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This Massive Collection of More Than a Million Tools Tells the Striking History of Jewelry Making in America

Kevin Potter, a jeweler based in Tucson, Arizona, has assembled the world's largest collection of artifacts from America's industrial jewelry manufacturing era. His collection, housed in two warehouses, contains an estimated 1.2 million hubs and dies—the hand-carved steel tools used to mass-produce jewelry through die-striking—along with related machinery and ephemera, preserving a vast physical archive of a vanished craft.

ArtReview Asia Spring 2026 Issue Out Now

The Spring 2026 issue of ArtReview Asia has been published, featuring a cover profile of artist Li Yi-Fan. The issue includes an in-depth look at Li's work, which explores the relationship between humans and machines through video installations and performance lectures, ahead of his representation of Taiwan at the Venice Biennale. Other articles examine the contemporary art scene in Bangkok, urban redevelopment in Colombo, a colonial-era plant hunting exhibition in London, and Taiwan's museum boom.

The shot that shows the absurdity of war: Peter van Agtmael’s best photograph

Photographer Peter van Agtmael reflects on a photograph he took 20 years ago while embedded with the U.S. military in Iraq. The image, captured during his first experience of war, depicts a dejected American soldier sitting in an ordinary Iraqi living room, a scene he describes as showing the vast military machine mobilized in the Middle East.

How to Survive AI

Two documentaries premiering at the 2026 Sundance Film Festival directly confront the discourse surrounding artificial intelligence. Valerie Veatch's 'Ghost in the Machine' traces the racist, eugenicist origins of AI research, linking it to a history of American techno-fascism, while Daniel Roher and Charlie Tyrell's 'The AI Doc: Or How I Became an Apocaloptimist' offers a more measured, personal exploration of public anxieties about the technology.

'There's no point in an art gallery without artists'

Artists and curators in the UK are increasingly mobilizing to address the rapid integration of artificial intelligence in the creative sector. Following a public backlash against an AI-focused workshop at a local gallery in Hull, curator Lucy Brooke organized forums to discuss the ethical implications of machine learning, including copyright, plagiarism, and environmental impacts. While some creators are calling for stricter institutional policies and collective lobbying against AI exploitation, others, like illustrator Eleanor Tomlinson, view the technology as a transitional challenge similar to the invention of photography, focusing on public education rather than opposition.