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article culture schedule May 16, 2025 visibility 13 link 1 artist

parthenon dark lighting effects

Archaeologist Juan de Lara of Oxford University has published a paper challenging the long-held belief that the Parthenon in Athens was a brightly lit, open space. Using a 3D model that simulates natural and artificial light, Lara argues the temple was actually dark and dim, with sunlight barely reaching the statue of Athena's waist and a wooden ceiling blocking any translucency from marble roof tiles. He also suggests that hand-held torches, rather than numerous lamps, were used for artificial light, and that the reflective pool in front of Athena's statue did little to illuminate the space.

newspaper Artnet News open_in_new Read original

article culture schedule Feb 9, 2026 visibility 14 link 1 artist

‘I'm going to miss the quiet life we had’: Greenlander artist Inuuteq Storch on Trump, travel and his ambitions to build a photography museum

Greenlander artist Inuuteq Storch, who gained international recognition for his takeover of the Danish pavilion at the 2024 Venice Biennale, discusses the impact of Donald Trump's renewed claims about taking over Greenland. Storch, whose work focuses on everyday life in Greenland, expresses concern that the political rhetoric could disrupt the quiet, preserved way of life in his community. He is currently showing a new iteration of his Venice exhibition at the Hasselblad Center in Gothenburg, Sweden, and has a major show at MoMA PS1. Storch's practice includes archiving historical images, such as those by Greenland's first photographer John Møller, and using his art to address colonial legacies and resistance.

newspaper The Art Newspaper open_in_new Read original

article culture schedule May 7, 2026 visibility 18 link 2 artists

Healing through art : Stories of First Nations people who have experienced incarceration

The Torch, a First Peoples-led arts organization in Victoria, Australia, runs a program supporting Indigenous artists who have experienced incarceration. Its annual exhibition, Confined 17, features nearly 500 artworks by 424 First Nations artists at the Glen Eira City Council gallery in Naarm. The organization provides art materials, cultural connection, and economic support, with artists receiving 100% of their income from sales. Participants like Tegan, a Palawa woman, describe improvising with food dye in prison to create watercolor-style works, while CEO Susannah Day and founder Kent Morris emphasize the program's role in reducing reincarceration rates.

newspaper SBS Australia open_in_new Read original