Jackson Pollock Transformed American Art—and Was Destroyed by His Own Success

The article traces Jackson Pollock's transformative yet destructive rise to fame, focusing on his move to East Hampton with Lee Krasner, his development of drip painting in a small unheated barn, and the influence of predecessors like Janet Sobel and Max Ernst. It details his 1948 debut at the Betty Parsons Gallery, the mocking 1949 Life Magazine feature that ironically catapulted him to celebrity, and photographer Hans Namuth's documentation of his process, which revealed the deliberate nature of his technique.

Steven Soderbergh, the Colors of Money

Steven Soderbergh, les couleurs de l’argent

Steven Soderbergh's new film "The Christophers" (2025) is a sharp, chamber-piece drama about art, inheritance, and money. The story follows Julian Skar, a former art superstar from the 1970s now living in seclusion and earning a living by caricaturing himself on social media. His children, Barnaby and Sally, eager to maximize their future inheritance, hire a repentant forger named Lori Butler to secretly complete Julian's unfinished masterpiece, an eight-portrait series titled "The Christophers." The film explores the complex relationships that develop between the four characters in a labyrinthine London house, written in the style of a lively theatrical play.

What Happened to NFTs, Kevin McCoy?

Kevin McCoy, widely regarded as the inventor of NFTs, reflects on the NFT boom and bust in an interview with Anika Meier for SLEEK. He discusses how his 2014 creation "Quantum"—a monetized graphics concept—unexpectedly sparked a speculative market frenzy, leading to a bubble that eventually burst. McCoy recounts his early efforts building a platform at NEW INC, which went out of business, and notes that while the market side of NFTs surprised him, the core blockchain technology for digital ownership has been validated.

From an Artist to His Dealer

D’un artiste à son marchand

A new book titled "Miró-Loeb. Correspondance. 1926-1936" has been published by Éditions Norma, presenting the previously unpublished correspondence between Spanish painter Joan Miró and his Parisian dealer Pierre Loeb from 1926 to 1936. The volume includes photographs, reproductions of artworks, an illustrated record of Miró's exhibitions at Galerie Pierre, a prologue by art historian Joan Punyet Miró (the artist's grandson), and contributions from Albert Loeb (Pierre's son) and Sonia Loeb (his granddaughter), contextualizing a decade of exchanges amid cultural ferment and rising tensions. The book also features sparser letters from 1945 until Loeb's death in 1963, tracing the evolution of their relationship.