Fanny Pereire is a fine art coordinator for film and television, responsible for curating the art seen in the homes and offices of fictional characters, particularly the ultra-wealthy. Her work spans productions like *The Devil Wears Prada 2*, *Succession*, *Industry*, and *The Menu*, where she sources, reproduces, and often destroys artworks to ensure authenticity and copyright compliance. She typically uses high-quality replicas for expensive pieces and oversees their destruction after filming.
This article matters because it highlights the growing importance of art in visual storytelling, where a character's taste in art can signal their wealth, personality, and cultural status as effectively as fashion or dialogue. Pereire's role, created by producer Scott Rudin in 1999, has become a unionized position, reflecting the industry's need for specialized expertise in copyright clearance and art curation. The piece also underscores how the art world intersects with Hollywood, influencing public perception of artists and the market.