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Khaled Sabsabi: Splintered Worlds

Khaled Sabsabi, a Lebanese Australian artist, explores the intersection of spirituality and perception through video and mixed-media installations rooted in Sufism. His work, such as the 18-minute video *Lefke Morning* (2012–18), captures the Naqshbandi-Haqqani Sufi Order's dawn meditations, using blurred imagery and soundscapes to challenge Islamophobic media tropes and evoke a sense of unity. Sabsabi's practice also draws on hip-hop, which he performed as "Peacefender" in the 1980s, using music to address social issues and support marginalized communities in Western Sydney.

‘Touch the earth lightly’: the Australian home that floats above the landscape

The article profiles the Ball-Eastaway House, a home designed by pioneering Australian architect Glenn Murcutt in 1983 for artist Sydney Ball and his partner Lynne Eastaway. Located on a 10-hectare block of dry sclerophyll forest northwest of Sydney, the house is elevated on 14 steel columns sunk into a sandstone rock shelf, allowing it to float above the landscape and minimize its environmental impact. Murcutt, who later won the Pritzker Prize, incorporated sustainable design features such as natural ventilation, a gutter system inspired by eucalypt leaf patterns, and a structure that can be dismantled without trace.

From Micro to Mega, Jon McCormack’s Striking Photos Reveal Nature’s Patterns

Photographer Jon McCormack, who grew up in the Australian Outback and has traveled to all seven continents, has a new book titled "Patterns: Art of the Natural World," forthcoming from Damiani Books. The project emerged during the pandemic when limited travel led him to revisit local spots and develop a patient, attentive approach to capturing nature's hidden harmony and symmetry. The book features 90 images ranging from microscopic crystals to aerial views of flamingos in Kenya, along with text contributions from fellow photographers and conservationists.

Healing through art : Stories of First Nations people who have experienced incarceration

The Torch, a First Peoples-led arts organization in Victoria, Australia, runs a program supporting Indigenous artists who have experienced incarceration. Its annual exhibition, Confined 17, features nearly 500 artworks by 424 First Nations artists at the Glen Eira City Council gallery in Naarm. The organization provides art materials, cultural connection, and economic support, with artists receiving 100% of their income from sales. Participants like Tegan, a Palawa woman, describe improvising with food dye in prison to create watercolor-style works, while CEO Susannah Day and founder Kent Morris emphasize the program's role in reducing reincarceration rates.