oscar yi hou james fuentes

Artist Oscar Yi Hou curated the group show "Deviations" at James Fuentes gallery in Tribeca, featuring 12 queer and trans artists including Juliana Huxtable, Martine Gutierrez, and Ser Serpas. The exhibition, on view through May 7, includes works by Yi Hou himself and explores themes of hybridity, queer intimacy, and the illusion of function through sculptures and paintings. Yi Hou, a 26-year-old breakout star on the gallery's roster, previously had a highly successful solo show "The Beat of Life" in November, with works acquired by institutions like the Brooklyn Museum.

Independent Art Fair Trades Downtown for the World

The Independent Art Fair has moved to Pier 36 on the Lower East Side waterfront for its 17th edition, running through May 17. The fair features 76 booths with a more spacious, warehouse-like layout, and a noticeably older, glossier crowd compared to previous years. Exhibitors include Los Angeles-based ATLA and Diane Rosenstein galleries, as well as international participants like Bogotá's SGR Gallery, showcasing solo presentations by artists such as Yoshikazu Tanaka, Kuniko Kinoto, and Johan Samboní. The fair has also announced partnerships with Sotheby's for its 20th-century edition and with the nonprofit Henry Street Settlement, signaling a tension between upscale ambitions and local community ties.

Esther fair goes out on top

The Esther art fair, a satellite of Frieze New York, opened its third and final iteration at Estonian House on East 34th Street. Founded by Estonian gallerists Olga Temnikova and Margot Samel, the fair eschews conventional stands, instead arranging 22 participating galleries and three bespoke projects throughout the historic Beaux-Arts building’s basement, salons, and upper floors. Highlights include sold-out presentations at Adams and Ollman and Management, works by Katja Novitskova, Jill Goldstein, and Elīna Vītola, and a special project by Darja Popolitova and Madlen Hirtentreu turning beauty-industry equipment into installations. Gallerists praised the cooperative atmosphere, contrasting it with larger, more institutionalized fairs.

Film-maker Wes Anderson to recreate Joseph Cornell’s New York studio in Paris this Christmas

Filmmaker Wes Anderson is recreating Joseph Cornell's New York studio in a window display at Gagosian Gallery's Paris space on Rue de Castiglione, opening next month to coincide with Christmas and Cornell's birthday on December 24. The exhibition will feature around 12 of Cornell's iconic shadow boxes, including "Pharmacy" (1943) and works from his Medici series, alongside hundreds of found objects. Curated by Jasper Sharp, who has worked with Anderson for years, the display is designed as a non-interactive window installation that captures the spirit and atmosphere of Cornell's basement studio in Queens, rather than an exact replica. Anderson and Sharp have spent weeks studying photographs and first-hand accounts, sourcing objects from flea markets and employing Anderson's film crew to replicate Cornell's handwriting and aging techniques.

Wes Anderson Brings Joseph Cornell’s Eccentric Workshop to Life in Paris

Wes Anderson and curator Jasper Sharp are recreating Joseph Cornell's legendary studio at Gagosian in Paris next month. The exhibition will reconstruct the secretive basement workshop where Cornell created his iconic shadow-box assemblages, using surviving photographs, objects from the Smithsonian American Art Museum's Joseph Cornell Study Center, and thousands of flea-market finds sourced across Paris and New York. The recreation includes Cornell's work table, unfinished shadow boxes, and even period-accurate details like his cleaning detergent and handwritten labels.

legacies asian american artists 2025 artnews awards 80wse

The article reviews "Legacies: Asian American Art Movements in New York City," an exhibition at 80WSE in New York, curated by Howie Chen, Jayne Cole Southard, and christina ong, running from September 11 to December 20, 2024. Billed as the first institutional survey of Asian American artists in New York City, the show features 90 artists and spans the period from 1969 to 2001, centering on three key organizations: Godzilla: Asian American Art Network, the Basement Workshop, and the Asian American Arts Centre. The exhibition highlights how many of these artists did not solely make work about their race, complicating the link between identity and art, and includes lesser-known pieces such as David Diao's 1974 painting "Odd Man Out" and a provocative 1985 photograph by Hanh Thi Pham.

A Contemporary Art Haven Just a PATH Ride Away

Luis Emilio Romero, a Jersey City native, moved from Bushwick to the Monira Foundation's residency at Mana Contemporary in Jersey City, where he now paints intricate, textile-influenced patterns in a calm basement studio. Mana Contemporary, a 2 million-square-foot former tobacco warehouse converted in 2011 by Moishe Mana, Eugene Lemay, and Yigal Ozeri, hosted its Spring Open Studios on May 17, with over one-third of its 300 artists participating—the largest turnout in years. The event featured installations by TLaloC, sculptures by John Chamberlain, and an exhibition of artist books, "Open Book(s): Observations," presented by Pierogi Gallery, Mana, and the Monira Foundation. Pierogi co-owners Joe Amrhein and Susan Swenson also brought their Flat Files containing nearly 4,000 works to Mana for six months to a year.

Wes Anderson Brings Joseph Cornell’s Studio to Life

Filmmaker Wes Anderson and Gagosian curator Jasper Sharp have recreated Joseph Cornell's basement studio from his home on Utopia Parkway in Queens, New York, at Gagosian Gallery's Paris location. The exhibition, titled "The House on Utopia Parkway: Joseph Cornell's Studio Re-Created by Wes Anderson," features over 300 original objects collected by Cornell, alongside his iconic shadow boxes and collages. It runs through March 14 and is free to the public, displayed behind the gallery's storefront windows.

Inside the Joseph Cornell studio: Wes Anderson recreates an artist’s private world in Paris

Gagosian Paris has opened "The House on Utopia Parkway," an immersive exhibition reconstructing Joseph Cornell's basement studio in Queens, New York. Running from December 16, 2025, to March 14, 2026, the show is a collaboration between filmmaker Wes Anderson and curator Jasper Sharp, transforming the gallery into a life-size tableau filled with over 300 objects from Cornell's personal collection—maps, toys, feathers, shells, and paper fragments. It also features key works such as "Pharmacy" (1943), "Untitled (Pinturicchio Boy)" from the Medici series, "A Dressing Room for Gille" (1939), and "Blériot II" (c. 1956), marking Cornell's first solo presentation in Paris in over forty years.

Harry Bertoia Gets His Moment

The city of Detroit is experiencing a significant Harry Bertoia revival, centered around the rediscovery and restoration of a massive 26-foot suspended sculpture. Originally commissioned in 1970 for a Michigan mall and long presumed lost or destroyed during building demolitions, the steel-wire and brass work was found languishing in a basement in 2017. Following an extensive restoration process, the monumental piece has been installed in General Motors' new global headquarters at the historic Hudson’s site, a feat that required complex engineering and a five-story opening in the building's facade.

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The Municipal Arts Society of New York (MASNYC) held its 2025 Jacqueline Kennedy Onassis Medal dinner on October 6, honoring architects Elizabeth Diller and Annabelle Selldorf. The event took place at the Pool and Grill in the Seagram Building, a landmarked space that both architects have worked on—Diller's firm DS+R transformed the basement Brasserie, and Selldorf renovated the Four Seasons Restaurant. The crowd included architecture and design luminaries such as Dan Doctoroff, Amanda Burden, curators Roselee Goldberg and Paola Antonelli, and architects Charles Renfro and Vishaan Chakrabarti.

A Sneak Peak Inside “Costume Art” at the Metropolitan Museum of Art

The Metropolitan Museum of Art is set to open the Condé M. Nast Galleries, a new permanent home for the Costume Institute located in prime real estate adjacent to the Great Hall. The inaugural exhibition, "Costume Art," will integrate fashion with artworks from 19 of the museum’s collecting areas, featuring pieces by designers like Tory Burch and Michael Kors alongside works by artists such as Jean Arp. This move transitions the Costume Institute from its traditional basement location to the center of the museum's physical and narrative layout.

Lee Bul's Retrospective Transforms M+ During Art Basel

The M+ museum in Hong Kong has launched a major retrospective of South Korean artist Lee Bul, timed to coincide with Art Basel Hong Kong 2026. Titled 'Lee Bul: From 1998 to Now,' the exhibition features over 200 works, including her iconic 'Cyborg' and 'Anagram' series, as well as large-scale immersive installations like 'The City of the Sun.' Co-organized with the Leeum Museum of Art, this exhibition marks the artist's largest retrospective to date and traces her evolution from early body-centric performances to complex, sci-fi-inspired urban landscapes.

art los angeles fall gallery shows

Cultured magazine highlights several fall gallery shows in Los Angeles, featuring solo exhibitions by Mire Lee at Sprüth Magers, Rebecca Morris at Regen Projects, Lukas Geronimas at Parker Gallery, Christina Kimeze at Hauser & Wirth, and Herman Cherry at Sebastian Gladstone. The shows run through October and November 2025, showcasing a range of media from Lee's industrial paintings and Morris's abstract compositions to Geronimas's architectural sculptures, Kimeze's mystical figurative works, and Cherry's abstract expressionist paintings.

‘Entertainment is often violence shrouded in a fun disguise’: Marianna Simnett on being tickled for hours and having Botox injected into her throat

Marianna Simnett, a Croatian British multi-disciplinary artist, discusses her new exhibition 'Circus' at the Secession in Vienna, which features a light, sound, and sculpture installation in a pitch-black basement. The show includes works like 'Catherine Wheel' (2026), a blue spinning reflective skirt accompanied by the sound of the artist being tickled for four hours, and 'Fountain' (2026), a neon of a woman urinating referencing Balkan folklore. Simnett explores themes of violence, desire, pain, and power, often using her own body as a site of transformation, as in her earlier work 'The Needle and the Larynx' (2016) where she had Botox injected into her throat.

Mario Ayala by Rosa Boshier González

Mario Ayala's first US museum exhibition, 'Seven Vans,' is on view at the Contemporary Arts Museum Houston (CAMH) through 2025–26. The show features life-sized canvases of vans suspended in the museum's basement space, exploring car culture, memory, and community through Ayala's Southern California and Gulf Coast influences. The article includes an interview with Ayala by Rosa Boshier González, discussing his upbringing in the Inland Empire, his father's lowrider scene involvement, and his 'Research While Driving' project that inspired the exhibition.

Met Museum show at new Costume Institute puts fashion in same spotlight as Egyptian artefacts

The Metropolitan Museum of Art's Costume Institute has opened its spring exhibition 'Costume Art' in a new 12,000-square-foot space called the Condé M Nast Galleries, located off the museum's Great Hall. The show pairs 200 garments and accessories with 200 artworks from the Met's collection, organized into 13 thematic body types such as Naked and Nude, Abstracted Body, Corpulent Body, Disabled Body, and Mortal Body. Lead curator Andrew Bolton aims to challenge traditional hierarchies by placing fashion on equal footing with fine art. The exhibition's launch is overshadowed by controversy over sponsorship by Jeff Bezos and Lauren Sánchez Bezos for the Met Gala.

William Blake: The Age of Romantic Fantasy at the National Gallery of Ireland in Dublin

The National Gallery of Ireland in Dublin is hosting the first-ever exhibition of William Blake's work in Ireland, titled "William Blake: The Age of Romantic Fantasy." The show features major works such as "The Night of Enitharmon’s Joy" (c. 1795) from Tate, and includes a life mask of Blake painted by Francis Bacon, connecting the Romantic visionary to the 20th-century Irish-born artist. The article explores Blake's radical politics, his arrest for sedition in 1803, and his enduring influence on figures like Bacon and the critic David Sylvester.

wes anderson rebuilds joseph cornell's legendary studio inside gagosian paris

Wes Anderson has recreated Joseph Cornell's legendary studio inside Gagosian Paris for an exhibition titled 'The House on Utopia Parkway: Joseph Cornell’s Studio Re-Created by Wes Anderson.' The show, curated by Jasper Sharp and running from December 16, 2025, to March 14, 2026, reconstructs the artist's basement workspace in Queens, New York, complete with over three hundred objects from Cornell's own collection, alongside iconic box constructions such as 'Pharmacy' (1943) and 'A Dressing Room for Gille' (1939). Exhibition design is by Cécile Degos.

New Frida Kahlo museum, focused on the artist's youth and family life, opens in Mexico City

A new museum dedicated to Frida Kahlo, Museo Casa Kahlo, opened on 27 September in Mexico City's Coyoacán neighborhood, a five-minute walk from the iconic Casa Azul. Housed in the historic Kahlo family home acquired in 1930 and passed down through generations, the museum draws on the private archive of Isolda Kahlo, Cristina Kahlo's daughter, which includes letters, everyday objects, and personal effects. The intimate space focuses on Kahlo's youth and family life, featuring immersive audiovisual elements, a re-created darkroom of her father Guillermo, and a basement studio where Kahlo once painted. A notable highlight is a recently uncovered mixed-media mural from around 1949, hidden for years under white paint.

Magnum Photos agency’s first exhibition, lost for a half-century, to make its North American debut

The Image Centre in downtown Toronto will stage the North American debut of Magnum Photos' first-ever exhibition, originally titled 'Gesicht der Zeit' (Face of Time) and shown in Austria in 1955-56. The show, lost for half a century, was rediscovered in 2006 in the basement of the Institut Français in Innsbruck, Austria, along with its original poster and hanging instructions. It features 83 original gelatin-silver prints by legendary Magnum photographers including Henri Cartier-Bresson, Robert Capa, Inge Morath, Ernst Haas, and Marc Riboud. The exhibition will run concurrently with 'Chim’s Children of Europe,' a show devoted to Magnum co-founder David 'Chim' Seymour's 1949 Unesco project on postwar European children.

From Origin to Future. Opening Exhibition for the Naoshima New Museum of Art by Tadao Ando

Architect Tadao Ando has designed the Naoshima New Museum of Art, the latest addition to the Benesse Art Site Naoshima project in Kagawa Prefecture, Japan. This marks Ando's tenth contribution to the site and the first museum to bear the island's name. The museum will open on May 31, 2025, with an inaugural exhibition featuring works by twelve artists and groups, including both longtime collaborators and newer voices. The building, which includes one above-ground floor and two basement levels, features a large roof integrated with the hills and a cafe overlooking the Seto Sea.

Native artist Mary Sully gets her due at Minneapolis Institute of Art

The Minneapolis Institute of Art (Mia) has opened "Mary Sully: Native Modern," a solo exhibition featuring the intricate "personality prints" of Yankton Dakota artist Mary Sully (born Susan Mabel Deloria). The show includes 18 triptychs, drawings, memorabilia, and a film clip, highlighting her abstract vertical designs that blend Dakota heritage with 1920s–1940s celebrity culture. Sully, who died in obscurity over 60 years ago, was rediscovered by her great-nephew, Harvard professor Philip Deloria, after he found her work in a basement. Her art was previously included in the groundbreaking exhibition "Hearts of Our People" at Mia, and she also had a solo show at the Metropolitan Museum of Art in New York in 2024.

The Metropolitan Museum of Art Unveils Its Fashion Galleries, Highlighting Fashion’s Place in Museums

The Metropolitan Museum of Art has unveiled the new Condé M. Nast Galleries, a nearly 12,000-square-foot suite of exhibition spaces designed by Brooklyn-based architecture firm Peterson Rich Office. Located adjacent to the museum's Great Hall, the galleries relocate fashion exhibitions from a previously tucked-away basement space to one of the museum's most visible and architecturally significant locations. The new spaces debuted with "Costume Art," an exhibition organized by The Costume Institute and curated by Andrew Bolton, which places roughly 200 garments and accessories in dialogue with 200 artworks from the museum's collection, exploring themes such as "The Classical Body," "The Aging Body," and "The Disabled Body." The design, by architects Miriam Peterson and Nathan Rich, uses a restrained material palette of grey marmorino plaster and oak doors framed by limestone arches to create permanent-feeling yet flexible spaces that harmonize with the museum's historic Beaux-Arts architecture.

A Fashion Revolution at the Met

The New York Times reports that the Metropolitan Museum of Art's Costume Institute is undergoing a major transformation, moving from its basement location to become the museum's main entrance gallery. This shift, framed as "Costume Art," elevates fashion exhibitions to a central, welcoming role within the institution, signaling a new era for the department.

Quietly in Milan, a collector has opened a new exhibition space: "Finally I can see my works"

In sordina a Milano un collezionista ha aperto un nuovo spazio espositivo: “Finalmente posso vedere le mie opere”

Collector Pier Luigi Guzzetti has quietly opened Gallerie Guzzetti, a new 300-square-meter private exhibition space in Milan's Cenisio/Mac Mahon district. The minimalist basement venue serves as a dedicated home for Guzzetti’s eclectic collection of over 300 works, which spans 20th-century masters, emerging artists, and a significant photography archive. Managed alongside Corinne Cortinovis, the space operates with a philosophy of discretion, favoring word-of-mouth over traditional press offices or social media presence.

‘How can you forget me’: show details Filipino Americans’ rich history

Antonio Somera discovered 26 steamer trunks belonging to early 20th-century Filipino migrants in a Stockton, California basement in 2005. The trunks' contents, including a pillowcase embroidered with the phrase "HOW CAN YOU FORGET ME," form the core of the exhibition "How Can You Forget Me: Filipino American Stories" at the Smithsonian's National Museum of American History in Washington DC, offering an intimate look at the lives of the Manong Generation of laborers.

New Pioneer Square art gallery focuses on immigrant art

Saina Heshmati and Amir Amini have opened ANTiPODE Art Gallery in Seattle’s Pioneer Square, a new space dedicated to showcasing the work of immigrant artists. Located in a basement shared with the Seattle Jazz Fellowship, the gallery functions as a multi-modal hub for cultural exchange, hosting art exhibitions alongside film screenings, tea ceremonies, and experimental music. The founders, both Tehran natives, aim to bridge the gap between Seattle and distant global cities through diverse programming that emphasizes the intersection of different artistic disciplines.

Hot tip: the street art exhibition that brings together more than 30 artists around the metro map — our photos

Urban Signature has launched "BON PLAN," a pop-up group exhibition in Paris’s Marais district featuring over 30 street artists. Running from April 9 to April 12, 2026, the show presents nearly 60 original works that use the iconic Paris metro map as a creative canvas. Participating artists, including Louyz, Raf Urban, and Ardif, have produced small-format pieces specifically for this event, which also features a selection of serigraphs for sale in the gallery’s basement.

Bridge Street Studios mark 30 years with anniversary exhibition

Bridge Street Studios, a cornerstone of the Dundalk arts community, is celebrating its 30th anniversary with a special group exhibition titled "The things that matter most are the things that can’t be seen." Hosted at the Basement Gallery in An Táin Arts Centre, the show features works from current studio members including Orlaith Cullinane, Rachel Tinneswood, and Sarah McKenna, among others.