Artist Refik Anadol, cofounder of Refik Anadol Studio, announces the opening of DATALAND, a new museum for data designed from the ground up in collaboration with architect Frank Gehry at The Grand LA. The project aims to create an architectural space inherently designed for immersive, AI-generated, and constantly evolving art, moving beyond the need to retrofit traditional museum structures like the white cube.
Six days after Georg Baselitz's death, his dealer Thaddaeus Ropac opened "Eroi d'Oro" ("Heroes of Gold") at the Fondazione Giorgio Cini in Venice. The exhibition features the final paintings Baselitz made before he died in April at age 88. In a prerecorded film, Baselitz calls these works his "last paintings," intended as a summation of his six-decade career. The large-scale, gold-ground paintings depict thin, ink-like figures of himself or his wife Elke lying horizontally, floating in undefined space. Baselitz connected the gold grounds to Fayum mummy portraits, Sienese altarpieces, and Byzantine icons, using them to absorb space and create a shadowless, eternal condition.
Thaddeus Mosley, a 98-year-old sculptor based in Pittsburgh, creates monumental wood sculptures that weigh hundreds of pounds and rise high into the air. Working alone in a cavernous studio, he carves cherry and walnut using gouges, comparing his process to judo. Despite his long career spanning seven decades, Mosley remained largely unknown outside Pittsburgh until recently. He has now gained wider recognition following his inclusion in the 2018 Carnegie International, and his work is currently featured in a major exhibition at New York's City Hall Park, where he shows giant bronze versions of his wood creations.
À Venise, 22 expositions incontournables en marge de la biennale
The article highlights 22 must-see exhibitions happening alongside the 61st Venice Biennale, which is expected to be affected by geopolitical tensions but still promises artistic vibrancy. Notable events include Bvlgari's dual projects featuring artists Lotus L. Kang, Lara Favaretto, and Monia Ben Hamouda; the unveiling of the Asscher collection at the Ama Venezia foundation with works by Charles Ray, Jenny Saville, and Richard Serra; and the inaugural exhibition "The Only True Protest Is Beauty" at the Fondation Dries Van Noten, showcasing 200 objects across fashion, design, and art. Other highlights include a dialogue between Picasso, Morandi, and Parmiggiani at the Fondazione Bevilacqua La Masa.
Hyperallergic has published a curated list of 15 gallery and independent art exhibitions to see in New York City during April. The guide highlights shows that might be overshadowed by major institutional blockbusters, featuring artists like E. Jane, Robert Bergman, Kamrooz Aram, and Chris "DAZE" Ellis across venues in Chinatown, Chelsea, Tribeca, and Queens.
The Metropolitan Museum of Art has unveiled its renovated Michael C. Rockefeller Wing, featuring 1,800 objects from 663 cultures across Africa, Oceania, and the ancient Americas. The $70 million, 12-year project includes Fang masks, ceremonial dance paddles, and 15-foot funerary poles, with a multi-day celebration that featured a sunrise blessing. The wing, named after Nelson Rockefeller's son who disappeared in 1961, opened in 1982 and was revitalized as part of a master plan by Beyer Blinder Belle Architects.
Scottish artist William Turnbull (1922–2012) is the subject of a new exhibition titled 'Origins (1946–1959)' at Karma gallery in Chelsea, New York. The show surveys Turnbull's early career, focusing on the transformative period after World War II when he moved between Surrealist Paris and Abstract Expressionist New York. It features key works such as the sculpture 'Horse' (1946), inspired by a Parthenon marble at the British Museum, and 'Playground (Game)' (1949), reflecting his interest in phenomenology and movement. The exhibition traces his evolution from an illustrator and Slade School student to a sculptor and painter who engaged elemental forms like the horse, standing figure, and human head.
Digital artist Beeple is bringing his viral robotic installation, "Regular Animals (2025)," to the Neue Nationalgalerie in Berlin this April. The work features a pack of AI-powered robotic dogs with heads modeled after tech moguls like Elon Musk and art icons like Pablo Picasso, which roam a pen, capture images of the audience, and "eject" AI-filtered prints from their rears. The presentation will coincide with Gallery Weekend Berlin and include a dialogue with Nam June Paik’s "Andy Warhol Robot (1994)."
The Metropolitan Museum of Art's Costume Institute will open "Superfine: Tailoring Black Style" on May 10, an exhibition tracing over 300 years of Black dandyism. The show features around a dozen paintings, fashions, works on paper, photography, sculpture, and decorative objects, including a 1758 portrait of Roch Aza, a ten-year-old enslaved boy from Martinique, depicted in elegant livery alongside his enslaver. The exhibition examines how well-dressed Black figures appeared in European art as symbols of their owners' wealth and status during the transatlantic slave trade, and how subsequent generations have reappropriated and subverted that imagery.
The article highlights Medardo Rosso, an Italian sculptor largely overlooked despite his pioneering role in modernist sculpture. A new exhibition at the Kunstmuseum Basel, "Medardo Rosso: The Invention of Modern Sculpture," showcases 50 of his works alongside pieces by over 60 artists including Rodin, Degas, and Brancusi, aiming to reassert his influence. Rosso's radical approach rejected monumentality for materiality and process, embracing subjects from society's fringes and anticipating 20th-century art developments. The show also revisits his bitter rivalry with Rodin, whom Rosso accused of borrowing his signature tilting effect.
Art Dubai has announced a streamlined "special edition" for its 2026 iteration, featuring a reduced roster of approximately 75 exhibitors. Scheduled for May 15–17 at Madinat Jumeirah, the fair is pivoting toward a regional core, with 60 percent of participants hailing from the Gulf and Southwest Asia. To address economic pressures and regional instability, the fair is implementing a novel risk-sharing financial model where booth costs are partially tied to sales performance.
José Dávila's solo exhibition "The Simple Act of Positioning" opens at Sean Kelly gallery in New York, featuring sculptures that explore the relational placement of objects in space. The show includes totemic pillars of steel, concrete, volcanic rock, and automotive paint, framed by large black structures, inviting viewers to move through the gallery to fully experience the visual conversations between works. Dávila, originally from Guadalajara and trained in architecture, draws on Modernist precedents from artists like Marcel Duchamp and architects like Luis Barragán.
A global celebration marks the centennial of Robert Rauschenberg's birth on October 22, 1925, with a bumper program of exhibitions at major museums including the Museum of the City of New York, the Guggenheim in New York, the Walker Art Center in Minneapolis, the Virginia Museum of Fine Arts, Des Moines Art Center, the Menil in Houston, Museum Ludwig in Cologne, and M+ in Hong Kong. The article highlights eight key facts about Rauschenberg's life and career, from his early use of the G.I. Bill to study art in Paris and at Black Mountain College, to his rebellion against teacher Josef Albers, and his invention of the "Combines"—radical painting-sculpture hybrids that broke with Abstract Expressionism and predicted Pop Art.
A new exhibition titled "Peggy Guggenheim in London: The Making of a Collector" will celebrate the legacy of Peggy Guggenheim's short-lived London gallery, Guggenheim Jeune, which operated from January 1938 to just 18 months later. The show, featuring over 100 works, opens at the Peggy Guggenheim Collection in Venice in spring 2026 before traveling to the Royal Academy in London. Highlights include the first painting Lucian Freud ever exhibited, Vasily Kandinsky's first solo London exhibition, and the first major collage group show in Britain, among other groundbreaking displays.
William Turnbull Origins, an exhibition dedicated to the Scottish-born artist William Turnbull, is now on view in New York, highlighting his early and mid-career works that emphasize elemental, abstract forms. The show focuses on his sculptures and paintings from the 1940s through the 1960s, drawing attention to his exploration of primitive and organic shapes.
The article provides a roundup of museum exhibitions on view in Southwest Florida during May, highlighting five new openings, eight closings, and 25 continuing shows across museums from Sarasota to Naples. Featured exhibitions include Molly Hatch's site-specific ceramic installation "Amalgam" at Sarasota Art Museum, Jillian Mayer's interactive "Slumpies" sculptures, a group show "Something Borrowed, Something New" with works by Louise Bourgeois, Chuck Close, David Hockney, Yoko Ono, Kara Walker, and Ai Weiwei, and Maria A. Guzman Capron's solo textile exhibition "Penumbra." The Marietta Museum of Art & Whimsy is noted as closing for the summer.
The New Museum's latest exhibition explores the evolving definition of humanity through the lens of technological advancement and ancestral wisdom. The show juxtaposes the anxieties of modern machine labor—exemplified by Simon Denny’s Amazon worker cage—with Indigenous epistemologies and animist traditions that offer alternative ways of inhabiting the world. By featuring artists like Jaider Esbell and Santiago Yahuarcani, the exhibition highlights how hybridity and relationality can resist the rigid hierarchies of Western modernity.
The New Museum has officially reopened its downtown New York campus following a significant expansion designed by the architectural firm OMA. The renovation introduces a massive internal staircase that connects all four floors, resolving long-standing circulation issues previously caused by a reliance on elevators. To mark the reopening, the museum debuted a site-specific facade sculpture by Tschabalala Self titled "Art Lovers" and a massive inaugural group exhibition, "New Humans: Memories of the Future," featuring over 150 international contributors.
The Broad Museum in downtown Los Angeles is hosting "Robert Therrien: This is a Story," the largest museum exhibition ever devoted to the late artist Robert Therrien (1947–2019). Opening November 22 and running through April 5, 2026, the show features over 120 artworks spanning five decades, many never publicly displayed before. Highlights include Therrien's monumental sculptures—such as the iconic "Under the Table" (1994), a giant wooden table and chairs that has become a social media favorite—alongside drawings, a recreated studio, and rooms that explore his process and scale.
The article previews 14 artists who will have major museum exhibitions in 2026, highlighting key shows such as a long-awaited US retrospective of Marcel Duchamp, a Calder exhibition in Paris, and a Rothko show in Florence. It also details concurrent auction highlights at Christie's New York, including works from the S.I. Newhouse collection by Brancusi, Lichtenstein, Matisse, and Pollock. Specific exhibitions covered include "Krasner and Pollock: Past Continuous" at the Metropolitan Museum of Art, a Roy Lichtenstein retrospective at the Whitney Museum, and multiple European shows for Constantin Brancusi's 150th anniversary.
Jonny Tanna, founder of the London gallery Harlesden High Street, has launched a pop-up project in Mayfair during Frieze Week, in collaboration with Düsseldorf- and Berlin-based gallery Setareh. The inaugural exhibition, “Forces of Nature,” features London-based artists Abbas Zahedi and Jamiu Agboke, presenting conceptual installation and atmospheric painting. Tanna emphasizes that this is not a permanent relocation but an itinerant extension of his gallery, which exclusively shows artists of color and is known for its community-focused, unvarnished approach.
The Museum of Modern Art in New York has opened "Marcel Duchamp," the first retrospective of the artist on this continent in over 50 years. Curated by Ann Temkin, Michelle Kuo, and Matthew Affron, the exhibition is organized strictly chronologically and features Duchamp's most famous works—including his revolutionary readymades like *Fountain* (1917) and *Bicycle Wheel* (1913)—often shown only in photographic reproduction or as later refabricated copies, replicas, and miniatures from his *Box in a Valise* series. The show highlights how Duchamp's original objects have been lost or dematerialized, forcing viewers to confront the very definition of an artwork.
The 2026 Whitney Biennial features artists using technology to explore themes of surveillance, data extraction, and the unsettling blur between human and machine. Works like Cooper Jacoby's AI-generated piece, which scrapes data from deceased individuals' social media, and Isabelle Frances McGuire's 3D-scanned witch figures, confront the ethical and existential implications of biometrics and digital quantification.
The Vatican Museums have unveiled the final room of the Raphael Rooms in the Apostolic Palace after a decade-long cleaning and restoration. The project revealed that Raphael used a novel mural painting technique, applying oil paint directly to the wall rather than using traditional fresco. Restorers discovered a grid of metal nails embedded in the walls, intended to hold a natural resin surface for the oil paint, confirming earlier reports of this experimental approach. The room, dedicated to the Roman emperor Constantine, was completed by Raphael's students after his death in 1520.
CISCO MEREL: LA CHANTIN
Kunsthalle Lissabon in Lisbon, Portugal, is presenting 'La Chantin,' the first solo exhibition in the country by Panamanian artist Cisco Merel. The exhibition features a site-specific installation exploring the house as an open, collective, and evolving system, inspired by the mobile, wooden 'shanty' structures built by the Afro-Caribbean diaspora during the construction of the Panama Canal.
The New Museum in New York has reopened after two years with a major expansion designed by OMA / Shohei Shigematsu and Rem Koolhaas, doubling its size to 60,000 additional square feet. The inaugural exhibition, “New Humans: Memories of the Future,” curated by Massimiliano Gioni, features over 800 objects by more than 200 artists, scientists, and designers across three main floors. The show explores how concepts of the human have evolved in response to technological innovation over the past century, with thematic chapters such as “Reproductive Futures” and a site-specific sculpture by Klára Hosnedlová in the new Atrium Stair.
CULTURED magazine hosted its third annual Frieze London breakfast at the Dorchester hotel, co-hosted by Editor-in-Chief Sarah Harrelson, European Contributor Georgina Cohen, and photographer Mary McCartney. The event drew a mix of art-world figures, celebrities, and cultural tastemakers, including actor Richard E. Grant, Tate director Maria Balshaw, musicians Jess Glynne and Sophie Ellis-Bextor, gallerists Lucy Chadwick and Pilar Corrias, and collectors Laura de Gunzburg and George Wells. Guests enjoyed a plant-based breakfast and copies of CULTURED's September issue amid the buzz of Frieze London.
A major retrospective of Alexander Calder’s work has opened in Paris, offering a comprehensive look at the sculptor’s career-long obsession with movement and balance. The exhibition invites visitors to engage directly with his iconic mobiles and wire sculptures, emphasizing the physical and temporal experience of art that shifts with the surrounding air and light.
Yang Fudong has opened his largest solo exhibition to date, 'Fragrant River,' at the UCCA Center for Contemporary Art in Beijing. The show features over 30 works and eight hours of video, including major new installations like the five-channel 'Young Man, Young Man' and the furniture-and-video piece 'Breastfeeding,' which immerse viewers in scenes from the artist's hometown of Xianghe.
American artist Lisa Sanditz presents a suite of nine new works in her solo exhibition “Big Boy” at Huxley-Parlour in London, on view through May 31, 2025. The show, her third with the gallery, explores power dynamics within families and across generations through formal devices such as exaggerated scale, vibrant color, and playful imagery. Key works like "Big Boy/Big Gulp" (2025) and "Big Cat" (2025) use a hierarchy of scale rooted in medieval and ancient art traditions to reflect emotional and psychological tensions, while also commenting on broader societal and political shifts in America amid climate change.