Vasari Art Codex

article culture schedule Oct 3, 2025 visibility 4 link 5 artists

taylor swift fate of ophelia painting john everett millais 1234755283

Taylor Swift's new album 'The Life of a Showgirl' includes a song titled 'The Fate of Ophelia,' which references the tragic character from Shakespeare's 'Hamlet.' The article draws a parallel between Swift's song and John Everett Millais's Pre-Raphaelite painting 'Ophelia' (1851–52), which depicts the character before her death. The Tate, which owns the painting, posted about the work to discuss the death of its model, Elizabeth Siddal, in 1862. Swift's album cover, showing her floating in water, has been compared to the Millais painting, but the song reimagines Ophelia's narrative with a happy ending tied to her relationship with Travis Kelce.

newspaper ARTnews open_in_new Read original

article culture schedule Dec 8, 2025 visibility 8 link 5 artists

burton the meeting on the turret stairs 2723484

The article explores Frederic William Burton's iconic Victorian watercolor *Hellelil and Hildebrand, the Meeting on the Turret Stairs* (1864), held at the National Gallery of Ireland. It recounts the tragic medieval Danish ballad that inspired the painting, in which the noblewoman Hellelil and her guard Heldebrand are doomed lovers. Burton, an Irish painter influenced by the Pre-Raphaelite Brotherhood, worked exclusively in watercolor and gouache, making this delicate piece a technical marvel. The museum displays it only one hour twice weekly to protect it from light damage.

newspaper Artnet News open_in_new Read original

museum exhibitions schedule Apr 16, 2026 visibility 7 link 9 artists, 1 gallery

Pre-Raphaelite exhibition explores LGBT+ stories

Cartwright Hall Art Gallery in Bradford has launched a new exhibition of Pre-Raphaelite masterpieces paired with contemporary reflections from the local LGBT+ community. Members of the Equity Partnership charity collaborated with museum staff to reinterpret 19th-century works by artists such as Dante Gabriel Rossetti, Ford Madox Brown, and John Collier through the lens of lived queer experience.

newspaper BBC open_in_new Read original

article local schedule Nov 26, 2025 visibility 2 link 3 artists, 1 gallery

Birmingham Museum & Art Gallery launches special events to celebrate its 140th anniversary

Birmingham Museum & Art Gallery will host a weekend of special events from November 28 to 30 to mark its 140th anniversary. Activities include a birthday cake-cutting, live poetry by Bradley Taylor, a performance by the Royal Birmingham Conservatoire Trumpet Club, behind-the-scenes 'hidden spaces' tours, a party hat trail, and 'my first museum' tours for young children. The museum originally opened on November 28, 1885, by the Prince of Wales (later Edward VII), and has welcomed an estimated 100 million visitors since. After closing in March 2020 for pandemic-related essential maintenance, it reopened in phases starting October 2024, with new galleries, displays, and full access to the Staffordshire Hoard by October 2025.

newspaper Greater Birmingham Chambers of Commerce open_in_new Read original

museum exhibitions schedule Mar 9, 2026 visibility 4 link 2 artists

dante gabriel rossetti christina portrait revealed 2752057

A newly discovered 1877 chalk portrait of the poet Christina Rossetti by her brother, the Pre-Raphaelite master Dante Gabriel Rossetti, has been unveiled at Wightwick Manor. The drawing, recently acquired by the National Trust, serves as the centerpiece for the exhibition "The Rossettis – Siblings and Spouses." Created during a period of shared family mourning following the death of their sister Maria, the work departs from Rossetti’s typical idealized style to offer a somber, realistic depiction of grief and resilience.

newspaper Artnet News open_in_new Read original

rate_review review schedule Jul 17, 2025 visibility 3 link 9 artists, 1 gallery

william holman hunt the awakening of conscience 2656479

The article analyzes William Holman Hunt's 1853 painting *The Awakening Conscience*, which depicts a woman in a Victorian parlor rising from the lap of a man, her gaze fixed on a sunlit garden glimpsed in a mirror. Hunt, a member of the Pre-Raphaelite Brotherhood alongside John Everett Millais and Dante Gabriel Rossetti, filled the work with dense symbolism—such as the woman's ringless left hand, a discarded glove, and sheet music by Edward Lear and Thomas Moore—to reveal that the scene is not a married couple but a mistress and her lover, trapped in a gilded cage.

newspaper Artnet News open_in_new Read original

museum exhibitions schedule Jul 15, 2025 visibility 1 link 3 artists, 1 gallery

Millais treasure trove goes on long-term loan to Scottish gallery

More than 150 works on paper and 19 paintings by Pre-Raphaelite artist John Everett Millais, along with personal correspondence, brushes, palettes, jewelry, and family heirlooms belonging to his wife Effie Gray, have been placed on long-term loan to Perth Art Gallery in Scotland. The collection, donated by Millais’s great-grandson Geoffroy Millais, includes highlights such as the painting *Halcyon Weather* (1892) and an 1853 watercolor portrait of Effie Gray. A free exhibition titled *Millais in Perthshire* will open on 25 July, featuring over 25 key objects from the loan alongside works from the gallery’s own holdings, including *Waking (Just Awake)* (1865) and *Portrait of Effie Millais* (1873).

newspaper The Art Newspaper open_in_new Read original

article culture schedule Jun 27, 2025 link 7 artists, 2 galleries

waterhouse tennyson lady of shalott 2650097

English painter John William Waterhouse created three paintings based on Lord Alfred Tennyson's poem "The Lady of Shalott," depicting a cursed woman from Arthurian legend. The article explores Waterhouse's deep admiration for Tennyson, noting that he filled his copy of Tennyson's works with sketches. It reveals that Waterhouse painted the story in reverse chronological order, starting with the final scene in 1888, then the moment of temptation in 1894, and finally the lady's lament in 1915. The article also identifies the model for the first painting as likely Waterhouse's wife, artist Esther Kenworthy Waterhouse, and describes symbolic details in the work, such as the snuffed candles foreshadowing death.

newspaper Artnet News open_in_new Read original