Harriet Sarah Jones Loyd (Lady Wantage) from Italian dealer Elia Volpi, who had acquired it from the Magherini Graziani family.

America’s Finest Renaissance Tapestry Set for Major Restoration

The European Fine Art Foundation (TEFAF) has awarded its €25,000 Museum Restoration Fund to the Minneapolis Institute of Art (MIA) for the conservation of *The Meeting of Dante and Virgil*, a mid-16th century Italian Renaissance tapestry. This is the first time TEFAF has funded a tapestry restoration since the initiative began in 2012. The wool and silk tapestry, made between 1547 and 1549 by the Florentine workshop of Duke Cosimo I de’ Medici and designed by Francesco Salviati, depicts the opening scene of Dante’s *The Divine Comedy*. It is the only early Medici tapestry held by a public collection outside Italy, standing 17 feet tall and eight feet wide. Due to structural weaknesses and light sensitivity, it has been largely in storage for 70 years. Conservation work by the Midwest Art Conservation Center will include wet cleaning, stabilization, and partial reweaving, along with a new display system. The tapestry is scheduled to return to public view at MIA on July 11.

Tefaf restoration award goes to 500-year-old Medici tapestry

Tefaf has awarded its Museum Restoration Fund prize to the Minneapolis Institute of Art (MIA) for the restoration of a 500-year-old Medici tapestry, "The Meeting of Dante and Virgil" (circa 1547-49). The €25,000 grant will support cleaning, consolidation, and lining of the 5.3-meter-high work, which has not been displayed in over 60 years due to severe damage including silk weft loss and open slits. The conservation will be carried out by the Midwest Art Conservation Center, and the tapestry is expected to go on public view at MIA this summer.

epstein files replica massacre of the innocents 2744671

Jeffrey Epstein commissioned a large-scale reproduction of Cornelis Cornelisz van Haarlem's 1591 painting 'The Massacre of the Innocents' for the entrance of his New Mexico ranch. The $1,999 copy, depicting Roman soldiers killing infants, was ordered in 2010 from the reproduction company Ocean's Bridge Group and was requested to be shipped by his assistant in 2011.

rediscovered rubens brafa art fair 2736003

Belgian art dealer Klaas Muller purchased a painting at an online auction three years ago, identified only as a study by an unknown artist of the Flemish school. After research, he discovered the work is likely a rediscovered study by Peter Paul Rubens (circa 1609), featuring a hidden second image of a woman's face visible when the painting is turned upside down. The work will debut at the BRAFA art fair in Brussels, where Muller serves as chairman.

rubens adam eve virginia prisons suit 1072511

An inmate in a Virginia prison has had the July/August issue of the Humanist magazine rejected by prison censors because it contains a reproduction of Peter Paul Rubens's painting of Adam and Eve, in which Eve's breasts are visible despite fig leaves covering the couple's genitals. Attorney Jeffrey E. Fogel filed a federal lawsuit on August 31 on behalf of the American Humanist Association, arguing that the rejection violates the First and Fourteenth Amendments and has caused financial harm to the publisher. The article in question, titled "Everything You Know about Sex is Wrong," aims to challenge binary gender concepts.

peter paul rubens drawing attribution klaas muller 1234769375

Belgian art dealer Klaas Muller has identified a previously unattributed oil-on-paper study as a work by Flemish master Peter Paul Rubens, titled "Bearded old man, looking down to his left" (ca. 1609). Muller purchased the piece for under €100,000 at a lesser-known northern European auction house three years ago, where it was listed as an unknown artist from the "Flemish school." After recognizing the bearded figure as Saint Thomas from Rubens's "Apostolado Lerma" series at the Prado, Muller commissioned research from art historian Ben van Beneden, former director of Rubenshuis, who confirmed the work's exceptional quality and likely attribution to Rubens. The study also features a ghostly woman's face visible when turned upside down, reflecting Rubens's playful reuse of materials.

this artemisia gentileschi painting is unlike any of her others heres why 2727951

A previously unknown painting by Artemisia Gentileschi, *Hercules and Omphale* (ca. 1635–37), was identified after being damaged in the 2020 Beirut port explosion. The work, which hung in Beirut’s Sursock Palace, underwent a three-year conservation at the J. Paul Getty Museum and is now on view at the Columbus Museum of Art in the exhibition *Artemisia Gentileschi: Naples to Beirut*. It depicts the Greek myth of Queen Omphale enslaving Hercules, a rare subject for Gentileschi that subverts traditional gender roles.

long forgotten rubens found in paris mansion 2686932

A long-lost painting by Peter Paul Rubens, a dramatic crucifixion scene dated to around 1614–15, was discovered among the possessions of a deceased Parisian homeowner during a routine appraisal. Auctioneer Jean-Pierre Osenat identified the work and consulted Rubens expert Nils Büttner, who confirmed its authenticity through x-ray imaging and pigment analysis. The painting sold at auction on November 30 for €2.3 million ($2.7 million), exceeding its presale estimate of €1–2 million.

stolen painting saint francis returned mexico church 1234761129

A painting of Saint Francis of Assisi, stolen from the Church of San Francisco de Asis in Teotihuacán, Mexico, in 2001, has been recovered and returned to the church. The six-foot-tall work, painted in 1747 by an unknown artist, was among 18 artworks taken in a nighttime theft. It resurfaced in 2018 when it was consigned to Mexico City auction house Morton Subastas, whose due diligence with the Art Loss Register flagged it as stolen. The painting, valued at 280,000 Mexican pesos ($15,000), was returned to the church in a ceremony led by Padre Teodoro García Romero.

manny davidson collection sale results sothebys paris 1234760513

Sotheby’s Paris raised €18.6 million ($21.5 million) from two live sales of the Manny Davidson collection this week, with a third online sale still ongoing. The collection, spanning nearly 500 lots, included rediscovered Old Masters, 18th-century gold enamel, and an automaton clock by James Cox. Highlights included Michael Sweerts’s *A young man wearing a turban holding an upturned roemer: the fingernail test* (1648–52), which sold for €1.6 million, and Joshua Reynolds’s *Self-Portrait, in doctoral robes* (ca. 1770), which fetched €838,200. The evening sale achieved 83% sell-through by lot, with most buyers from Europe and a third from the US.

german police bust forgery ring rembrandt picasso 1234759011

German police have dismantled an international forgery ring attempting to sell fake artworks attributed to masters including Rembrandt, Pablo Picasso, and Frida Kahlo. The suspected ringleader, a 77-year-old German man from Bavaria, was arrested after trying to sell two counterfeit Picasso paintings, one a portrait of Dora Maar. Investigators, who code-named the operation “Dora Maar,” conducted raids across Germany, Switzerland, and Liechtenstein, seizing 19 fake works with asking prices ranging from $460,000 to $16 million. A 74-year-old accomplice is accused of producing forged expert reports to authenticate the fakes.

frieze london frieze masters 2025 highlights 1234752466

Frieze London and Frieze Masters have announced highlights for their 2025 editions, running concurrently October 15–19 in Regent’s Park. Frieze London will feature ceramics and textiles, including a presentation titled “Three Generations of Female California Ceramics” at The Pit, stoneware sculptures by Sanya Kantarovsky at Modern Art, and textile works by Antonio Pichillá Quiacaín at Portas Vilaseca. Major galleries like Gagosian, Pace, Lehmann Maupin, White Cube, and Lisson will present new works by artists such as Lauren Halsey, William Monk, Do Ho Suh, and Marguerite Humeau. The fair’s curated section “Echoes in the Present” by Jareh Das includes artists like Diambe and Tadáskía, while the Focus section emphasizes installation-based works. Frieze Masters highlights include a booth of 19th- and 20th-century paintings curated by Nicolas Party at Hauser & Wirth, a solo of Peter Hujar’s drag portraits at Pace, and a new Reflections section organized by Abby Bangser focusing on decorative art.

romania wins long term hold on disputed el greco 1234745914

Romania has secured a "long-term hold" on El Greco's painting *Saint Sebastian* (1610–1614), which was pulled from a Christie's New York Old Masters sale in February. The work is claimed by Romania as unlawfully taken from its national collection in 1947. The painting will remain at Christie's until legal proceedings resolve the dispute. Meanwhile, Italian sculptor Arnaldo Pomodoro died in Milan at age 98, and abstract painter Thornton Willis died in New York at 89. Other news includes a letter from National Gallery director Gabriele Finali defending the Rubens attribution of *Samson and Delilah*, Japan's curatorial appointments for the 2026 Venice Biennale, and a Bristol City Council fundraiser to acquire an early JMW Turner painting.

phoenician scheme wes anderson art curator jasper sharp 2647625

Wes Anderson's new film *The Phoenician Scheme* features a rogue businessman named Zsa-Zsa Korda (Benicio del Toro) who, after surviving a plane crash, decides to make his estranged daughter Liesl (Mia Threapleton) his heir. The film's art collection, curated by Jasper Sharp, includes authentic masterpieces such as René Magritte's *The Equator* (1942), Pierre-Auguste Renoir's *Enfant Assis en Robe Bleue (Portrait of Edmond Renoir Jr.)* (1889), and a 17th-century still life by Floris Gerritsz van Schooten. Sharp, a long-time Anderson collaborator, selected and loaned original works to reveal aspects of Korda's character, noting that the real paintings transformed the energy on set.

the phoenician scheme wes anderson renoir art collecting 1234743890

Wes Anderson's new film *The Phoenician Scheme* features a protagonist, Zsa-Zsa Korda (played by Benicio del Toro), who is a jet-setting high roller with a vast but neglected art collection housed in a 16th-century palazzo. The collection includes authentic masterpieces such as an 1889 Renoir portrait once owned by Greta Garbo, a 1942 Magritte, and a 17th-century van Schooten still life, alongside replicas like a Peter Paul Rubens. The film, now playing in New York and Los Angeles, uses these artworks as props and backdrops, reflecting the protagonist's indifference to his possessions amid his shady business schemes and fractured family relationships.

why did leonardo and michelangelo have beef 2620049

Leonardo da Vinci and Michelangelo, two of history's most celebrated artists, had a well-documented rivalry rooted in competition for commissions, class differences, and artistic disagreements. Their first known encounter occurred when Leonardo served on a committee deciding the placement of Michelangelo's *David* (1501), where Leonardo reportedly mocked the sculpture by sketching it as the sea god Neptune. Their rivalry escalated when both were commissioned to paint opposing murals in Florence's Salone dei Cinquecento—Leonardo's *Battle of Anghiari* and Michelangelo's *Battle of Cascina*—neither of which was completed. The artists traded insults over the years, with Michelangelo criticizing Leonardo's view of sculpture as inferior to painting, and Leonardo deriding Michelangelo's muscular figures as resembling "a bag of walnuts."

ai weiwei rebel retrospective seattle 1234739184

The Seattle Art Museum has opened “Ai, Rebel: The Art and Activism of Ai Weiwei,” the largest U.S. retrospective ever for the Chinese dissident artist. The exhibition features iconic works such as the neon sign *FUCK* (2020), the sculpture *Middle Finger* (2000), and the photographic series “Study of Perspective” (1995–2011), alongside pieces that remix art history—from Duchamp-inspired readymades to Lego versions of Old Masters. Curated by Ping Foong, the show spans Ai’s career, including his politically charged responses to the Sichuan earthquake and his infamous 1995 performance *Dropping a Han Dynasty Urn*.

Getty Center to Close in Los Angeles as Major Renovation Looms

The Getty Center in Los Angeles will close for a full year starting March 15, 2027, to undergo its first major renovation since opening in 1997. The "modernization initiatives" include updates to the galleries, a redesign of the Welcome Hall with a new café, and the replacement of the iconic tram system to increase passenger capacity. During the closure, the Getty Villa in Malibu will remain open and display highlights from the Center’s permanent collection, while additional programming will be held at a temporary space on Sepulveda Boulevard.

Jenny Saville Is Getting a Landmark Exhibition in Venice

Jenny Saville will be the subject of a major new exhibition at Venice’s International Gallery of Modern Art at Ca’ Pesaro, opening March 28, 2026 and running through November 22, 2026, alongside the 61st Venice Biennale. The show will feature around 30 paintings spanning her career from the 1990s to the present, including seminal works like *Hyphen* (1999) and *Reverse* (2002–13), and will conclude with a new series created in homage to Venice. The exhibition is curated by Ca’ Pesaro director Elisabetta Barisoni and supported by Gagosian.