Alex Carver presents a solo exhibition titled "The Knot" at Miguel Abreu Gallery in New York. The exhibition, running from March 12 to May 9, 2026, features a new body of work that continues the artist's exploration of complex painterly techniques and layered imagery.
Kim Dacres transforms discarded auto and bicycle rubber into sculptural portraits that celebrate Black hairstyles and community. Her new exhibition "Lost on a Two Way Street" at Charles Moffett in New York features busts with braided buns and gear-like crowns, alongside flat wall works evoking Victorian cameos. The show also includes reimagined U.S. flags with Black and brown figures, addressing the current political climate and the gap between national symbols and lived reality.
A new exhibition titled "Chain of Flowers" opens at Norwich Castle on May 16, featuring works by Cambridge-based artist Miranda Boulton. The exhibition draws inspiration from pioneering 19th-century women artists Emily Stannard and Eloise Stannard, members of the Norwich School of Artists. Boulton retraced Emily Stannard's 1820s journey to the Netherlands to study Jan Van Huysum's paintings at the Rijksmuseum, creating a series of oil paintings that contrast the Dutch Golden Age's detailed style with thick impasto and spray paint.
Carla Hemlock, a Kanien’keha:ka artist, has seen a surge in interest from curators and institutions, allowing her to work at her own pace. Her collaborative installation with her son, filmmaker Raohserahawi Hemlock, titled *In the Arms of the Natural World*, has been donated to the Montreal Museum of Fine Arts (MMFA) and is now on view in the exhibition *Rising Suns: Art from the Confederacies of the Great Lakes and Rivers*. The piece, featuring three quilts and two films, explores the legacy of residential schools with what the artists describe as absolute delicacy and care.
The article reports on a new exhibition at the Kickernick Gallery in Minneapolis celebrating the 50th anniversary of WARM (Women's Art Registry of Minnesota), a pioneering women's art collective founded in 1976. The show features works by founding members including Harriet Bart, whose textile piece "Concrete Poem" (1985) is made from discarded garment labels she collected from her studio floor. The exhibition is curated by Christy Frank and runs until mid-June, highlighting the collective's history of mentorship, activism, and advocacy for gender equity in the arts.
London-based artist Jes Chen presents "Occupied" (2026), an interactive installation that strips AI technology down to a knock sensor, a screen, and a live AI system. Viewers knock on a door-like interface and receive varied responses—defensive, evasive, or silence—generated in real time. The work draws from Chen's childhood memory of having her bedroom door lock removed, transforming privacy and vulnerability into a behavioral system. Recent presentations at the London Design Festival, Edinburgh Fringe, and Generative Art Conference 2025 have showcased Chen's restrained, psychologically charged approach to AI art.
The Kimbell Art Museum in Fort Worth, Texas, announced it will host the major international touring exhibition 'Treasures of the Pharaohs' from March 14 to September 19, 2027. Featuring 130 artifacts from the Egyptian Museum in Cairo and the Luxor Museum, the exhibition spans 3,000 years of ancient Egyptian history, including royal treasures, newly discovered objects from the 'Golden City' in the Valley of the Kings, and works from Dynasty I to the Ptolemaic period. The exhibition is currently on view at the Scuderie del Quirinale in Rome and will travel to the de Young museum in San Francisco before arriving at the Kimbell.
Threshold Art Gallery and the State Hermitage Museum in St. Petersburg, Russia, are presenting a landmark exhibition of contemporary Indian art titled "Sediments of Becoming: Fossilised Present, Summoned Pasts." Opening on 4 June 2026 and running until 4 October 2026, it is the first dedicated presentation of contemporary Indian art in the Hermitage's 260-year history. The exhibition features works by eleven Indian artists—including Afrah Shafiq, Anindita Bhattacharya, Debashish Mukherjee, Gargi Raina, Lakshmi Madhavan, Manjunath Kamath, Maya Krishna Rao, Pushpamala N., Ravinder Reddy, Sumakshi Singh, and V. Ramesh—several of whom created new commissions after a 2025 residency at the Hermitage. Curated by Marina Schulz and Tunty Chauhan, the show places contemporary works alongside historical objects from the museum's vast collections, fostering a dialogue across time and geography.
The National Gallery of Australia presents 'Of This Earth: Transforming Culture and Country Through First Nations Ceramics,' an exhibition featuring over thirty works by twenty-eight Aboriginal and Torres Strait Islander artists, including Thancoupie, Billy Bain, Nicole Foreshew, and Janet Fieldhouse. The show highlights diverse ceramic techniques and narratives drawn from the National Collection, emphasizing cultural continuity and contemporary expression.
This article from a Parisian events guide rounds up ten exhibitions to see over the Whitsun weekend (May 23–25, 2026) in Paris and Île-de-France. Highlights include a show of works by artist-patients at the Art and History Museum of Sainte-Anne Hospital, maritime paintings at the Navy Museum, a Papua New Guinea-themed exhibition at the Quai Branly – Jacques Chirac Museum, an interactive socially engaged show called "Ne Pas Toucher" in the Marais, a Louvre exhibition on water in ancient Mesopotamia, and a major Hilma af Klint retrospective at the Grand Palais in collaboration with the Centre Pompidou.
Filipino artist Pio Abad is presenting a series of intricate, hand-drawn works at the 2026 Venice Biennale as part of the exhibition "In Minor Keys," conceived by the late curator Koyo Kouoh. The works, created over four years with a 0.3-millimeter pen, include pieces such as "I’m Singing a Song That Can Only Be Born After Losing a Country" (first shown at the Ashmolean Museum in 2024), "Banua" (his first drawing on fabric), and "1897.76.36.18.6," which reflects on the looting of the Benin Bronzes. Abad, born in the Philippines and based in London, explores themes of migration, memory, exile, and the itinerant nature of objects and language.
Mosaic ArtSpace in Long Island City, NY, presents Antonia Papatzanaki: Unseen Brought to Light, a solo exhibition running from May 22 to September 30, 2025. The show features Papatzanaki's stainless steel light sculptures, inspired by microscopic imagery such as cellular formations and plant tissues, creating immersive environments that blend art, science, and technology. The opening reception is on May 22, 5-8 PM.
This week's cultural agenda in Belgium highlights three major events: the 75th anniversary of the Queen Elisabeth Competition, which focuses on cello for only the third time since 2017, featuring 64 young cellists from over 20 countries; the 12th edition of Antwerp Art Weekend, spanning 88 venues with a strong emphasis on emerging talent and politically engaged works; and a new exhibition at the Permekemuseum exploring Constant Permeke's formative years in wartime England. The competition includes a world premiere of 'Caffeine' by Belgian composer Harold Noben, and the winner will receive the use of Pablo Casals' historic 1733 Goffriller cello.
World-renowned artist Mateo Blanco has unveiled *Silver Falls Flag* (2026), a textile work reimagining the American flag as a flowing cascade of silver threads, evoking waterfalls and natural rhythms. The piece will be displayed from May 16 to August 23 at the Brick Store Museum in Kennebunk, Maine, as part of the exhibition *From Many, One: Visions of American Patriotism at 250*, marking the nation's 250th anniversary.
The Los Angeles County Museum of Art (LACMA) has opened "Realms of the Dharma: Buddhist Art Across Asia," an exhibition on view through July 12, 2026, that brings together approximately 180 Buddhist artworks from its permanent collection for the first time in a single space. Curated by Stephen Little and Tushara Bindu Gude, the show features paintings, sculptures, ritual objects, and sacred texts spanning Asia, including a notable gray schist bodhisattva Avalokiteshvara from Gandhara (c. 200 CE). The exhibition highlights the transformative work of curator Pratapaditya Pal, who from 1970 built LACMA's Indian, Himalayan, and Islamic collections into one of the nation's premier repositories.
Abbas Akhavan, representing Canada at the 2026 Venice Biennale, has transformed the Canada Pavilion into a greenhouse-like installation titled “Abbas Akhavan: Entre chien et loup.” The pavilion’s wooden door has been replaced with glass, revealing a pond of pinkish water illuminated by sunlight and LED grow-lamps. Visitors encounter mossy boulders, a vintage fur coat sprayed with mist, sharpened bronze sticks, and frosted mirrors that blur the architecture. Three giant Bolivian water lilies, grown from seeds sent from Kew Gardens to Padua, will gradually fill the pond over the summer. Akhavan describes his role as a “custodian” rather than a controller, emphasizing the unpredictability of nature.
The National Gallery of Canada has unveiled the exhibition "Abbas Akhavan: Entre chien et loup" for the Canada Pavilion at the 61st International Art Exhibition – La Biennale di Venezia in 2026. The site-specific installation reimagines the pavilion's architecture as a Wardian case, a precursor to the terrarium used to transport plants across the British Empire, featuring a custom pool with giant Victoria water lilies. The artist replaced the facade with glass panels, making the plants visible from outside, and the installation is framed by additional sculptural works. The exhibition is curated by Kim Nguyen and accompanied by a fully illustrated publication.
Peterson Rich Office (PRO) has designed a new Great Hall Gallery for the Metropolitan Museum of Art, occupying 12,000 square feet across five sequential rooms in a former exterior courtyard adjacent to the landmark Great Hall. The renovation exposes and celebrates historic exterior façades from the 1880s and 1890s, creating a layered architectural experience. The space is intended to host rotating exhibitions, particularly the Costume Institute's annual spring show, and is currently under construction.
The Campbell River Art Gallery (CRAG) is presenting a new group exhibition titled "Sacred in All Forms: Artists Reclaim the Divine Feminine Across Bodies, Lands, and Worlds," curated by Jenelle Pasiechnik. The show features four contemporary artists—Sandeep Johal, Xiaojing Yan, Kourtney Jackson, and Aaron McIntosh—whose works in textiles, video, sculpture, installation, and mixed media explore the sacred in everyday life, the body, relationships, and nature. The exhibition runs from May 7 to August 8, 2026, with an opening reception on May 9. Public programs including artist talks, workshops, and community conversations will accompany the show.
TOTAH gallery in New York presents 'The Time That’s Left', a solo exhibition of works by Italian artist Tommaso Spazzini Villa, opening May 14, 2026. The show expands on his recent large-scale mural on West 45th Street in Hell’s Kitchen, moving from public space to an intimate gallery setting. It features graphite drawings traced across antique book pages—sacred texts, epic poetry, theatre scores—depicting root-like forms that challenge linear language, alongside metal box sculptures with wire, light, and dried leaves that create fleeting shadow dioramas.
The article reports on the rise of gallery hopping in Delhi, particularly in neighborhoods like Lado Sarai, Defence Colony, and Okhla, where galleries cluster together. The Defence Colony Galleries Association, founded by Pristine Contemporary owners Arjun Butani and Arjun Sawhney, launched the monthly Def Col Art Night, keeping 10 galleries open until 9pm on the third Thursday with openings, music, and performances. Gallery directors and owners note that these events attract a broader audience beyond traditional collectors, making art more accessible and fostering community.
Duane Reed Gallery in St. Louis is hosting a new exhibition of trompe l’oeil stoneware sculptures and tiles by artist Dirk Staschke. Staschke, a sculptor and ceramicist, draws inspiration from Dutch Vanitas still-life painting, blending traditional techniques with contemporary textures and forced perspective. His works merge painting and sculpture, featuring adapted still lives on ceramic vessels and three-dimensional framed tableaus. Staschke holds an MFA from Alfred University and a BFA from the University of Montevallo, and his work has been exhibited at the Smithsonian Museum, Icheon Museum, Crocker Museum, and Portland Art Museum.
A roundup of current art exhibitions and calls for work in Taos, New Mexico, highlights shows such as "Nicolai Fechin: Figures, Nature, and Expression" at the Taos Art Museum, "Taos Reimagined: Modernist Experiments in the High Desert," and "Rag Made Quilts" at the Taos Public Library. Other featured venues include 203 Fine Art, Stables Gallery, Revolt Gallery, and the Wheaton Museum of World Artifacts, with openings and deadlines spanning through fall 2026.
This article from the 'Art Notes' column covers several local art events in Ocean County, New Jersey. John Meehan's oil painting 'Enjoying the Sunshine from the Shadows' is featured as cover art for the LBI Artist Studio Tour map. Suzanne Pasqualicchio's exhibit 'That’s Life: Little by Little' is on display at the Lacey branch of the Ocean County Library through May, with a reception on May 2. The Long Beach Island Foundation of the Arts and Sciences (LBIF) is hosting a pottery course for beginners aged 55 and older, funded by a Creative Aging Initiative grant, along with an upcycled patchwork sweatshirt workshop and the 28th annual Works on Paper national juried exhibition juried by Joanna Sheers Seidenstein of The Metropolitan Museum of Art. A photography exhibit by Don Edwards titled 'Nature in Ocean County' is also showing at the Waretown library branch.
ShugoArts in Tokyo presents 'Star of the Wilderness,' an exhibition by Japanese artist Masato Kobayashi celebrating the publication of the final volume of his autobiographical novel trilogy *Paint of this Planet*. The show features new works, including two large-scale paintings—'Artist and the Model' (over 2.6 meters) and 'Star of the Wilderness'—that exemplify Kobayashi's distinctive method of stretching canvas onto its frame while painting directly with his hands. The exhibition traces his journey from Kunitachi, Tokyo, to Ghent, Belgium, where he was discovered by curator Jan Hoet, and later to Tomonoura, Hiroshima, highlighting how his paintings emerge from specific places and moments.
The Greek Ministry of Culture has selected artist Andreas Angelidakis to represent Greece at the 61st Venice Biennale in 2026. Angelidakis will present an installation titled "Escape Room" at the Greek Pavilion, curated by George Bekirakis with MOMUS as National Commissioner. The project reimagines Plato's allegory of the cave as an immersive environment addressing post-truth, nationalism, and digital illusions, while also confronting the troubled history of the Pavilion itself, including its 1934 inauguration amid the rise of fascism.
D Lan Galleries and Pace Gallery are collaborating to present "Emily Kam Kngwarray: The Turning Season," a major survey of the renowned Australian First Nations artist, on view in New York from May 15 to August 14. The exhibition spans Pace's Chelsea spaces and includes key works from Kngwarray's career, such as her celebrated painting series and early batik textiles, following her landmark 2025 retrospective at Tate Modern in London.
Tony Cokes' solo exhibition "SM BNGR2" at FELIX GAUDLITZ in Vienna centers on club culture as a space for celebrating life through love, desire, queerness, music, art, aesthetics, and moving bodies. The show de-marginalizes club culture by examining its significance for subcultures, activist movements, and political resistance through the lens of writers and academics.
Lydia Ourahmane presents "1752 Photos" at Galerie Chantal Crousel in Paris, an exhibition centered on images that were never intended for public view. The works, stored in boxes and pressed between glass, explore themes of concealment, preservation, and the tension between visibility and obscurity.
The Fondazione Donnaregina per le arti contemporanee – museo Madre in Naples presents "Untitled (I love you)," the first retrospective in an Italian museum dedicated to American artist Uri Aran (born Jerusalem, 1977). Curated by museum director Eva Fabbris, the exhibition opens on Thursday, February 12, at 6 pm, with President Angela Tecce and the director in attendance.