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art bites sistine chapel michelangelo critics

The article recounts the creation and controversy surrounding Michelangelo's fresco of the Last Judgement on the west wall of the Sistine Chapel. While the chapel attracts 25,000 daily visitors and is celebrated as a pinnacle of Renaissance art, the west wall initially provoked scorn from church officials and critics like Biagio da Cesena and Pietro Aretino, who objected to its nudity, pagan imagery, and perceived idolatry. Michelangelo retaliated by painting his detractors into the fresco—Da Cesena as King Minos with donkey ears and a snake biting his genitals, and Aretino as Saint Bartholomew holding flayed skin resembling the artist.

bernini the ecstasy of saint teresa

Gian Lorenzo Bernini's iconic Baroque sculpture *The Ecstasy of Saint Teresa* (1647–1652) is examined in detail, depicting the Spanish Carmelite nun Saint Teresa of Ávila in a moment of divine rapture as an angel pierces her heart with a golden arrow. The artwork, housed in the Cornaro Chapel at Santa Maria della Vittoria in Rome, was commissioned by Cardinal Federico Cornaro and remains one of Bernini's most celebrated and controversial masterpieces, blending theatricality, religious fervor, and virtuosic marble carving.

A New Look at Rabelais and His World

The article examines the philosophical and literary significance of laughter in François Rabelais's work, particularly *Gargantua and Pantagruel*, contrasting his celebratory view with the predominantly negative assessments of laughter in Western philosophy from Plato to Hobbes. It highlights how Rabelais channels a durable tradition of folk humor as a form of affirmative relief from oppression and official solemnity.