Meriem Bennani, the artist who went viral during the pandemic

Meriem Bennani, a New York-based artist known for her shape-shifting practice of videos, installations, and immersive environments, gained viral fame during the COVID-19 lockdown in March 2020. She co-created the animated series '2 Lizards' with fellow artist Orian Barki, which depicted surreal, humorous conversations between anthropomorphic reptiles navigating the first weeks of the pandemic in New York City. The series, posted on Instagram, resonated widely and led to eight episodes. Bennani's broader work, including 'Life on the CAPS' (2018–2022) and 'Mission Teens' (2019), blends digital animation, live-action footage, and cultural critique, often exploring themes of diaspora, post-colonialism, and migration through dystopian, supernatural narratives.

Can Art Feel?

Hyperallergic's newsletter explores the question of whether artworks can possess personhood, drawing on Lisa Siraganian's essay that references the 2010 Citizens United Supreme Court decision and Pierre Huyghe's uncanny human statues. Other featured pieces include Ed Simon's review of Elizabeth Goldring's new book on Hans Holbein the Younger, Michael Glover's introduction to George Stubbs's equine portraits at the National Gallery in London, and news of a historic $116M gift to the National Gallery of Art for an artwork lending program. The newsletter also covers Byron Kim's exhibition at James Cohan Gallery, the new V&A East museum in London, and obituaries for Desmond Morris, James Hayward, and Flo Oy Wong.

Saving the Street Art of the Bombs: A True Story from Ukraine

Salvare la street art delle bombe: una storia vera dall’Ucraina

A documentary titled "Arte vs Guerra – Banksy e C215 a Borodyanka, Ucraina" will air on Sky Arte on April 26, recounting how street artists Banksy and C215 created murals in Borodyanka, Ukraine, shortly after the Russian invasion began in February 2022. The works include Banksy's "La Ginnasta" and "Davide e Golia," as well as C215's portraits of war victims like Dmytro Kotsiubaylo. The film also follows three Italian restorers—Paola Ciaccia, Alessandro Cini, and Maria Colonna—who risked their safety to preserve these murals from war damage and landmines.

This Is Where Max Mara Will Hold Its Resort 2027 Show in Shanghai

Max Mara has chosen the Long Museum West Bund in Shanghai as the venue for its Resort 2027 runway show on June 16. The event will coincide with the opening of an exhibition titled “The Max!”, curated by Olivier Saillard, celebrating the brand’s 75th anniversary. The Long Museum is a private art museum founded by collectors Liu Yiqian and Wang Wei, with three locations across China. This marks Max Mara’s second show in Shanghai, following a 2016 presentation at the Shanghai Exhibition Center.

What does a technology fair have to do with the art world? A report from MIR in Rimini

Cosa c’entra una fiera della tecnologia con il mondo dell’arte? Un report dal MIR di Rimini

The article reports from the MIR (Live Entertainment Expo) technology trade fair in Rimini, an event focused on professional audio/video equipment and systems integration. While dominated by corporate stands and live sound demonstrations, the fair also hosted discussions on the precarious working conditions and pension system for cultural and entertainment workers, revealing underlying anxieties in the creative industries.

Dance Your Way to the Museum

Curator Naz Cuguoğlu argues in an opinion essay that museums should embrace the ethos of rave culture to become more welcoming and inclusive spaces, suggesting they can foster new forms of belonging. The article also covers several other art stories, including the discovery of pre-Hispanic rock art in Mexico that led to the rerouting of a train line, an exhibition of Genesis P-Orridge's mail art in Toronto, and artist Jean Shin's memorial project at Green-Wood Cemetery.

A teaspoon at a time: how LACMA built its collection

The Los Angeles County Museum of Art (LACMA) has grown from a fledgling institution into a world-class museum through a deliberate, long-term strategy of cultivating collectors, building strong local relationships, and leveraging its exhibition program to acquire major works. This approach, described as "a teaspoon at a time," involved patient donor cultivation and using international loan shows as opportunities to secure significant pieces for the permanent collection.