The Louvre Remains the World’s Most-Visited Museum, with Competition Coming from the Middle East and Asia in 2025

The Louvre maintained its position as the world's most-visited museum in 2025, drawing approximately 9 million visitors according to the Art Newspaper's annual ranking. The Vatican Museums and the National Museum of Korea in Seoul followed closely, rounding out a top ten list that includes major institutions in London, New York, and Shanghai. Overall, about 200 million people visited the top 100 museums globally, a figure still below the pre-pandemic 2019 peak of 230 million.

Never-Before-Seen Paintings Reveal Anthony Van Dyck’s Formative Italian Period

A major new exhibition at Genoa's Palazzo Ducale, "Van Dyck: The European. The Journey of a Genius from Antwerp to Genoa and London," presents a comprehensive survey of Anthony van Dyck's formative years in Italy. Featuring around 60 works, including loans from the Louvre, Prado, and National Gallery, the show reveals how his six-year Italian sojourn was a period of intense experimentation and emancipation from his master Rubens, leading to his signature theatrical portrait style.

A New Luis Paret for the Prado

Un nouveau Luis Paret pour le Prado

The Museo del Prado in Madrid has expanded its 18th-century Spanish collection with the acquisition of a painting by Luis Paret y Alcázar titled 'María and Ludovica, the Painter’s Daughters'. The oil-on-copper work, dated 1783, depicts the artist's young daughters in a style reminiscent of nymphs. This acquisition was made possible through the significant bequest of Juan José Luna, which also recently funded the purchase of works by François Boucher.

Two Bouchers for the Prado

Deux Boucher pour le Prado

The Museo del Prado in Madrid has acquired two significant early pendant paintings by François Boucher, titled 'La Naissance et La Mort d'Adonis.' The works were purchased from a French private collection through the Madrid gallery Ana Chiclana, using funds from the bequest of the late department head Juan José Luna. The paintings have been restored and are currently on public display in the Goya's Majas room, awaiting the reopening of the museum's renovated 18th-century galleries.

Emerging Practices and New Languages: This is How Pinta Lima 2026 is Shaped

EMERGING PRACTICES AND NEW LANGUAGES THIS IS HOW PINTA LIMA 2026 IS SHAPED

Pinta Lima has announced the details for its 13th edition, scheduled to take place from April 23 to 26, 2026, at Casa Prado. Under the artistic direction of Irene Gelfman, the fair will feature 45 galleries from 15 international cities, with nearly 70% of participants arriving from outside Peru. The event is structured into five specialized sections, including the Main Section, RADAR (curated by Ilaria Conti), NEXT (curated by Juan Canela), and dedicated spaces for video and special projects.

Walker Art Center Severs Ties with Restaurant for Laying Off Workers in Favor of QR Codes

The Walker Art Center in Minneapolis has announced it is severing ties with its on-site restaurant, Cardamom, following the establishment's sudden decision to lay off its front-of-house staff. The restaurant, operated by chef Daniel del Prado, intended to replace 16 servers and hosts with a QR code ordering system to combat financial losses. Museum director Mary Ceruti stated that the move caught the institution by surprise and does not align with the museum's commitment to providing a welcoming, full-service environment for its visitors.

Prado Implements New Crowd Control Measures to Combat Overtourism

The Prado Museum in Madrid has implemented new crowd control measures to combat overtourism, including reducing the maximum size of tour groups from 30 to 20 people and restricting group access to off-peak afternoon hours. The museum is also promoting "thematic routes" to disperse visitors into less crowded galleries.

The Multibillion-Dollar Maneuvers Behind the Met’s Raphael Show

The Metropolitan Museum of Art has opened “Raphael: Sublime Poetry,” the largest survey dedicated to the Renaissance master in the U.S., featuring 33 paintings and 142 works on paper. The exhibition includes loans from 60 public institutions across 11 countries, as well as private loans from billionaire Leon Black, and the estimated aggregate value of the art on view is in the billions of dollars. Curated by Carmen Bambach, the show took eight years to organize and follows her previous triumphs on Leonardo and Michelangelo.

The Top Exhibitions To See In London: May 2026

London’s art scene prepares for a major influx of high-profile exhibitions in May 2026, headlined by a comprehensive survey of Francisco de Zurbarán at the National Gallery and the grand opening of the Quentin Blake Centre for Illustration in Clerkenwell. Other significant highlights include a sprawling outdoor installation of Henry Moore’s monumental bronzes at Kew Gardens, the debut of the 'Rising Voices' contemporary art exhibition at the newly opened V&A East, and a rare European retrospective of James McNeill Whistler at Tate Britain featuring the iconic 'Whistler's Mother'.

Prado Restoration Lab Coats by Loewe

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Spanish luxury fashion house Loewe has designed custom, high-performance lab coats for the restoration department at the Museo Nacional del Prado in Madrid. Developed in collaboration with the museum's conservators, the garments are crafted from non-reflective materials to prevent glare on masterpieces and feature leather-reinforced pockets specifically sized for restoration tools.

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The first Art Angle Round-Up of 2026 highlights three major art world stories. The selection includes the controversy surrounding the South Africa pavilion at the Venice Biennale, the Prado Museum's struggle with and plans to manage overwhelming visitor numbers, and the phenomenon of 'speed painting,' exemplified by artist Vanessa Horabuena selling a 10-minute painting of Jesus for nearly $3 million at a Mar-a-Lago fundraiser.

Rediscovered portrait by the Renaissance’s leading woman artist goes on display at the Winter Show

A rediscovered portrait by Sofonisba Anguissola, a pioneering female artist of the Italian Renaissance, has gone on public display for the first time in over a century at the Winter Show in New York. The painting, *Portrait of a Canon Regular* (1552), is Anguissola's earliest signed and dated work and was long considered lost until it was found in a private collection in North Carolina after being referenced in a 2019 monograph. It is being presented by Robert Simon Fine Art.

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Madrid's Prado Museum has announced it will cap visitor numbers after a record-breaking 3.5 million visits in 2025, with director Miguel Falomir declaring the institution does not want or need 'a single visitor more.' The museum unveiled 'Plan Host,' a new strategy prioritizing visitor experience over volume, including measures to limit crowds and attract more local Spanish audiences, as 65 percent of current visitors are overseas tourists. Falomir warned against chasing ever-higher attendance, citing the Louvre as a cautionary example where overcrowding has led to deteriorating conditions, staff strikes, and calls for the director's resignation.

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Museo del Prado director Miguel Falomir announced at a press conference unveiling the museum's 2026 exhibition schedule that the institution does not need more visitors, stating it is comfortable with 3.5 million annual visitors and fears becoming "over-saturated." Falomir cited concerns about circulation around iconic works like Velázquez's *Las Meninas* and Bosch's *The Garden of Earthly Delights*, and emphasized improving visitor experience through optimizing entrances, reducing group sizes, and enforcing photography bans. The Prado, last expanded in 2007, is significantly smaller than the Louvre, which topped 2024 visitor figures with 8.7 million.

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Belgian art dealer Klaas Muller has identified a previously unattributed oil-on-paper study as a work by Flemish master Peter Paul Rubens, titled "Bearded old man, looking down to his left" (ca. 1609). Muller purchased the piece for under €100,000 at a lesser-known northern European auction house three years ago, where it was listed as an unknown artist from the "Flemish school." After recognizing the bearded figure as Saint Thomas from Rubens's "Apostolado Lerma" series at the Prado, Muller commissioned research from art historian Ben van Beneden, former director of Rubenshuis, who confirmed the work's exceptional quality and likely attribution to Rubens. The study also features a ghostly woman's face visible when turned upside down, reflecting Rubens's playful reuse of materials.

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The author recounts a visit to the Prado in Madrid, where his attempt to photograph a portrait by Alonso Sánchez Coello was blocked by a guard enforcing a strict no-photography policy. This experience leads him to reflect on the evolution of museum mementos, from postcards—which he used to buy and even had his children select as a curatorial exercise—to the role of social media in sharing art. He recalls his time as curator of the Thyssen-Bornemisza Collection, where postcard sales were a key revenue and popularity gauge, and notes that Instagram now serves as a virtual window into exhibitions and art fairs like Art Basel Miami.

From hard borders to soft power: how did the art world fare in 2025?

The article surveys the art world's turbulent 2025, beginning with devastating Los Angeles wildfires that destroyed artworks and the political shockwaves of Donald Trump's re-election. Trump's administration targeted the National Portrait Gallery, whose director Kim Sajet resigned after threats of firing, while immigration crackdowns, tariffs on art imports, and attacks on diversity initiatives chilled the art community. The year also saw Venice residents protest Jeff Bezos's lavish wedding, Trump's gilded Oval Office renovations, and a major Veronese exhibition at the Prado that drew parallels between historical extravagance and decline.

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The Prado Museum in Madrid has launched the third installment of its "The Female Perspective" series, a self-guided thematic route highlighting the collection of Queen Isabella Farnese. The route, running through May 2026, features 45 works from the queen's 1,000-piece collection, including five pieces newly out of storage and a Murillo sketch stolen in 1897 recently recovered from France's Musée de Pau. This is the first edition focused on a single woman, showcasing Farnese's role as the Royal Collection's most significant donor.

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A Madrid court has ruled that Fernando Ramírez de Haro, 10th Marquess of Villanueva del Duero, must pay his brother Íñigo Ramirez de Haro, Marquis de Cazaza in Africa, €853,732 from the proceeds of the 2012 sale of Francisco de Goya's portrait *Portrait of Valentín Belvís de Moncada* (ca. 1795–1800). The painting, inherited from their father, was sold for €5.8 million to billionaire Juan Miguel Villar Mir via Sotheby's. Íñigo sued Fernando for failing to distribute shares of the sale to siblings as agreed in a 2014 family settlement, alleging fraud, document falsification, and that Fernando's wife, former Spanish minister Esperanza Aguirre, abused her office by not registering the work as national heritage.