Art Dubai, the UAE's premier art fair, opened its 20th edition as a scaled-down "Special Edition" from May 14–17 at Madinat Jumeirah, after being postponed due to the Iran–Israel war. For the first time, entry was free, and the lineup was pared to 50 galleries, most from the region, including Abu Dhabi, Beirut, Jeddah, Ramallah, and Dubai.
Biennale de Venise : un Pavillon US silencieux
The US Pavilion at the 2026 Venice Biennale, featuring artist Alma Allen, opened to sparse crowds despite a 10% overall attendance increase at the Biennale. The pavilion was embroiled in controversy before opening: Allen was selected by the American Arts Conservancy (AAC), a private entity created in 2025 at the initiative of Donald Trump after the dissolution of the federal committee that previously oversaw the pavilion. AAC head Jenni Parido, a former pet food executive, chose the self-taught, little-known artist who had never had a solo museum exhibition. Major funders the Ford and Mellon Foundations withdrew, forcing the AAC to launch a public donation appeal. The exhibition features 25 abstract bronze, stone, and burl-wood sculptures that the artist describes as biomorphic landscapes, but critics find them pleasant yet silent, lacking the promised political or visceral resonance.
Les vernissages cette semaine dans les galeries parisiennes
This week's openings in Parisian galleries feature a wide range of exhibitions across the Marais, Saint-Germain-des-Prés, and other districts. Highlights include Galerie Alain Margaron's group show "Du modèle à l'autoportrait" exploring the body in works by André Derain, Jean Hélion, Fred Deux, and Zoran Mušič; Kim Myoung Nam's first solo show at Galerie UNIVER / Colette Colla, presenting perforated paper pieces; and Galerie Wagner's collective exhibition dedicated to Latin American artists Milton Becerra, Olga Luna, and Claudia Lavegas. Other notable shows include Louis Pion's ink-on-envelope series at Galerie Incognito Artclub, Léonore Chastagner's raw ceramics at Galerie Anne-Sarah Bénichou, and solo presentations by Quentin Gouevic and Jérôme Zonder at Galerie Nathalie Obadia.
The article is a roundup of current and upcoming art exhibitions in Cairo, Egypt, spanning May 2025 through June 2026. Highlights include Mostafa El-Razzaz's "Fractals of Art and Soul" at Bibliothek Arkan Plaza, Mahmoud Hamdi's "Journey to the Core" at Difaf, a retrospective for Said El-Sadr and his students at Gezira Arts Centre, and the Egyptian debut of "Beyond Van Gogh: The Immersive Experience" at District 5 by Marakez in New Cairo. Also featured are a Swiss-Egyptian photography exhibition on glaciers and the Nile at the Goethe Institute, a Colombian embassy exhibition, a Korean embassy show, and a permanent ceramics display at Al-Fustat Centre.
New York Art Week featured a range of exhibitions that blended banality with body horror, drawing comparisons to a malfunctioning theme park ride. The article highlights several shows that juxtapose mundane, everyday objects with grotesque, unsettling imagery, creating a disorienting experience for viewers. Artists presented works that explore the fragility and absurdity of the human body, often using visceral materials and jarring installations to provoke discomfort and reflection.
Tate Britain in London is opening a major retrospective of James McNeill Whistler, the largest exhibition of his work in Europe in 30 years. Featuring 150 works spanning painting, drawing, printmaking, and design, the show includes iconic pieces like *Arrangement in Grey and Black No.1* (commonly known as *Whistler's Mother*) and *Nocturne: Blue and Gold - Old Battersea Bridge*. For the first time, the exhibition examines Whistler's teenage years and also displays his personal notebooks, easel, paint palette, and collections of East Asian ceramics and Japanese prints. The exhibition runs from May 21 to September 27, 2026.
The Spencer Museum of Art has opened 'Street Nihonga: The Art of Jimmy Tsutomu Mirikitani,' a major spring exhibition featuring 170 works by the Japanese American artist, many never before displayed. The show traces Mirikitani's extraordinary life from his birth in Sacramento in 1920, his childhood in Hiroshima, formal training in traditional Nihonga under masters Kawai Gyokudō and Kimura Buzan, to his forced incarceration at Tule Lake during World War II after refusing to sign a loyalty oath. After years of statelessness and homelessness in New York City, Mirikitani developed a deeply personal, politically charged mixed-media practice that blended Japanese techniques with American street art.
The Abroms-Engel Institute for the Visual Arts (AEIVA) at the University of Alabama at Birmingham presents “Living and Working,” a survey exhibition of artist Erin Jane Nelson, running through September 26. This is Nelson’s largest solo exhibition to date and her first survey, spanning a decade of her practice across photography, textiles, and ceramics. The exhibition will travel to the Knoxville Museum of Art in August 2027, and AEIVA is co-publishing an exhibition catalog with Institute 193. The opening reception is May 21, and free community programming includes summer drop-in tours, a pinhole camera workshop, Science Nights in partnership with the Birmingham Zoo, and a chamber music event.
Roberto Lugo has unveiled a monumental 20ft-tall urn titled *Capicú de Cariño (I Heard It Both Ways)* (2026) in Manhattan’s Madison Square Park, as part of his exhibition *Alfarero del Barrio (Village Potter)* commissioned by the Madison Square Park Conservancy. The urn features portraits of prominent Puerto Rican figures including Bad Bunny, Sonia Sotomayor, Lin-Manuel Miranda, Roberto Clemente, and the artist’s own parents, Gilberto and Maribel Lugo. The installation also includes a 15ft-tall orange fire hydrant sculpture, *Para Los Días Caliente (This Is For The Hot Ones)* (2026), and several planters and domino tables, all designed to invite public interaction and community engagement.
Angela de la Cruz's exhibition "Upright" at Ikon Gallery in Birmingham (until 6 September) marks her first UK institutional show since her 2010 Camden Arts Centre survey, which earned her a Turner Prize nomination. The exhibition features her signature painterly sculptures and sculptural paintings that blur boundaries between mediums, including works like "Still Life with Table" (2000), "Limp" (2000), and "Bloated 111 (Blue)" (2012), which combine Minimalist language with anthropomorphic, emotional qualities. De la Cruz, who has been based in the UK since the late 1980s, continues to create work that channels influences from art history, literature, and personal experience, even after a paralyzing stroke in 2005.
Chiara Camoni, the artist representing Italy at the 61st Venice Biennale, discusses her upcoming pavilion installation titled "Con te con tutto" in an interview with ArtReview. The single installation will fill the entire Italian Pavilion in the Arsenale, combining existing and new works that incorporate ceramic, stone, plant elements, industrial waste, plastics, and found objects. Camoni emphasizes the choral dimension of her practice, involving family, neighbors, friends, schools, and museum groups in the creative process, thereby expanding the concept of authorship. She notes that her project aligns with the Biennale's curatorial theme "In Minor Keys" by Koyo Kouoh, focusing on monumentality defined not by scale but by reiteration and presence.
The 59th edition of the Carnegie International, the oldest survey of contemporary art in the United States, opens at the Carnegie Museum of Art in Pittsburgh, featuring 61 artists and collectives from around the world and 36 newly commissioned works. Curated by Ryan Inouye, Danielle A. Jackson, and Liz Park, the exhibition is titled “If the word we,” developed in collaboration with writer Haytham el-Wardany, and for the first time partners with local institutions including the Children’s Museum of Pittsburgh, Kamin Science Center, Mattress Factory, and the Thelma Lovette YMCA to engage different segments of the city’s community.
The Tang Museum at Skidmore College will present 'Pursuing Possibilities: Explorations in Glaze,' a student-curated exhibition running from May 30 to September 12, 2026. Organized by Emily Lin, the 2025–26 Charina Endowment Fund Endowed Intern, the show features works from the Tang collection that examine the chemical composition of ceramic glazes and their expressive possibilities. Lin used X-ray fluorescence to analyze glazes and consulted with ceramics professor Matt Wilt, bringing together art history, chemistry, and studio practice.
The Tang Museum at Skidmore College in Saratoga Springs, New York, has announced its summer 2026 public tour program, beginning May 24 with weekly Tang Guide Tours led by trained student ambassadors. The museum will also host three curator-led tours: Rachel Seligman will lead tours of 'All These Growing Things' (June 11) and 'Sheila Pepe: When & Where We Rest' (August 27), while Dayton Director Ian Berry will guide a tour of 'Kathy Butterly: Assume Yes' (July 16). Additional summer programming includes the Upbeat on the Roof concert series, Frances Day community open house, and Family Saturday art-making events.
Perrotin Los Angeles is presenting 'Plants and Animals,' a special focus exhibition running from May 1–30, 2026, in conjunction with Kyungmi Shin's solo show 'My Fantasy's Burdens.' The exhibition is anchored by Shin's installation 'ready to fly,' which includes 15 handmade ceramics and planters, and also features works by Theodora Allen, Chiho Aoshima, Amy Cutler, Jean-Michel Othoniel, and Austyn Weiner, all centered on plant, flower, fruit, and animal subjects.
Brook Hsu's exhibition "The Barcelona Pavilion (including work by Georg Kolbe)" at Kraupa-Tuskany Zeidler in Berlin presents a series of works that interweave references to architecture, film, literature, and animal carcasses. The show's title alludes to Mies van der Rohe's iconic Barcelona Pavilion and the sculptor Georg Kolbe, whose work was originally installed there, while the list of pieces—ranging from paintings like "Daybreak:Orange Tree" to works dedicated to figures such as Anne Wiazemsky and Pasolini—creates a dense, associative network of cultural and personal memory.
Artist Roberto Lugo unveiled a two-part public monument to Puerto Rican culture in Manhattan's Madison Square Park on May 20. The installation includes a colossal ceramic urn titled "Capicú de Cariño (I Heard It Both Ways)" featuring hand-painted portraits of his parents, reggaeton star Bad Bunny, Supreme Court Justice Sonia Sotomayor, and Lin-Manuel Miranda, alongside a 15-foot-tall orange fire hydrant sculpture "Para Los Días Caliente (This Is For The Hot Ones)" that evokes his childhood summers in Philadelphia. Both works were commissioned by the Madison Square Park Conservancy and will remain on view through December 6.
Ten artists serving life sentences at SCI-Phoenix, a Pennsylvania state prison, have their work on display at Morton Contemporary Art Gallery in Philadelphia in an exhibition titled "The Weight of Time." The show is co-curated by artist Keith Andrews, who has been incarcerated for nearly 30 years, and gallerist Debbie Morton. Andrews' painting "Defiant Mercy" explores themes of time, isolation, and confinement, reflecting his own experience. The exhibition includes nearly 50 works by ten artists, each accompanied by biographies detailing their lives inside and outside the carceral system.
The article describes a fiery red installation by Japanese artist Yayoi Kusama that has taken over a San Francisco museum. The immersive work, characterized by its intense red color and engulfing presence, is noted for its emotional impact, with the artist described as someone who 'rips your heart out.' The installation is a major draw for the museum, offering visitors a visceral experience.
DUDD LITE, a collaboration between design collective Dudd Haus and The Future Perfect gallery, presents over 130 artist-designed nightlights on view through June 26. Curated from nearly 400 open-call submissions, the exhibition transforms a mundane household object into a canvas for small-scale sculptures made from stained glass, wood, sea shells, ceramic, cotton, and more. Featured artists include James Burial, Chris Wolston, Nicholas Holmes, and Mikei Huang, among others.
Frederik Meijer Gardens & Sculpture Park in Grand Rapids, Michigan, will host "CHIHULY at Meijer Gardens" from May 2 to November 1, 2026, featuring the largest exhibition of Dale Chihuly's work ever held at the institution. The show includes 12 large-scale outdoor installations, over 80 indoor glass pieces, and 40 related drawings, with a 30-foot tower and glass boats in the Japanese Gardens. This marks the third Chihuly exhibition at Meijer Gardens, following shows in 2002 and 2010, and is one of only two 2026 exhibitions of the artist's work worldwide—the only one in America.
Artist Jean Shin has created "Celadon Landscape," a monumental installation at the Green-House at Green-Wood in New York, using nearly two tons of discarded celadon porcelain fragments donated by studios in Icheon, South Korea. The work features two large bulbous vessels covered in broken shards of cups, saucers, and pots, appearing to emerge from the earth as if unearthed in an archaeological dig. The installation is on view through January 17.
From April 4, KIOSK in Ghent presents a new solo exhibition by Hisae Ikenaga titled "Anatomies of Use." The Mexican-Japanese artist brings together sculptures, assemblages, and collages that rework industrial materials and everyday objects into hybrid forms, blending ceramic fragments with a visual language that balances functionality and abstraction.
The Museum of Wisconsin Art (MOWA) in West Bend has opened a new exhibition titled "The American Landscape: Beyond the Horizon," celebrating the role of Wisconsin artists in capturing the state's contributions to the United States ahead of the country's 250th birthday. The show features over 60 works, 60% from the museum's permanent collection and 40% borrowed from artists and collectors, including pieces by John Stuart Curry, Lois Ireland, Georgia O'Keeffe, Native American artists like Helen Lonetree and Lila Greengrass Blackdeer, and contemporary works by incarcerated artist M. Winston. Guest curator Rafael Salas, a professor at Ripon College, also includes three of his own works.
Kaatsbaan Cultural Park will open its 6th Annual Visual Arts Exhibition, as announced by BroadwayWorld. The exhibition continues the park's tradition of showcasing visual art in a cultural setting.
SMDOT/Contemporary Art in Udine, Italy, presents a two-person exhibition titled "SOUVENIR·SUBVENIRE," featuring previously unseen works by Italian artists Anna Marzuttini and Giovanni Fredi. Marzuttini contributes large canvases and wall-hanging ceramic works, while Fredi's pieces are also on view, with both artists' research expressed through different media but converging on a shared conceptual plane.
The Metropolitan Museum of Art will present "Creatures of Myth and Imagination: Europe and the Americas" at the Met Cloisters from May 18 to October 18, 2026. The exhibition explores hybrid mythical beings in visual arts from 500 to 1500 CE, featuring over 50 objects including paintings, sculpture, ceramics, ivories, textiles, and metalwork drawn mainly from the Met collection. It marks the first time ancient American art will be shown at the Met Cloisters, with key loans from the Museo del Templo Mayor in Mexico City, including a never-before-seen-in-New-York sculpture of the Zapotec "bat lord."
The 'Hospital of Emotions' is an immersive art exhibition occupying 80 rooms across four floors of the shuttered St. Vincent Medical Center in downtown Los Angeles. Running from May 27 through July 31, the 45,000-square-foot show features over 70 artists whose works are organized into emotional departments such as grief, fear, hope, joy, and sadness. Installations incorporate the hospital's existing fixtures—surgical lights, beds, IV bags—transforming former medical spaces into interactive art experiences, including a life-size Twister game, ceramic egg-covered walls, and neon-lit beds.
The Longview Museum of Fine Arts in Texas will open 'Native Perspectives: America 250' on May 23, running through September 12. The exhibition celebrates indigenous voices from across the American South as part of America's 250th anniversary, featuring ceramic traditions, contemporary painting, beadwork, and mixed media works from 11 artists representing 13 tribes including Caddo, Choctaw, Cherokee, and Seminole. Co-curator and Caddo artist Chase Kahwinhut Earles, whose work is held in 32 national museums including the Smithsonian, describes his personal journey of rediscovering Caddo pottery traditions and applying them to contemporary art.
The two-person exhibition “Kindred Spirits” at Carbondale Arts Gallery closed on May 21 after a month-long run, featuring ceramic artist Christine Anderson and abstract painter Benjamin Strawn. The artists, who have been friends since meeting as students at the University of Denver over 40 years ago, displayed their work together for the first time in a joint show, with Anderson’s ceramic sculptures occupying the center of the gallery and Strawn’s abstract paintings lining the walls.