The Museum Ludwig in Cologne has launched a major retrospective of Yayoi Kusama's work to mark its 50th anniversary. The exhibition features over 300 pieces, including sculptures, paintings, and installations, and spans her entire career from a childhood drawing to a newly commissioned Infinity Room. It also debuts several works in a museum setting and spreads beyond the gallery walls to the museum's roof.
Artnet News highlights nine must-see European museum exhibitions opening in 2025, spanning from Amsterdam to Zurich. Featured shows include Noah Davis's first U.K. museum survey at the Barbican in London, a dual Anselm Kiefer exhibition at the Van Gogh Museum and Stedelijk Museum in Amsterdam, Tracey Emin's first major Italian retrospective at Palazzo Strozzi in Florence, and a dedicated Artemisia Gentileschi show at Musée Jacquemart-André in Paris. Other notable exhibitions cover Marlene Dumas, Yayoi Kusama, and Yoshitomo Nara, among others.
This week's art roundup from The Guardian features a major exhibition at Towner Eastbourne titled 'Comrades in Art: Artists Against Fascism,' which examines how artists, poets, and intellectuals used their work to resist the rise of extremism in 1930s Europe, drawing on the history of the Artists International Association (AIA). Other highlights include 'Hidden: Photography and Displacement Under the Khmer Rouge' at The Wiener Holocaust Library in London, a show of early Netherlandish drawings at the British Museum, Katharina Grosse's colorful installations at White Cube, and a flower-themed survey at Kettle's Yard. The image of the week is Sylvia Sleigh's 1963 portrait 'The Bridge (Johanna Lawrenson),' part of a new exhibition of the Welsh artist's work. The article also covers news items such as Lydia Ourahmane's Venice Biennale installation, a Holbein portrait mystery, a restored stained-glass window by Edward Burne-Jones and William Morris, and Anish Kapoor's call to exclude the US from the Venice Biennale due to 'politics of hate.'
Two rare photographic albums taken by art critic Gustave Coquiot in 1922 have been acquired by the newly established Van Gogh Academy in Auvers-sur-Oise, France, and are now on display. The images capture many of the sites in Arles that Vincent van Gogh painted in the late 1880s, including the Yellow House, the Langlois Bridge, and the Rhône riverbank. Several of these locations were later destroyed during World War II or by modernization, making Coquiot's photographs valuable historical records of Van Gogh's original subjects.
An exhibition titled "Van Gogh, Influencer: Legacies in Motion" has opened at the Château of Auvers-sur-Oise, the village near Paris where Vincent van Gogh spent his final 70 days and died by suicide in July 1890. The show, running until 3 January 2027, features nearly a hundred works by artists influenced by Van Gogh, including Léonide Bourges, Charles-François Daubigny, and Léo Gausson, though no original Van Gogh paintings are included. Curated by Wouter van der Veen, the exhibition explores visual parallels and stylistic contrasts between Van Gogh’s iconic works—such as *Church at Auvers* and *Wheatfield with Crows*—and those of his contemporaries and followers.
This week’s art roundup highlights several major exhibitions across the UK, including a floral-themed survey at Kettle’s Yard featuring artists from Henri Rousseau to Lubaina Himid. Other notable openings include Billy Childish’s expressionistic California desert paintings at Carl Freedman Gallery, Katharina Grosse’s site-specific installations at White Cube, and Steve McQueen’s new photography book, 'Bounty', which explores the colonial history of Grenada through its flora.
The International Fine Prints and Drawings Association (IFPDA) Print Fair returned to New York’s Park Avenue Armory, featuring 80 global galleries, publishers, and print studios. The event showcased a diverse range of works, from 19th-century Japanese ukiyo-e masterworks by Hokusai to contemporary pieces by artists such as Kiki Smith, Julie Mehretu, and David Hockney. Notable highlights included Kiki Smith’s massive 12-foot watercolor "Wooden Moon" and Paula Rego’s influential abortion etchings, which were recently acquired by the Metropolitan Museum of Art.
The Kröller-Müller Museum in Otterlo has broken traditional museum protocol by placing a known forgery, "Seascape at Saintes-Maries-de-la-Mer," on public display. Acquired in 1928 by museum founder Helene Kröller-Müller from the notorious Berlin dealer Otto Wacker, the painting was eventually exposed as a fake created by Wacker’s brother, Leonhard. The exhibition, which runs until June 21, coincides with a new podcast detailing the history of the acquisition and the subsequent fraud trial that rocked the art world in the 1930s.
Artnet News highlights eight winter gallery shows in New York City, including Ragnar Kjartansson's video installation "Sunday Without Love" at Luhring Augustine, featuring the artist and collaborators in folk costumes chanting a comedic line about living without love, and Louise Bourgeois's exhibition "Gathering Wool" at Hauser & Wirth, which explores themes of motherhood and abstraction through video, sculpture, and performance. Other notable shows include Jordan Casteel's floral canvases at Casey Kaplan and Geoffrey Holder's pulsing paintings at James Fuentes.
This article is a weekly entertainment guide from The Guardian, covering cinema, gigs, art, stage, streaming, games, albums, and brain food. In the art section, it highlights two exhibitions: "Handpicked: Painting Flowers from 1900 to Today" at Kettle's Yard in Cambridge, featuring artists like Henri Rousseau and Lubaina Himid; and a show of South African photographer George Hallett's work at the John Lennon School of Art and Design in Liverpool, documenting black resistance in 1970s Britain. It also mentions an open house for Lonnie Holley's new works at Edel Assanti gallery in London.
This episode of The Art Newspaper's podcast 'The Week in Art' covers three distinct exhibitions. Host Ben Luke discusses the 40th anniversary of the Chernobyl nuclear disaster with organizer Olha Kovalevska, whose exhibition at Nikolaikirche in Potsdam runs until 27 April. He also explores a new show at Munch in Oslo, 'Paula Rego: Dance Among Thorns', with curator Kari J. Brandtzæg, focusing on Rego's engagement with Edvard Munch. Finally, the episode features 'Convolvulus' (1940) by Gluck as the Work of the Week, part of the group exhibition 'Handpicked: Painting Flowers from 1900 to Today' at Kettle's Yard in Cambridge, discussed with co-curator Naomi Polonsky.
The 82nd Whitney Biennial has opened at the Whitney Museum of American Art, featuring 56 artists, duos, and collectives. Curated by Marcela Guerrero and Drew Sawyer, this edition eschews a formal theme in favor of a sprawling, material-diverse exhibition that emphasizes slow looking and political engagement. Early critical reception suggests a stronger, more cohesive showing than the previous 2024 edition, despite a notable absence of traditional painting.
Two concurrent exhibitions in New York explore the intersection of art and UFOs, paranormal phenomena, and extraterrestrial life. "Voice of Space: UFOs and Paranormal Phenomena" at the Drawing Center (through February 1, 2026) features some three dozen works from artists including René Magritte and Isa Genzken, with Magritte's 1931 painting "Voice of Space" as the conceptual centerpiece. Meanwhile, "Paintings Made for Aliens Above" at P.P.O.W (through December 20, 2025) presents new works by Romanian artist Hortensia Mi Kafchin, probing technofuturism's promises and failures. The shows include historical pieces like Paulina Peavy's multimedia works co-credited to her personal UFO, and contemporary works by Char Jeré that interrogate technology and consumerism.
aca galleries 100 years of black art
ACA Galleries in New York is hosting "Continuum: Over 100 Years of Black Art," an expansive group exhibition running through March 7, 2026. The show features a diverse array of media—including painting, sculpture, textiles, and collage—by more than a dozen pioneering Black artists. Spanning from the 19th century to the present day, the exhibition highlights key figures such as still-life painter Charles Ethan Porter, collagist Romare Bearden, and contemporary textile artist Helen McBride Richter.
Consuelo Jimenez Underwood, a textile artist born in 1949 in Sacramento, has spent decades creating works that confront the US-Mexico border. In 2009, she was invited to participate in the group exhibition “Xicana: Spiritual Reflections/Reflexiones Espirituales” at the Triton Museum of Art in Santa Clara, California. Faced with a blank museum wall, she decided to “blow up the border,” creating her first large-scale installation, *Undocumented Border Flowers* (2010), which features a red gash representing the border surrounded by paper flowers of the four border states. This work launched her ongoing “BORDERLINES” series, which she has produced some 15 times across the country, often collaborating with schoolchildren or recently incarcerated women. Her practice is deeply personal: her father was an undocumented immigrant from Mexico of Huichol ancestry, and she spent her childhood as a migrant farmworker, following harvests along Highway 99. Her first woven artwork, *C.C. Huelga* (1974), was inspired by the United Farm Workers flag and leader César Chávez.
Japanese art collective teamLab is opening its first custom-built museum on April 18 in Abu Dhabi's Saadiyat Cultural District, near the Louvre Abu Dhabi and the forthcoming Guggenheim Abu Dhabi. The 183,000-square-foot waterfront building, designed with MZ Architects, features a new series titled "Phenomena" that harnesses wind, water, and light to create immersive, kinetic environments. Highlights include installations like "Morphing Continuum," where floating silver balls form tornado-like formations, and a "wet zone" with glowing ovoids that respond to touch. The museum represents teamLab's most ambitious and technically challenging artworks to date.
The New York Botanical Garden (NYBG) has announced that artist KAWS (Brian Donnelly) will take over its 250-acre landscape in 2027 with a large-scale, unnamed exhibition featuring his iconic sculptures such as Companion, BFF, and Chum. The show follows the model of NYBG's 2021 "Cosmic Infinity" exhibition by Yayoi Kusama, which drew around 845,000 visitors. The announcement also coincides with NYBG's current "Van Gogh's Flowers" display and a planned 2026 orchid show by Mr. Flower Fantastic.
The Hayward Gallery in London has announced a major solo exhibition of American artist and activist Nan Goldin, titled "You Never Did Anything Wrong." Running from 24 November 2026 to 7 March 2027, the show will mark Goldin's first institutional exhibition in the UK since 2002, featuring her intimate photographs and slideshows that document personal relationships, addiction, and queer communities over five decades. The exhibition rounds off the Southbank Centre's 75th anniversary year and includes works such as "Flowers with cup and Gaja" (2024) and "Diana in the bath" (2024).
The article explores the annual ritual of the Archibald Prize, Australia's most famous portrait competition, through the lens of the 2026 edition. The author, Dee Jefferson, describes the predictable cycle of public enthusiasm, critical disdain, and media coverage that surrounds the prize, noting recurring trends like brown suits, oversized heads, and the dominance of male artists painting male subjects. The piece highlights specific works in this year's exhibition, including a portrait of musician Keli Holiday by Sindy Sinn that the author finds disorienting, and contrasts the main exhibition with the Salon des Refusés, the showcase of rejected entries, which includes a provocative portrait of Patricia Piccinini by Wendy Sharpe featuring exaggerated anatomy.
Takashi Murakami’s latest exhibition at Perrotin Los Angeles, titled “Hark Back to Ukiyo-e: Tracing Superflat to Japonisme’s Genesis,” marks a significant return to his academic roots in Nihonga (traditional Japanese painting). The show features 24 compositions, including four monumental canvases that took over three years to complete, blending Edo-period woodblock aesthetics with 19th-century Impressionism and contemporary Pokémon imagery. The artist describes this body of work as a reflection on the non-linear nature of time and the physical manifestation of memory.
TONO, the time-based art festival, has announced its 2026 lineup, running March 6–22 across Mexico City and Puebla. The program includes video installations, performance commissions, music events, and screenings at venues such as Laboratorio Arte Alameda, Casa del Lago UNAM, Museo Jumex, Museo de Arte Moderno, and Museo Amparo. Featured artists include Tino Sehgal, Space Afrika, Franziska Aigner, Kelman Duran, Ho Tzu Nyen, Avantgardo, Rafael Lozano-Hemmer, and Melanie Smith. International collaborations bring dance works via 99 Canal and Dance Reflections by Van Cleef & Arpels, and a joint evening with Berlin’s Neue Nationalgalerie. The festival is also co-producing Camille Henrot’s exhibition Água Viva at São Paulo’s Instituto Bardi.
This month’s gallery circuit features a series of high-profile solo exhibitions across the United States, headlined by a museum-quality survey of Jasper Johns at Gagosian. The selection highlights diverse artistic approaches, from Johns’s seminal 1970s crosshatch paintings to Yuko Mohri’s kinetic installations at Tanya Bonakdar and Gabriel de la Mora’s material-focused conceptual works at Perrotin. Other notable shows include Christina Quarles’s new paintings at Hauser & Wirth, which explore themes of loss and resilience.
Several major Van Gogh exhibitions are scheduled for 2026 across Japan and the Netherlands. In Nagoya, the Aichi Prefectural Museum of Art hosts "Van Gogh's Home: The Van Gogh Museum" (January–March), featuring 24 paintings and five drawings from the Amsterdam museum. Amsterdam's Van Gogh Museum presents "Yellow: More than Van Gogh's Favourite Colour" (February–May), exploring the color yellow through Van Gogh's Sunflowers and works by other artists. A touring exhibition from the Kröller-Müller Museum, "The Grand Van Gogh Exhibition," travels from Kobe to Fukushima and Tokyo with 37 paintings and 20 drawings. The Kröller-Müller Museum itself plans "All Van Goghs" (September 2026–January 2027), reuniting its entire collection for the first time since 1984. Den Bosch's Noordbrabants Museum examines Van Gogh's influence on Jan Sluijters in "Jan and Vincent: About Light" (October 2026–February 2027). Several ongoing exhibitions continue into early 2026, including "Van Gogh and the Roulins" and "Captivated by Vincent" at the Van Gogh Museum, and "Van Gogh and the Potato" in Den Bosch.
Art Basel Paris 2025 returns to the Grand Palais, with off-site events across the city. For those without fair tickets, galleries throughout Paris are hosting notable shows alongside the fair, including Gerhard Richter at David Zwirner, Robert Rauschenberg's 'Gluts' series at Thaddaeus Ropac, Hans Op de Beeck at Templon, and Heinz Mack at Almine Rech. The article highlights ten must-see gallery exhibitions running concurrently with the fair.
Paris Gallery Weekend 2025 takes place May 23–25 across 74 galleries in the capital, featuring vernissages, performances, exhibition walkthroughs, and artist talks. Now in its second decade, the event was founded to spotlight Paris’s contemporary art scene and offers a counterpoint to the art fair circuit. Highlights include Sophie Calle’s "SÉANCE DE RATTRAPAGE" at Perrotin, where she revisits unfinished projects from her 2023 Picasso Museum exhibition, and major institutional shows like the David Hockney retrospective at Fondation Louis Vuitton and "Corps et âmes" at Bourse de Commerce. The weekend also includes a new Agnès Varda exhibition at Musée Carnavalet linking her photography to her Montparnasse atelier.
A major exhibition at the Fondation Louis Vuitton in Paris, titled "David Hockney 25," showcases 400 works by the British artist, with a focus on the past 25 years of his career. The show highlights Hockney’s deep admiration for Vincent van Gogh, featuring a section called "The Great Wall" that includes 29 Van Gogh reproductions alongside works by other artists. Key pieces on display include Hockney’s portrait of his partner Jean-Pierre Gonçalves de Lima, inspired by Van Gogh’s "Sorrowing Old Man," and iPad drawings echoing Van Gogh’s sunflower still lifes. The exhibition runs until 31 August.
palace holyroodhouse queen elizabeth apartment tour
The Royal Collection Trust has announced that Queen Elizabeth II’s private apartments at the Palace of Holyroodhouse in Edinburgh will open to the public for the first time. This limited 100-day engagement, running from May 21 to September 10, commemorates what would have been the late monarch’s 100th birthday. Visitors will gain access to the Breakfast Room, Dressing Room, and Sitting Room, which feature a mix of historic Flemish tapestries, Qing dynasty decorative arts, and personal clothing ensembles.
Elizabeth Peyton's New York solo debut with David Zwirner, titled "Elizabeth Peyton: mountains in my heart (the death of Sarpedon)," opened at the gallery's West 19th Street space. The exhibition features Peyton's small-scale figurative paintings, including a new work inspired by the death of Sarpedon from the Iliad, rendered after a 19th-century painting by Henri-Léopold Lévy. Peyton, who has been an artist-in-residence at the Louvre since 2023, continues her practice of drawing from pop culture, historical figures, and personal acquaintances, with subjects ranging from musician Cameron Winter to philosopher Simone Weil.
The article, published by Cultured, serves as a curated guide to September's art exhibitions in New York, highlighting both ongoing and closing shows. It recommends balancing the frenzy of fair week with slower, more meaningful experiences, pointing to specific exhibitions like EJ Hill's silent kneeling performance at 52 Walker, Lisa Yuskavage's drawing show at the Morgan Library, the Stettheimer Dollhouse at the Museum of the City of New York, and MoMA's presentation of Hilma af Klint's nature notebooks. It also notes upcoming must-see shows, including a Cady Noland exhibition at Gagosian, and mentions the Gaza Biennial, Nancy Holt, Raúl de Nieves, and Kahlil Robert Irving, along with future features on Ambera Wellmann and Sophie Calle.
Artist Jean Shin unveiled a new site-specific earthwork titled "Offering" (2026) at Brooklyn's Green-Wood Cemetery on April 18. The installation, situated in a meadow facing the cemetery's gates, consists of a long, oval-shaped mound of soil covering two felled oak trees. The work was inspired by traditional Korean tumulus burial mounds and involved a community ritual led by a Korean shaman, with volunteers planting wildflowers and shrubs on the mound.