In the new film Nagi Notes, art is a vessel for characters’ desires

Japanese writer-director Koji Fukada's new film *Nagi Notes* premiered on 13 May at the Cannes Film Festival. The story follows Yuri (Shizuka Ishibashi), who visits the remote town of Nagi to sit for a sculptor friend, Yoriko (Takako Matsu). The film explores how characters use art—from drawings to sculptural busts—as a medium to express unspoken desires, grief, and identity, with key scenes set at the Nagi Museum of Contemporary Art featuring a permanent installation by Arakawa and Madeline Gins.

“Edmonia Lewis: Said in Stone” Reconstructs a Life Across Fragments

Boston Art Review (BAR) has published an article titled “Edmonia Lewis: Said in Stone” that reconstructs the life of the 19th-century sculptor Edmonia Lewis across fragmented historical records. The piece examines Lewis’s career, her neoclassical marble works, and the challenges of piecing together her biography due to limited archival materials.

Provincia Cosmica. Interview with Giuseppe Stampone, the artist who chose Gran Sasso as his home

Provincia Cosmica. Intervista a Giuseppe Stampone, l’artista che ha scelto il Gran Sasso come casa

Italian contemporary artist Giuseppe Stampone, born in Cluses in 1974, has returned to his native Abruzzo after years living in New York, Rome, and Brussels. Following the loss of his parents, he established his studio in the province of Teramo, where he is restoring a farmhouse under the Gran Sasso mountain to house the Archivio Giuseppe Stampone-Maria Crispal and an artist residency called Abruzzo Mon Amour. Stampone won the PAC2021 prize for his project "La natura delle cose," which explores his bond with the region and will create an archive dedicated to the flora and fauna of the Monti della Laga, Parco Nazionale d’Abruzzo, and Gran Sasso areas.

Lifting Belly, Soft Bodies: Zuzanna Szary Talks with Wojciech Szymański

Polish painter Zuzanna Szary discusses her artistic journey and the intersection of queer identity, domesticity, and painting in an interview with Wojciech Szymański. Szary recounts discovering her lesbian identity in junior high and turning to painting after a period of clinical depression, eventually studying at the Academy of Fine Arts in Krakow. Her work, which has evolved from portraits of partners to still lifes centered on food and home, explores themes of softness, sensuality, and the politics of the body, drawing inspiration from figures like Gertrude Stein and Alice B. Toklas.