Inside Sunpride Foundation’s Mission to Champion LGBTQ+ Art Across Asia

Patrick Sun founded the Sunpride Foundation in 2014 to support LGBTQ+ communities through art, combining his passion for contemporary queer Asian art with philanthropy. The foundation's flagship "Spectrosynthesis" exhibition series has been staged at major institutions across Asia, including the Museum of Contemporary Art, Taipei, and the Bangkok Art and Culture Centre. The latest iteration, "Spectrosynthesis Seoul," opened at Seoul's Art Sonje Center and runs through June 28, 2026. Sun, a Hong Kong-born real estate developer and longtime art collector, built the foundation's collection with a focus on works suitable for museum exhibitions about queer identity.

Artists made their mark at 2026 Met Gala

The 2026 Met Gala, held on May 4 at the Metropolitan Museum of Art, raised a record $42 million for the Costume Institute, surpassing last year's $31 million. Honorary chairs Jeff Bezos and Lauren Sanchez Bezos contributed at least $10 million, but their involvement sparked protests outside the event, with demonstrators holding signs like "Tax the Rich" and a group called Everyone Hates Elon leaving fake urine bottles labeled with Bezos's face. Inside, artists made a strong impression: Amy Sherald wore a Thom Browne look based on her painting; Jordan Roth donned a Robert Wun outfit inspired by a Met collection work; and Tschabalala Self collaborated with Brandon Blackwood on a gown evoking Degas's ballerina sculpture. The gala's dress code was "fashion is art," and the accompanying exhibition, "Costume Art" (May 10–January 10, 2027), debuts the Met's new 12,000-square-foot Condé M. Nast Galleries.

How Well Do the Met Gala’s Attendees Know Their Art History? We Critique Looks by Madonna, Hunter Schafer, and More

The article critiques nine outfits from the 2026 Met Gala, which was held under the theme 'Fashion Is Art' in conjunction with the Costume Institute's new exhibition 'Costume Art' at the Metropolitan Museum of Art. It analyzes how attendees like Hunter Schafer, Lauren Sánchez Bezos, and Kylie Jenner referenced specific artworks—such as Gustav Klimt's *Mäda Primavesi* and John Singer Sargent's *Madame X*—in their fashion choices, evaluating the success of these art-historical allusions.

The Art Diary May 2026 – Revd Jonathan Evens

The article titled "The Art Diary May 2026 – Revd Jonathan Evens" appears to be a diary or column by Revd Jonathan Evens, published on Artlyst, covering art-related events, reflections, or commentary for May 2026. The specific content is not provided in the snippet, but the format suggests a curated overview of exhibitions, cultural happenings, or personal observations from the author's perspective.

Met Gala Memes That Ate the Rich and Left No Crumbs

The article covers the 2026 Met Gala, sponsored by Jeff and Lauren Sánchez Bezos, and the intense online backlash it generated. Despite a dress code of "Fashion is Art," celebrities faced merciless mockery on social media for their looks, with particular scorn directed at Lauren Sánchez Bezos's Schiaparelli gown inspired by John Singer Sargent's "Madame X." The criticism was amplified by weeks-long protests against Amazon's labor practices and Bezos's involvement, as well as the museum's own unionized employees speaking out. The piece compiles the most inventive and cutting memes from X (formerly Twitter), targeting everything from fashion fails to political hypocrisy.

How Tech Billionaires Turn Couture into Content

Wie Tech-Milliardäre Couture zu Content machen

The Met Gala, long considered the premier event for fashion and cultural influence, has become increasingly dominated by tech billionaires. This year, Jeff Bezos and Lauren Sánchez Bezos purchased their role as co-hosts, sparking protests in New York and raising questions about whether money alone now buys entry into the highest echelons of fashion. Individual tickets cost $10,000 and a table $350,000, with sponsors including OpenAI, Snapchat, and Meta. The event, organized by Anna Wintour to raise funds for the Costume Institute at the Metropolitan Museum of Art, raised $31 million last year but has transformed from a benefit into a spectacle optimized for viral moments and algorithmic appeal.

The Best and Worst of the Stars at the 2026 Met Gala Inspired by Art History

Le meilleur et le pire des stars au Met Gala 2026 inspiré par l’histoire de l’art

On May 4, 2026, the Met Gala brought together 450 guests at the Metropolitan Museum of Art in New York under the theme "Fashion is Art," tied to the exhibition "Costume Art." Attendees were asked to draw inspiration from specific artworks, resulting in standout looks: Madonna channeled Leonora Carrington's "The Temptation of Saint Anthony" (1945) in a Saint Laurent gown, Kim Kardashian wore a custom piece by Allen Jones extending his "Cover Story 4/4" (2021), Hunter Schafer embodied Gustav Klimt's portrait "Mäda Primavesi" (1912-1913) in Prada, and Tessa Thompson referenced Yves Klein's "Anthropométries" in Valentino. Gracie Abrams also paid homage to Klimt's "The Kiss."

The Story Behind Tschabalala Self’s Met Gala Dress by Brandon Blackwood

Artist Tschabalala Self will co-chair the 2026 Met Gala, marking her first attendance at the event, which launches the Costume Institute's new exhibition “Costume Art.” She collaborated with designer Brandon Blackwood, a friend, to create her gown and style her look for the evening.

Met Gala guests from Beyoncé to Nicole Kidman set to flaunt fashion as art

The article previews the 2025 Met Gala, where celebrities including Beyoncé, Nicole Kidman, and Venus Williams will ascend the Metropolitan Museum of Art's steps dressed according to the dress code "Fashion is art." The event, which raises funds for the museum's Costume Institute, encourages guests to treat fashion as an embodied art form, drawing on historical collaborations between designers and artists—such as Elsa Schiaparelli with Salvador Dalí, Yves Saint Laurent with Piet Mondrian, and Marc Jacobs with Takashi Murakami. The red carpet will be livestreamed by Vogue and the Associated Press.

How to watch the 'Costume Art' Met Gala red carpet

The 2026 Met Gala, held on May 4 at the Metropolitan Museum of Art in New York, featured a dress code titled 'Costume Art' that explicitly frames fashion as an embodied art form. Celebrities including Beyoncé, Nicole Kidman, and Venus Williams ascended the museum's steps wearing archival fashion pieces and custom creations, with references to artistic collaborations such as Elsa Schiaparelli and Salvador Dalí's lobster dress, Yves Saint Laurent's Mondrian-inspired designs, and Marc Jacobs' work with Takashi Murakami. The event raises funds for the museum's Costume Institute, whose spring exhibition 'Costume Art' examines the centrality of the dressed body.

Met Gala guests take artistic liberties with dress code

Guests at the 2025 Met Gala embraced the dress code 'Fashion is art' with bold, artistic ensembles. Beyoncé wore a custom Olivier Rousteing sculptural skeleton dress with a feathered train and diamond crown. Naomi Osaka stunned in a Robert Wun white sculptural dress that revealed a red beaded gown underneath. Emma Chamberlain arrived in a hand-painted Mugler dress by Miguel Castro Freitas. Co-chairs Anna Wintour, Nicole Kidman, and Venus Williams also made statements, with Williams wearing a sparkling gown in homage to her own portrait by Robert Pruitt. Many guests referenced famous artworks, such as Lena Dunham channeling Artemisia Gentileschi's 'Judith Slaying Holofernes' through a Valentino design by Alessandro Michele, and Lauren Sánchez Bezos wearing a Schiaparelli gown inspired by John Singer Sargent's 'Madame X.'

Who Owns the Megayachts Docked Outside the Venice Biennale?

The article examines the megayachts docked outside the Venice Biennale, focusing on the 170-foot vessel 'Private GG' owned by Giancarlo Giammetti, cofounder of the Valentino fashion house. Giammetti, a serious art collector, was in Venice for the Biennale opening, posting photos of artworks and a dinner with actress Salma Hayek and her husband François-Henri Pinault, a major art collector. The yacht, built in 2022 by CRN, features luxury amenities including a jacuzzi, cinema saloon, and beach club.

Who’s The Next Obsession? 12 European Collectors Reveal How They Discover New Talent

Cultured magazine asked 12 European collectors how they discover new talent, timed to the 61st Venice Biennale. Collectors like Nicole Saikalis Bay, Amélie du Chalard, Belma Gaudio, and Laurent Asscher share their personal approaches—ranging from emotional resonance and dialogue with existing works to long-term obsession with an artist before acquiring a piece. The responses reveal a diversity of methods, from instinct-driven buying to conceptual and technical evaluation.

The Strange Coincidence Behind Ivy Getty’s Ludovic de Saint Sernin Met Gala Dress

Ivy Getty, an American model and philanthropist, collaborated with Parisian designer Ludovic de Saint Sernin to create her Met Gala dress, inspired by the 1926 illustration *L’Eclat de l’Or* by Russian artist Erté. The sketch, originally for the show *The Golden Fables*, was chosen from Getty’s mood board; the pair later discovered it is held in the Metropolitan Museum of Art’s archive, coinciding with its 100th anniversary. The final fringed gown debuted on the Met Gala red carpet, and the duo discussed the creative process in an interview.

fashion ivy getty met gala ludovic de saint sernin

Ivy Getty, an American model and philanthropist, collaborated with Parisian designer Ludovic de Saint Sernin on her 2025 Met Gala look. The design was inspired by a 1926 illustration titled *L’Eclat de l’Or* by Russian artist Erté, originally created for the show *The Golden Fables*. Getty's mood board included vintage sketches and imagery from the 1920s, and the pair discovered that the original artwork is held in the Metropolitan Museum of Art's archive, which they visited in person. The final dress features a fringe-lined reinterpretation of the historic design, and the article includes an interview with the duo about their creative process and the experience of preparing for the event.

‘It’s a world heritage site, but it’s my home’: the last resident of Casa Milà on life in Gaudí’s masterwork

Ana Viladomiu, a 70-year-old writer, is the last remaining tenant of Antoni Gaudí’s Casa Milà (La Pedrera) in Barcelona, a UNESCO World Heritage site that receives about a million visitors annually. She has lived in the luminous apartment since 1988, originally moving in with her then-husband Fernando Amat, owner of the iconic design store Vinçon. Viladomiu holds a rare renta antigua (fixed-rent contract) that allows her to stay until she or Amat dies, after which the not-for-profit foundation managing the building will take ownership. The rest of the building now houses offices and cultural event spaces.

This Years Met Gala Felt More Like an Art Exhibition Than a Red Carpet

The 2026 Met Gala, held on May 4 at the Metropolitan Museum of Art in New York, was widely described as feeling more like an art exhibition than a traditional red carpet. The theme, "Costume Art," with the dress code "Fashion Is Art," encouraged celebrities to treat their bodies as canvases. Beyoncé made a highly anticipated return after a decade, serving as a co-chair alongside Nicole Kidman, Venus Williams, and Anna Wintour. Beyoncé wore a sculptural skeleton-inspired design by Olivier Rousteing, while Kiddon wore a shimmering red Chanel gown and Williams donned a Swarovski crystal gown inspired by her Smithsonian portrait. Other notable looks included Sabrina Carpenter in a Dior dress made from vintage film strips, Kendall Jenner referencing classical sculpture, Madonna channeling surrealist painter Leonora Carrington, and Heidi Klum arriving as a marble statue. Inside, live performances by Sabrina Carpenter and Stevie Nicks added to the spectacle.

The best looks from the 2026 Met Gala

The 2026 Met Gala, themed 'Costume Art,' took place at the Metropolitan Museum of Art, honoring the Costume Institute's spring exhibition on the role of the dressed body in art history. Co-chaired by Nicole Kidman, Venus Williams, Anna Wintour, and Beyoncé, the event featured A-list celebrities, pop stars, and tech titans on the museum's grand staircase, with a dress code of 'Fashion Is Art' encouraging guests to treat the body as a canvas. Notable attendees included Sabrina Carpenter, Doechii, Rosé, Gigi Hadid, Katy Perry, and Charli XCX, with many wearing custom designs from houses like Marc Jacobs, Saint Laurent, Thom Browne, and Jean Paul Gaultier.

Met Gala 2026: Celebrities Wearing Art — Decoding the Inspirations Behind Their Looks

At the 2026 Met Gala, held on May 4 at New York's Metropolitan Museum of Art, celebrities interpreted the dress code 'Fashion is Art' with looks inspired by iconic artworks. ROSÉ wore a Saint Laurent gown based on Georges Braque's 'The Birds,' Emma Chamberlain's dress fused Vincent van Gogh's 'The Garden at Arles' and 'The Starry Night,' and Ben Platt donned a jacket reimagining Georges-Pierre Seurat's 'A Sunday Afternoon on the Island of La Grande Jatte' through bead embroidery.

At the 2026 Met Gala, Black stars and socialites turned the human form into art

The 2026 Met Gala, held at the Metropolitan Museum of Art under the theme 'Costume Art,' featured Black celebrities and socialites interpreting the human form as art on the red carpet. Notable attendees included Beyoncé in a skeletal silver gown by Olivier Rousteing, Colman Domingo inspired by Jean-Michel Basquiat, Rihanna in a custom Maison Margiela 'living sculpture' by Glenn Martens, and Venus Williams co-chairing the event while wearing a look referencing her own portrait by Robert Pruitt. Others like SZA, Tschabalala Self, and Cardi B offered surreal or literal nods to art history and body imagery.

PHOTOS: Artistic liberties on display at the Met Gala

The 2026 Met Gala, held on May 4 at the Metropolitan Museum of Art in New York, featured celebrities including Beyoncé, Naomi Osaka, and Emma Chamberlain in elaborate, art-inspired ensembles under the dress code 'Fashion is art.' Beyoncé wore a custom Olivier Rousteing sculptural skeleton dress, Osaka stunned in a Robert Wun white sculptural dress with red feathers, and Chamberlain arrived in a hand-painted Mugler gown. Co-chairs Anna Wintour, Nicole Kidman, and Venus Williams also attended, with Williams wearing a gown referencing a Robert Pruitt portrait of herself. The event raised funds for the Costume Institute's exhibition 'Costume Art.'

Amy Sherald Brings Her Painting to Life at the 2026 Met Gala

Amy Sherald, the artist known for her portrait of Michelle Obama, co-chaired the 2026 Met Gala and wore a custom dress by Thom Browne directly inspired by her 2013 painting *Miss Everything (Unsuppressed Deliverance)*. The black-and-white dress with starry polka dots and a tilted red hat replicated the outfit in the painting, which was itself inspired by *Alice's Adventures in Wonderland*. Sherald, attending her second Met Gala but first as a committee member, described Browne as uniquely able to translate her work into a garment that gives the painting another life.

WHEN FASHION MEETS ART QUOTES BODIES AND POWER AT THE MET GALA

The 2026 Met Gala took place on the first Monday of May, opening the Costume Institute's spring exhibition 'Costume Art' at the Metropolitan Museum of Art. The dress code 'Fashion is Art' prompted celebrities to treat the body as a canvas, with attendees like Hunter Schafer, Madonna, Rachel Zegler, Angela Bassett, Kendall Jenner, Troye Sivan, and Emma Chamberlain referencing specific artworks—from Gustav Klimt's *Mada Primavesi* to the *Winged Victory of Samothrace*—and historical fashion pieces.

The controversy raised by Timothée Chalamet has made us reflect on the fragility of culture

« La controverse soulevée par Timothée Chalamet a eu le mérite de nous faire réfléchir à la fragilité de la culture »

Timothée Chalamet, l'acteur franco-américain, a suscité une controverse en déclarant qu'il ne souhaitait pas travailler dans le ballet ou l'opéra, qualifiant ces disciplines de "trucs où c'est genre : 'Hé, continuez à faire tourner ça, même si plus personne n'en a rien à faire.'" Ses propos, tenus alors qu'il était en lice pour l'Oscar du meilleur acteur, ont provoqué des réactions dans le monde culturel, notamment dans le magazine Art Review, où Will Ferreira Dyke a défendu la pérennité du ballet et de l'opéra, arguant qu'ils survivraient aux attaques des "chalametistes". L'article relie cette polémique à la fragilité de la culture face aux coupes budgétaires, évoquant les demandes de Donald Trump pour augmenter le budget militaire américain au détriment de l'éducation, de la santé et de l'environnement.

How the adoption of canvas in Venice changed the way artists painted

Art historian Cleo Nisse has published a new book, *Venetian Canvas and the Transformation of Painting*, examining how 16th-century Venetian painters such as Titian, Veronese, and Tintoretto pioneered the use of canvas as a painting support. Nisse reveals that canvas was not a uniform material—artists experimented with different weaves, including tabby and herringbone patterns, and even repurposed sailcloth and tablecloth-quality fabrics to achieve specific visual effects. The book argues that canvas was already familiar in the late Middle Ages for banners and alternatives to tapestry, and that Vittore Carpaccio was the first master of the medium, varying canvas types for expressive purposes in his *Legend of St Ursula* series.

Taking a Deep Dive into a Connecticut Ranch House

Artist couple Janis Provisor and Brad Davis transformed an indoor swimming pool in their Connecticut ranch house into a studio, prioritizing their creative work over leisure. The article explores how they adapted the unconventional space to suit their artistic practices.

How super-skinny red carpet trend at Met Gala clashes with own its body-positive Costume Art show

The Met Gala, organized by Vogue and themed around "costume art," was accompanied by an exhibition of the same name at New York's Metropolitan Museum of Art opening May 10, focusing on the dressed body. While the exhibition has been praised for using inclusive mannequins representing diverse body types—including variously abled, fat, thin, and pregnant forms—the red carpet was criticized for its overwhelming thinness and the involvement of honorary chairs Jeff Bezos and Lauren Sánchez Bezos, who reportedly sponsored the event for $10 million, sparking boycott calls. Fashion commentators like Diet Prada noted the Gala was more poorly received than ever, with some celebrities absent.

Margot Robbie Returns to Met Gala 2026 in Stunning Gold Chanel Couture After 3-Year Break

Margot Robbie made a return to the Met Gala 2026 after a three-year absence, wearing a custom gold Chanel couture gown designed by new creative director Matthieu Blazy. The dress featured nearly 1,100 pieces of embroidery, required 761 hours of craftsmanship, and aligned with the evening's theme 'Fashion Is Art.' The event, held at the Metropolitan Museum of Art, also previewed the museum's spring 2026 exhibition 'Costume Art,' curated by Andrew Bolton.

Meet the Writer Who Sees Every Single Show at the Venice Biennale

Jaeyong Park, a Seoul-based writer, translator, and interpreter, has attended every edition of the Venice Biennale since 2022—including both art and architecture cycles—and seen every single show, from the central exhibition and national pavilions to collateral and unofficial events. He documents his journeys in regular dispatches and has compiled a free bilingual guide to the biennial. Park organizes his trips with a group of fellow art workers, splitting accommodation costs and sharing reviews over dinner to ensure full coverage.

Stitches in time: the artist chronicling the DRC’s blood-soaked history in tapestry

Lucie Kamusekera, an 82-year-old artist in Goma, Democratic Republic of the Congo, creates embroidered tapestries on tobacco sacks that chronicle the country's violent history. Born in 1944 and taught sewing by Italian nuns, she began documenting contemporary conflicts after witnessing a military truck filled with corpses. Her more than 70 works depict events from the colonial Belgian Congo era to the 1961 assassination of Patrice Lumumba and the second Congo war, as well as personal tragedies including her husband's murder by rebels. Despite ongoing danger from rebel offensives, she continues to stitch from her home studio, training her children and great-granddaughter to carry on her work.