Here’s How Stars at the 2026 Met Gala Nodded to Art History

The 2026 Met Gala, themed "Fashion Is Art," saw celebrities and fashion figures wearing outfits directly inspired by or referencing iconic artworks and art historical movements. Notable nods included Chloe Malle in a gown referencing Frederic Leighton's *Flaming June*, Lauren Sánchez Bezos in a Schiaparelli dress echoing John Singer Sargent's *Madame X*, and Hunter Schafer channeling Gustav Klimt's portrait *Mäda Primavesi*. Other attendees like Anne Hathaway, Hailey Bieber, and Karan Johar also drew from specific paintings, sculptures, and poems, while stylist Law Roach wore a hand-painted piece by Gabonese artist Naïla Opiangah.

Amy Sherald Dresses As Her Own Award-Winning Painting for Met Gala

Amy Sherald attended the 2025 Met Gala dressed as the subject of her own award-winning painting, *Miss Everything (Unsuppressed Deliverance)* (2014). The work, which won the Outwin Boochever Prize at the National Portrait Gallery and appeared on a *New Yorker* cover, depicts a young girl holding an oversized teacup. Sherald collaborated with designer Thom Browne to recreate the painting's look, including a red fascinator, as part of the gala's theme “Fashion Is Art,” which also aligns with the Costume Institute's exhibition “Costume Art.” Sherald served on the gala's committee alongside artists Anna Weyant and Tschabalala Self.

Expanded Vocabulary: Revisiting Deborah Kass’ Studio

The article recounts the author's visit to Deborah Kass's Brooklyn studio, which she shares with her wife, artist Patricia Cronin. The visit was prompted by logistical issues related to the author's exhibition "Social Minimalism" (2025). During the visit, the author and Kass revisited themes central to Kass's work over three decades: the exclusion of women from art history, Jewish identity, queer voice, lesbian subjectivity, and postwar American art. The conversation also touched on Kass's series including the Warhol Project, Feel Good Paintings, No Kidding, and the large painting/sculpture installation "Everybody" (2019), which was recently featured in a conversation between Kass and Titus Kaphar in Interview magazine.

From high BMI to the ‘GLP-1 look’: how weight-loss jabs are changing the face of beauty

Researchers and art historians are examining how weight-loss drugs like Wegovy and Mounjaro are reshaping ideals of beauty in art. Prof. Rosalind Gill and Dr. Michael Yafi argue that the rapid fat loss caused by GLP-1 medications produces a distinctive gaunt facial appearance—dubbed 'GLP-1 face'—which could become a new aesthetic standard reflected in contemporary art, similar to 'heroin chic' in the 1990s. Yafi presented his findings at the European Congress on Obesity, noting that while artists like Fernando Botero continue to celebrate fuller figures, future artworks may increasingly depict thin individuals with hollowed features.

Soft armour, pert nipples: how London design team made Kim Kardashian’s Met Gala breastplate

Kim Kardashian wore an orange fibreglass breastplate to the 2024 Met Gala, created by the east London design duo Whitaker Malem (Patrick Whitaker and Keir Malem) in collaboration with British pop artist Allen Jones. The breastplate was cast from a mould derived from Jones's 1969 sculpture "Hatstand," finished by car bodyshop MPS Body and Paint in Kent, and paired with a hand-painted leather skirt. Kardashian directly contacted the duo in early April, flew to the UK for fittings, and chose the piece to interpret the gala's "fashion is art" dress code, which explored the dressed and undressed human body.

Bodies in Motion, Bodies at Rest: Ali Cherri in Conversation with Kaelen Wilson-Goldie

This article presents a conversation between artist Ali Cherri and writer Kaelen Wilson-Goldie, marking the second installment of a collaborative series between TextWork by Fondation Pernod Ricard and Mousse Magazine. The series features in-depth dialogues between artists from the TextWork program and magazine contributors, expanding on the traditional interview format, and is set to continue until 2027.

Archie Rand On the Irreducibility of Painting in a Post-Digital Age

Archie Rand, now in his late 70s, recently held his first extensive solo show in years at Jarvis Art in New York, featuring his new body of work titled "Heads." The exhibition reclaims painting's primordial function, emphasizing the connection between brain and hands, imagination and reality. Rand, who emerged from the downtown New York scene in the late 1970s and early '80s, has witnessed the full postwar evolution of American art. His career includes a pivotal synagogue mural commission that led to backlash from the Orthodox community and a break with critic Clement Greenberg, pushing him toward representational forms. He found allies in figures like Philip Guston and John Ashbery, and after his wife's death ten years ago, began reflecting on mortality and childhood influences.

How to watch the 'Costume Art' Met Gala red carpet

The 2026 Met Gala, held on May 4 at the Metropolitan Museum of Art in New York, featured a dress code titled 'Costume Art' that explicitly frames fashion as an embodied art form. Celebrities including Beyoncé, Nicole Kidman, and Venus Williams ascended the museum's steps wearing archival fashion pieces and custom creations, with references to artistic collaborations such as Elsa Schiaparelli and Salvador Dalí's lobster dress, Yves Saint Laurent's Mondrian-inspired designs, and Marc Jacobs' work with Takashi Murakami. The event raises funds for the museum's Costume Institute, whose spring exhibition 'Costume Art' examines the centrality of the dressed body.

The best looks from the 2026 Met Gala

The 2026 Met Gala, themed 'Costume Art,' took place at the Metropolitan Museum of Art, honoring the Costume Institute's spring exhibition on the role of the dressed body in art history. Co-chaired by Nicole Kidman, Venus Williams, Anna Wintour, and Beyoncé, the event featured A-list celebrities, pop stars, and tech titans on the museum's grand staircase, with a dress code of 'Fashion Is Art' encouraging guests to treat the body as a canvas. Notable attendees included Sabrina Carpenter, Doechii, Rosé, Gigi Hadid, Katy Perry, and Charli XCX, with many wearing custom designs from houses like Marc Jacobs, Saint Laurent, Thom Browne, and Jean Paul Gaultier.

GEORGE FEBRES: TRANSLATION, IRONY, AND LIBERATION. AN ECUADORIAN ARTIST IN THE DIASPORA

The article examines the life and work of George Febres (1943–1996), an Ecuadorian artist who spent most of his career in the United States, primarily in New Orleans. Febres’s practice blends Pop Art, Neo-Surrealism, and Southern US culture with his experiences as a migrant and queer subject, using bilingualism and ironic tropical imagery to create a hybrid, irreverent body of work. Despite his significance, no works by Febres exist in Ecuadorian public collections, and no major retrospective has been held in his home country, reflecting a broader erasure of queer narratives from national art history.

GEORGE FEBRES: TRADUCCIÓN, IRONÍA Y LIBERACIÓN. UN ARTISTA ECUATORIANO EN LA DIÁSPORA

George Febres (Guayaquil, 1943 – New Orleans, 1996) was an Ecuadorian artist whose work blended pop art, neo-surrealism, and Southern U.S. culture, shaped by his experience as a migrant and queer individual. The article traces his life from a privileged but unstable childhood in Ecuador to his migration to the United States, where he was drafted during the Vietnam War and eventually settled in New Orleans. Febres used bilingualism and ironic appropriation of tropical imagery to create a hybrid, irreverent body of work that challenges the official historiography of Ecuadorian art.

In the new film Nagi Notes, art is a vessel for characters’ desires

Japanese writer-director Koji Fukada's new film *Nagi Notes* premiered on 13 May at the Cannes Film Festival. The story follows Yuri (Shizuka Ishibashi), who visits the remote town of Nagi to sit for a sculptor friend, Yoriko (Takako Matsu). The film explores how characters use art—from drawings to sculptural busts—as a medium to express unspoken desires, grief, and identity, with key scenes set at the Nagi Museum of Contemporary Art featuring a permanent installation by Arakawa and Madeline Gins.

The glories of Francisco de Zurbarán’s paintings | Letters

Two letters to the editor respond to Charlotte Higgins's article on Francisco de Zurbarán. Paul McGilchrist critiques the physical inaccuracy of crucifixion depictions, including Zurbarán's *The Crucified Christ*, noting that most paintings fail to convey the true weight and distortion of a body suspended by nails. Jean Wilson highlights Zurbarán's series *Jacob and his 12 Sons* at Auckland Palace in Bishop Auckland, describing its history since 1756 and its connection to Bishop Trevor's support for Jewish rights.

“Edmonia Lewis: Said in Stone” Reconstructs a Life Across Fragments

Boston Art Review (BAR) has published an article titled “Edmonia Lewis: Said in Stone” that reconstructs the life of the 19th-century sculptor Edmonia Lewis across fragmented historical records. The piece examines Lewis’s career, her neoclassical marble works, and the challenges of piecing together her biography due to limited archival materials.

How Frida Kahlo Became This Year's Cultural Obsession

In 2026, Frida Kahlo has become a global cultural obsession, with museums, opera houses, and cinemas worldwide celebrating her legacy. The Metropolitan Opera in New York City will premiere Gabriela Lena Frank's Spanish-sung opera *El Último Sueño de Frida y Diego* on May 14, which imagines Diego Rivera summoning Kahlo back to life three years after her death. Set and costume designer Jon Bausor drew inspiration from the trees, veins, and cracked imagery in Kahlo's paintings.

At the 2026 Met Gala, Black stars and socialites turned the human form into art

The 2026 Met Gala, held at the Metropolitan Museum of Art under the theme 'Costume Art,' featured Black celebrities and socialites interpreting the human form as art on the red carpet. Notable attendees included Beyoncé in a skeletal silver gown by Olivier Rousteing, Colman Domingo inspired by Jean-Michel Basquiat, Rihanna in a custom Maison Margiela 'living sculpture' by Glenn Martens, and Venus Williams co-chairing the event while wearing a look referencing her own portrait by Robert Pruitt. Others like SZA, Tschabalala Self, and Cardi B offered surreal or literal nods to art history and body imagery.

The Artists Who Put Their Bodies Into the Work

This article from Google News, dated May 3, 2026, profiles a selection of artists who have used their own bodies as central elements in their work. It draws a connection to the Metropolitan Museum of Art's spring Costume Institute exhibition, "Costume Art," which places fashion in dialogue with other artworks. The roundup includes Marina Abramović, known for her 2010 MoMA performance "The Artist Is Present"; Chris Burden, who staged dangerous works like "Shoot" (1971); David Hammons, creator of the "Body Prints" series; Frida Kahlo, whose painting "The Broken Column" (1944) depicts her own physical pain; Ana Mendieta, whose "Silueta" series used her figure in the landscape; and Yoko Ono, a conceptual artist with a significant body-based practice.

WHEN FASHION MEETS ART QUOTES BODIES AND POWER AT THE MET GALA

The 2026 Met Gala took place on the first Monday of May, opening the Costume Institute's spring exhibition 'Costume Art' at the Metropolitan Museum of Art. The dress code 'Fashion is Art' prompted celebrities to treat the body as a canvas, with attendees like Hunter Schafer, Madonna, Rachel Zegler, Angela Bassett, Kendall Jenner, Troye Sivan, and Emma Chamberlain referencing specific artworks—from Gustav Klimt's *Mada Primavesi* to the *Winged Victory of Samothrace*—and historical fashion pieces.

Arts and cultural engagement ‘linked to slower pace of biological ageing’

A new study published in the journal *Innovation in Aging* finds that engaging in arts and cultural activities—such as singing, painting, visiting museums or galleries—is linked to a slower pace of biological ageing. Researchers from University College London analyzed blood test and survey data from 3,556 adults in the UK Household Longitudinal Study, using epigenetic clocks to measure biological ageing. Those who participated in arts activities at least weekly showed a 4% slower ageing process, while monthly engagement yielded a 3% slowdown. The effect was comparable to the difference between smokers and those who quit smoking.

How super-skinny red carpet trend at Met Gala clashes with own its body-positive Costume Art show

The Met Gala, organized by Vogue and themed around "costume art," was accompanied by an exhibition of the same name at New York's Metropolitan Museum of Art opening May 10, focusing on the dressed body. While the exhibition has been praised for using inclusive mannequins representing diverse body types—including variously abled, fat, thin, and pregnant forms—the red carpet was criticized for its overwhelming thinness and the involvement of honorary chairs Jeff Bezos and Lauren Sánchez Bezos, who reportedly sponsored the event for $10 million, sparking boycott calls. Fashion commentators like Diet Prada noted the Gala was more poorly received than ever, with some celebrities absent.

Met Gala 2026: Everything to Know About the Theme, Co-Chairs, Dress Code and More

The 2026 Met Gala will take place on May 4 at the Metropolitan Museum of Art in New York City, with the theme "Costume Art" and a dress code of "Fashion Is Art." The event honors the spring 2026 exhibition of the same name, which inaugurates the Costume Institute's first permanent galleries, the nearly 12,000-square-foot Condé M. Nast Galleries. Co-chairs include Beyoncé, Nicole Kidman, Venus Williams, and Anna Wintour. The red carpet livestream will be hosted by Ashley Graham, La La Anthony, Cara Delevingne, and Emma Chamberlain on Vogue's digital platforms.

Provincia Cosmica. Interview with Giuseppe Stampone, the artist who chose Gran Sasso as his home

Provincia Cosmica. Intervista a Giuseppe Stampone, l’artista che ha scelto il Gran Sasso come casa

Italian contemporary artist Giuseppe Stampone, born in Cluses in 1974, has returned to his native Abruzzo after years living in New York, Rome, and Brussels. Following the loss of his parents, he established his studio in the province of Teramo, where he is restoring a farmhouse under the Gran Sasso mountain to house the Archivio Giuseppe Stampone-Maria Crispal and an artist residency called Abruzzo Mon Amour. Stampone won the PAC2021 prize for his project "La natura delle cose," which explores his bond with the region and will create an archive dedicated to the flora and fauna of the Monti della Laga, Parco Nazionale d’Abruzzo, and Gran Sasso areas.

Hilma af Klint en 2 minutes

Hilma af Klint (1862–1944) is profiled as a pioneering Swedish abstract artist who created a vast body of visionary, large-scale abstract paintings decades before Kandinsky, yet kept them secret during her lifetime. The article traces her life from a childhood steeped in science and nature, through her studies at the Royal Academy of Fine Arts in Stockholm, to her dual artistic practice: conventional landscapes and portraits for income, and radically abstract works guided by spiritualist séances and theosophical beliefs. She founded the group "The Five" with fellow female artists, and from 1906 onward produced the monumental series "Paintings for the Temple" (193 works), convinced she was channeling a higher force. She stipulated in her will that her abstract works not be revealed until 20 years after her death, and they were only rediscovered in the late 1960s.

Births, deaths and a first kiss: life near the frontline in Ukraine – in pictures

British-Iranian artist Aria Shahrokhshahi's long-term photographic project "Wet Ground" captures daily life in Ukraine during Russia's full-scale invasion, focusing on moments of youth, subculture, and fragile continuity rather than traditional war imagery. The series, developed through repeated stays and volunteering since 2019, includes scenes from teenage discos, hospital wards, a birth during a missile attack, and a first kiss near the frontline, all shot in stark black and white.

No One Understood the 2026 Met Gala Theme Quite Like Bad Bunny

At the 2026 Met Gala, Puerto Rican superstar Bad Bunny arrived in a transformative look that made him nearly unrecognizable. He wore a black pussy-bow blouse, wrap blazer, and trousers, with prosthetics and makeup by Mike Marin turning him into an old man, accessorized with a cane. The gala's theme, inspired by the Metropolitan Museum of Art's 'Costume as Art' exhibition, had a dress code of 'Fashion is Art,' and Bad Bunny's choice specifically highlighted the aging body, aligning with the exhibition's focus on the body at all stages.

Lifting Belly, Soft Bodies: Zuzanna Szary Talks with Wojciech Szymański

Polish painter Zuzanna Szary discusses her artistic journey and the intersection of queer identity, domesticity, and painting in an interview with Wojciech Szymański. Szary recounts discovering her lesbian identity in junior high and turning to painting after a period of clinical depression, eventually studying at the Academy of Fine Arts in Krakow. Her work, which has evolved from portraits of partners to still lifes centered on food and home, explores themes of softness, sensuality, and the politics of the body, drawing inspiration from figures like Gertrude Stein and Alice B. Toklas.

Karmic Modernism. In Conversation with Elizabeth Englander by Nick Irvin

Elizabeth Englander, an artist working primarily in assemblage with materials like children's furniture, nutcrackers, and old clothing, discusses her recent exhibitions and spiritual approach to art in an interview with Nick Irvin for Flash Art. The conversation covers her show "The Elizabethan Lumber Room" (2026) at a. SQUIRE in London, the modular barrister's bookcase inherited from her mother, and her "Parinirvana" series (2025) that explores themes of death and sacred art through papier-mâché, paint, and mylar. Englander also references influences such as Constantin Brâncuși, her graduate advisor Tom Weaver, and Erwin Panofsky's writings on tomb sculpture.

The diaries of Czech photographer Josef Koudelka — ‘home doesn’t exist’

The Financial Times Visual Arts section publishes an article offering a compelling insight into the mind and process of Czech photographer Josef Koudelka, who documented the plight of people living on the edge of European society. The piece focuses on his diaries, revealing his personal reflections and artistic journey.

Met gala guests deliver works of art on the human form

The article reports on the 2025 Met Gala, where celebrity guests showcased elaborate, art-inspired fashion on the red carpet. The event, held at the Metropolitan Museum of Art in New York, featured designs that transformed the human body into living canvases, with many looks referencing the evening's exhibition theme.

The Body Is Art

The Metropolitan Museum of Art has published an article titled "The Body Is Art." The content appears to focus on the human body as a subject within art, likely exploring representations and interpretations of the body in the museum's collection.