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article culture schedule May 15, 2025 visibility 20 link 13 artists, 7 galleries

about last week an orbit through the highs and sighs of new yorks art fair multiverse

Writer and critic Domenick Ammirati chronicles a whirlwind week in New York during Frieze Week, visiting art fairs, exhibitions, and social events. Highlights include Jeff Koons' Hulk sculptures at Gagosian's Frieze booth, discovering painter Karol Palczak at Emalin gallery, and attending the group painting show "R U Still Painting???" curated by the collective FALCON in a raw Midtown office space. Ammirati notes a subdued, less intoxicated atmosphere compared to previous years, reflecting a broader unease in the art world.

newspaper Cultured open_in_new Read original

article culture schedule May 20, 2025 visibility 14 link 2 artists

marsha p johnson biography art tourmaline tiny reparations

This excerpt from Tourmaline's forthcoming book "Marsha: the Joy and Defiance of Marsha P. Johnson" (Tiny Reparations, May 20) focuses on Marsha P. Johnson's use of hand-sewn banners and textile art as tools of activism and joy within the gay liberation movement. It describes her creation of banners reading "GAY POOOR PEOPLE" and "Gay Love," the latter borrowed by the Hot Peaches theater troupe, and her broader artistic practice spanning acting, performance, fashion, and songwriting. The text also notes artist Tuesday Smilie's 2018 recreation of Johnson's STAR banner for an exhibit at the Rose Art Museum.

newspaper ARTnews open_in_new Read original

article culture schedule May 5, 2026 visibility 32 link 2 artists

How the adoption of canvas in Venice changed the way artists painted

Art historian Cleo Nisse has published a new book, *Venetian Canvas and the Transformation of Painting*, examining how 16th-century Venetian painters such as Titian, Veronese, and Tintoretto pioneered the use of canvas as a painting support. Nisse reveals that canvas was not a uniform material—artists experimented with different weaves, including tabby and herringbone patterns, and even repurposed sailcloth and tablecloth-quality fabrics to achieve specific visual effects. The book argues that canvas was already familiar in the late Middle Ages for banners and alternatives to tapestry, and that Vittore Carpaccio was the first master of the medium, varying canvas types for expressive purposes in his *Legend of St Ursula* series.

newspaper The Art Newspaper open_in_new Read original

article culture schedule Dec 18, 2025 visibility 10 link 2 artists

david oyelowo ava duvernay thriller heist of benin

David Oyelowo and Ava DuVernay are reuniting for a new thriller film titled "Heist of Benin," more than a decade after their Oscar-winning collaboration on "Selma." The film is set in modern-day London and described as a thriller that intertwines art, love, and restitution. DuVernay will direct from a screenplay by Jesse Quiñones, based on an original idea. Oyelowo will star and produce under his Yoruba Saxon banner, with Studiocanal financing and distributing. The project was announced during Canal+’s ORIGINAL+ presentation in Paris.

newspaper ARTnews open_in_new Read original

article culture schedule Jul 4, 2025 visibility 12 link 1 artist

Glastonbury is over—but what might it look like in the future? Artists are proposing a sustainable model

Glastonbury festival has concluded, and cleanup efforts are underway to address the estimated 4,000 tents left behind, alongside other waste. However, the Shangri-La stage offered a different vision: instead of traditional art installations, it featured allotments, plants, and seeds for festival-goers under the banner of "The Wilding." Creative director Kaye Dunnings led a reset focused on nature, community, and sustainability, with works like Sonic Bloom (a collaboration with charity Sounds Right) and Coral Manton's crop-circle-inspired installation Field Work. Shangri-La also purchased a nearby plot to tend plants for reuse in future festivals, aiming for a sustainable exhibition model.

newspaper The Art Newspaper open_in_new Read original