Here’s How Stars at the 2026 Met Gala Nodded to Art History

The 2026 Met Gala, themed "Fashion Is Art," saw celebrities and fashion figures wearing outfits directly inspired by or referencing iconic artworks and art historical movements. Notable nods included Chloe Malle in a gown referencing Frederic Leighton's *Flaming June*, Lauren Sánchez Bezos in a Schiaparelli dress echoing John Singer Sargent's *Madame X*, and Hunter Schafer channeling Gustav Klimt's portrait *Mäda Primavesi*. Other attendees like Anne Hathaway, Hailey Bieber, and Karan Johar also drew from specific paintings, sculptures, and poems, while stylist Law Roach wore a hand-painted piece by Gabonese artist Naïla Opiangah.

How Well Do the Met Gala’s Attendees Know Their Art History? We Critique Looks by Madonna, Hunter Schafer, and More

The article critiques nine outfits from the 2026 Met Gala, which was held under the theme 'Fashion Is Art' in conjunction with the Costume Institute's new exhibition 'Costume Art' at the Metropolitan Museum of Art. It analyzes how attendees like Hunter Schafer, Lauren Sánchez Bezos, and Kylie Jenner referenced specific artworks—such as Gustav Klimt's *Mäda Primavesi* and John Singer Sargent's *Madame X*—in their fashion choices, evaluating the success of these art-historical allusions.

The Art Diary May 2026 – Revd Jonathan Evens

The article titled "The Art Diary May 2026 – Revd Jonathan Evens" appears to be a diary or column by Revd Jonathan Evens, published on Artlyst, covering art-related events, reflections, or commentary for May 2026. The specific content is not provided in the snippet, but the format suggests a curated overview of exhibitions, cultural happenings, or personal observations from the author's perspective.

Met Gala Memes That Ate the Rich and Left No Crumbs

The article covers the 2026 Met Gala, sponsored by Jeff and Lauren Sánchez Bezos, and the intense online backlash it generated. Despite a dress code of "Fashion is Art," celebrities faced merciless mockery on social media for their looks, with particular scorn directed at Lauren Sánchez Bezos's Schiaparelli gown inspired by John Singer Sargent's "Madame X." The criticism was amplified by weeks-long protests against Amazon's labor practices and Bezos's involvement, as well as the museum's own unionized employees speaking out. The piece compiles the most inventive and cutting memes from X (formerly Twitter), targeting everything from fashion fails to political hypocrisy.

How Tech Billionaires Turn Couture into Content

Wie Tech-Milliardäre Couture zu Content machen

The Met Gala, long considered the premier event for fashion and cultural influence, has become increasingly dominated by tech billionaires. This year, Jeff Bezos and Lauren Sánchez Bezos purchased their role as co-hosts, sparking protests in New York and raising questions about whether money alone now buys entry into the highest echelons of fashion. Individual tickets cost $10,000 and a table $350,000, with sponsors including OpenAI, Snapchat, and Meta. The event, organized by Anna Wintour to raise funds for the Costume Institute at the Metropolitan Museum of Art, raised $31 million last year but has transformed from a benefit into a spectacle optimized for viral moments and algorithmic appeal.

The Best and Worst of the Stars at the 2026 Met Gala Inspired by Art History

Le meilleur et le pire des stars au Met Gala 2026 inspiré par l’histoire de l’art

On May 4, 2026, the Met Gala brought together 450 guests at the Metropolitan Museum of Art in New York under the theme "Fashion is Art," tied to the exhibition "Costume Art." Attendees were asked to draw inspiration from specific artworks, resulting in standout looks: Madonna channeled Leonora Carrington's "The Temptation of Saint Anthony" (1945) in a Saint Laurent gown, Kim Kardashian wore a custom piece by Allen Jones extending his "Cover Story 4/4" (2021), Hunter Schafer embodied Gustav Klimt's portrait "Mäda Primavesi" (1912-1913) in Prada, and Tessa Thompson referenced Yves Klein's "Anthropométries" in Valentino. Gracie Abrams also paid homage to Klimt's "The Kiss."

Met Gala guests from Beyoncé to Nicole Kidman set to flaunt fashion as art

The article previews the 2025 Met Gala, where celebrities including Beyoncé, Nicole Kidman, and Venus Williams will ascend the Metropolitan Museum of Art's steps dressed according to the dress code "Fashion is art." The event, which raises funds for the museum's Costume Institute, encourages guests to treat fashion as an embodied art form, drawing on historical collaborations between designers and artists—such as Elsa Schiaparelli with Salvador Dalí, Yves Saint Laurent with Piet Mondrian, and Marc Jacobs with Takashi Murakami. The red carpet will be livestreamed by Vogue and the Associated Press.

Our chief art critic’s nine best UK museums — you may be surprised

Laura Freeman, chief art critic for The Times, shares her personal list of nine favorite UK museums and galleries, ranging from London institutions like Sir John Soane’s Museum and the V&A to smaller venues such as Pallant House in Chichester and Kettle’s Yard in Cambridge. She emphasizes character and collection over flashy renovations, noting that her picks are based on decades of visits, family outings, and emotional resonance.

Met Gala guests take artistic liberties with dress code

Guests at the 2025 Met Gala embraced the dress code 'Fashion is art' with bold, artistic ensembles. Beyoncé wore a custom Olivier Rousteing sculptural skeleton dress with a feathered train and diamond crown. Naomi Osaka stunned in a Robert Wun white sculptural dress that revealed a red beaded gown underneath. Emma Chamberlain arrived in a hand-painted Mugler dress by Miguel Castro Freitas. Co-chairs Anna Wintour, Nicole Kidman, and Venus Williams also made statements, with Williams wearing a sparkling gown in homage to her own portrait by Robert Pruitt. Many guests referenced famous artworks, such as Lena Dunham channeling Artemisia Gentileschi's 'Judith Slaying Holofernes' through a Valentino design by Alessandro Michele, and Lauren Sánchez Bezos wearing a Schiaparelli gown inspired by John Singer Sargent's 'Madame X.'

The best looks from the 2026 Met Gala

The 2026 Met Gala, themed 'Costume Art,' took place at the Metropolitan Museum of Art, honoring the Costume Institute's spring exhibition on the role of the dressed body in art history. Co-chaired by Nicole Kidman, Venus Williams, Anna Wintour, and Beyoncé, the event featured A-list celebrities, pop stars, and tech titans on the museum's grand staircase, with a dress code of 'Fashion Is Art' encouraging guests to treat the body as a canvas. Notable attendees included Sabrina Carpenter, Doechii, Rosé, Gigi Hadid, Katy Perry, and Charli XCX, with many wearing custom designs from houses like Marc Jacobs, Saint Laurent, Thom Browne, and Jean Paul Gaultier.

PHOTOS: Artistic liberties on display at the Met Gala

The 2026 Met Gala, held on May 4 at the Metropolitan Museum of Art in New York, featured celebrities including Beyoncé, Naomi Osaka, and Emma Chamberlain in elaborate, art-inspired ensembles under the dress code 'Fashion is art.' Beyoncé wore a custom Olivier Rousteing sculptural skeleton dress, Osaka stunned in a Robert Wun white sculptural dress with red feathers, and Chamberlain arrived in a hand-painted Mugler gown. Co-chairs Anna Wintour, Nicole Kidman, and Venus Williams also attended, with Williams wearing a gown referencing a Robert Pruitt portrait of herself. The event raised funds for the Costume Institute's exhibition 'Costume Art.'

Comment | Degenerate art all over again? Nazi attack on Modern art is not far away from trends in today’s world

The article draws a provocative parallel between the Nazi regime's attack on modern art—epitomized by the 1937 "Degenerate Art" (Entartete Kunst) exhibition—and contemporary political aesthetics, particularly around President Donald Trump. It traces the Nazi party's early use of visual spectacle, mass rallies, and monumental art to forge a national identity, contrasting this with Trump's proposed National Garden for American Heroes and stalled White House Ballroom, which the author dismisses as kitsch but lacking the cohesive fascist aesthetic of Albert Speer's masterplans.

In new play, Norval Morrisseau forgery scandal prompts questions about authenticity and Indigenous identity

A new play by Ojibway playwright Drew Hayden Taylor, *The Undeniable Accusations of Red Cadmium Light*, dramatizes the massive Norval Morrisseau art forgery scandal in Canada. The story follows an Indigenous art expert named Nazhi, her adopted daughter Beverly, and a journalist whose investigation into Morrisseau forgeries unravels Nazhi’s own identity and status. The play uses Morrisseau’s iconic imagery and the forensic analysis of paint colors to explore the blurred lines between authentic and fake, both in art and in personal identity. It concluded its run at Vancouver’s Firehall Arts Centre on 3 May.

Actress Alba Clemente Tells Her Story in the Theater and Reveals What Lies Behind Her Partenope, a Smoking Siren

L’attrice Alba Clemente si racconta a teatro e svela cosa si nasconde dietro la sua Partenope, sirena fumatrice

Actress Alba Clemente (née Primiceri) recounts her life and career in a theatrical performance titled "Racconto di una vita, anzi tre: ALBAINCLEMENTE," directed by Guido Torlonia. The show, adapted from an earlier piece created with director Andrew Ondrejcak, premiered in Naples and is set to tour Rome and Milan. Clemente reflects on her rebellious youth in Amalfi, her studies at the Accademia di Belle Arti in Naples, and her encounters with artists such as Joseph Beuys, Andy Warhol, Jean-Michel Basquiat, Alex Katz, and Robert Mapplethorpe. She also describes meeting her husband, internationally renowned painter Francesco Clemente, in Rome on the day Pier Paolo Pasolini was assassinated.

We Spent a Week Quarantined on an Uninhabited Island with 80 Artists

A journalist from Colossal spent a week on an uninhabited island in the Balearic Islands with nearly 80 artists for a residency program called Quarantine, conceived by artist Carles Gomila. Participants follow a rigorous, opaque schedule of talks, workshops, and mentorship sessions, with phones and internet banned, and must stay on the island from early morning until late evening. The April 2026 edition, themed "Tears in Rain" after a Blade Runner monologue, began with a theatrical tour by an actor playing Captain Horacio Hollynwood, who introduced the historic Lazaretto of Mahón, an 18th-century fortress and infirmary.

Libri d’arte. 7 novità in libreria tra saggi, racconti e fotografie

This article from Artribune presents seven new art book releases in Italy, all united by a common theme of bringing marginalized subjects back into focus. Featured titles include Johnny L. Bertolio's "L'ha scritto lei, ma…" which examines why female authors are excluded from Italian school curricula, and Carla Rossi's "Oltre i margini," a rigorous study of European female miniaturists from the Middle Ages to the Renaissance. Other works address queer representation in museums, children's voices on Gaza, photographic portraiture by Lorenzo Cicconi Massi, a collective volume on the Bertolucci family, and a theatrical project by Kepler-452 set in the central Mediterranean.