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Artist David Diao reflects on his long engagement with Barnett Newman's work, from his 1966 experience as an art handler installing Newman's 'Stations of the Cross' series at the Guggenheim Museum to his own paintings that reference Newman both admiringly and critically. Diao's 1992 work 'Barnett Newman: Paintings by Title & Size' lists all 118 of Newman's paintings against a red background, treating them as inventory rather than masterpieces, while later works like 'BN: Spine 2' (2013) incorporate the worn fold of a Newman catalog cover. The article, based on a studio visit, captures Diao's matter-of-fact perspective on Newman's art and his own decades-long dialogue with the Abstract Expressionist.

design inspiration summer interiors collecting

Cultured magazine's article "design inspiration summer interiors collecting" presents five distinct stories exploring the intersection of art, design, and collecting within private homes and studios. It profiles designer John Gachot's Shelter Island studio where his paintings coexist with his father Richard Gachot's sculptures; the Montauk home-workshop of Roman & Williams founders Stephen Alesch and Robin Standefer; artist David Salle's Hamptons residence and his approach to selecting artworks; real estate investor Carl Gambino's art collection featuring emerging and established artists; and author James Frey's personal collection, which he began by purchasing a Picasso with cash.

Archie Rand On the Irreducibility of Painting in a Post-Digital Age

Archie Rand, now in his late 70s, recently held his first extensive solo show in years at Jarvis Art in New York, featuring his new body of work titled "Heads." The exhibition reclaims painting's primordial function, emphasizing the connection between brain and hands, imagination and reality. Rand, who emerged from the downtown New York scene in the late 1970s and early '80s, has witnessed the full postwar evolution of American art. His career includes a pivotal synagogue mural commission that led to backlash from the Orthodox community and a break with critic Clement Greenberg, pushing him toward representational forms. He found allies in figures like Philip Guston and John Ashbery, and after his wife's death ten years ago, began reflecting on mortality and childhood influences.

literature ann rower lee and elaine autofiction

Ann Rower's novel "Lee & Elaine," originally published in 2002 by Serpent's Tail, is being reissued next month by Semiotext(e). The autofictional work follows a narrator—a lightly fictionalized version of Rower—who, after learning of the death of her friend, artist Hannah Wilke, becomes obsessed with the graves of Lee Krasner and Elaine de Kooning at Green River Cemetery. The narrator imagines these two women, known primarily as wives of famous male painters, as secret lovers or comrades, and attempts to write a joint biography that doubles as a journey of self-discovery.

How Native American Artists Redefined Contemporary Art in the United States

A generation of Native American artists, emerging from the Institute of American Indian Arts (IAIA) in Santa Fe from the 1960s onward, reclaimed Indigenous representation in American art. Figures like Fritz Scholder, T.C. Cannon, Kevin Red Star, and Earl Biss used modernism, irony, and cultural specificity to dismantle colonial stereotypes of Native peoples as romanticized relics, instead portraying them as contemporary individuals with agency and living traditions.