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Preparations for the Miyako Odori, Kyoto’s spring dance festival – in pictures

Geisha and maiko (apprentices) in Kyoto are rehearsing for the annual Miyako Odori, or 'Capital City Dances.' This spring dance festival, held throughout April at the Gion Kōbu Kaburenjo theatre, features eight scenes depicting Japanese history and literature, accompanied by live shamisen music and performed against cherry blossom backdrops.

Why your moon photos look so bad (and how to fix it): the best Australian photos of March - video

Guardian Australia's picture editor Carly Earl selected the publication's top three photographs for March, highlighting a total lunar eclipse, the Iranian women's football team's tense departure, and a portrait of a man displaced by Cyclone Narelle. The monthly series provides insight into the craft of photojournalism, showcasing the technical skill and narrative power behind compelling images while elevating the work of Australian photographers and the stories they capture.

A New Look at Rabelais and His World

The article examines the philosophical and literary significance of laughter in François Rabelais's work, particularly *Gargantua and Pantagruel*, contrasting his celebratory view with the predominantly negative assessments of laughter in Western philosophy from Plato to Hobbes. It highlights how Rabelais channels a durable tradition of folk humor as a form of affirmative relief from oppression and official solemnity.

The Future of Museums Is a Dance Floor

Museums and art institutions are increasingly incorporating nightlife and rave culture into their programming, treating the dance floor as a site of cultural and political significance. Exhibitions like Steve McQueen's 2024 Dia Beacon show, the 2018 'Elements of Vogue' in Madrid, the Swiss National Museum's 2025 'Techno' exhibition, and the author's own 2025 curatorial project 'Rave into the Future: Art in Motion' at the Asian Art Museum demonstrate this institutional turn.

Flowery Films Whose Plant Life Lingers in the Mind

Ten prominent artists and designers have curated a selection of cinematic flora that has significantly influenced their creative practices. From the surreal, hand-shaped topiaries in *Edward Scissorhands* to the symbolic, scene-setting bouquets in *The Age of Innocence*, these creators analyze how botanical elements on screen transcend mere decoration to become vital narrative and aesthetic tools.