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In a new home, Photo London gets down to business

Photo London opened its 2025 edition at a new venue, Olympia’s Grand Hall in West Kensington, on 13 May, moving from its previous decade-long home at Somerset House. Despite a hailstorm, the preview day saw lively sales: Paris-B Gallery sold three works for £100,000, including pieces by Yang Yongliang; In Camera sold both a vintage and modern print of Jane Everlyn Atwood's *Auto Portrait (Serpent)*; and Radius Publishing moved 40% of its stock by Thursday lunchtime. The fair runs until 17 May, with prices ranging from £100 to £400,000.

Paul McCarthy: ‘The world is now an extreme absurdity. The work is a reaction to that’

Paul McCarthy, the 80-year-old American artist known for his transgressive critiques of consumer culture, has opened a new exhibition titled "SS EE Saint Santa Eva Elf" at Hauser & Wirth in Paris. The show features large-scale drawings and a six-channel video installation created during filmed performances with his long-term collaborator, German actress Lilith Stangenberg, who plays the Elf. McCarthy revisits his iconic Santa Claus motif, portraying him as a dark, psychotic figure—the "god of capitalism and consumption." The exhibition also includes earlier drawings made with Stangenberg at Bowman Hal gallery in Madrid. The interview reveals that McCarthy's home and studios in Los Angeles were destroyed by wildfires, resulting in the loss of art, drawings, notebooks, and books, and the cancellation of a planned London show.

Rare early photographs reveal lost sites featured in Van Gogh’s paintings

Two rare photographic albums taken by art critic Gustave Coquiot in 1922 have been acquired by the newly established Van Gogh Academy in Auvers-sur-Oise, France, and are now on display. The images capture many of the sites in Arles that Vincent van Gogh painted in the late 1880s, including the Yellow House, the Langlois Bridge, and the Rhône riverbank. Several of these locations were later destroyed during World War II or by modernization, making Coquiot's photographs valuable historical records of Van Gogh's original subjects.

Venice Biennale 2026 Highlights: Arsenale & Giardini

ArtReview editors highlight the must-see national pavilions at the 61st Venice Biennale, running from 9 May to 22 November 2026. Notable presentations include Austria's Florentina Holzinger turning her pavilion into a toilet and sewage-treatment plant with naked performers, and Germany's pavilion featuring works by Sung Tieu and the late Henrike Naumann, who died in February 2026, exploring East German memory and conceptual minimalism.

Controversial Painter Georg Baselitz Knew His Venice Show Would Be His Last. He Went Out Quietly.

Six days after Georg Baselitz's death, his dealer Thaddaeus Ropac opened "Eroi d'Oro" ("Heroes of Gold") at the Fondazione Giorgio Cini in Venice. The exhibition features the final paintings Baselitz made before he died in April at age 88. In a prerecorded film, Baselitz calls these works his "last paintings," intended as a summation of his six-decade career. The large-scale, gold-ground paintings depict thin, ink-like figures of himself or his wife Elke lying horizontally, floating in undefined space. Baselitz connected the gold grounds to Fayum mummy portraits, Sienese altarpieces, and Byzantine icons, using them to absorb space and create a shadowless, eternal condition.

Allison Katz’s Playful Paintings Hide Serious Ideas in Plain Sight

Painter Allison Katz, who lived in New York for seven years but hasn't shown in Manhattan for over a decade, returns with a major debut solo exhibition at Hauser & Wirth's Wooster Street location. Titled "Outta the Bag," the show features a suite of New York–centric paintings, including depictions of the city's museums and skyscrapers, as well as an ironically small "Big Apple" composition, marking a significant moment for the mid-career artist.

Frieze New York marks 15th edition with expanded international reach

Frieze New York marks its 15th edition from 13-17 May at the Shed, featuring 68 galleries from over 25 countries. The fair includes 57 exhibitors in the main section and 11 in Focus, with nearly half maintaining a New York location. First-time participants include Europa, Sargent’s Daughters, Soft Opening, Ulrik, and W-galería. Latin American representation has grown significantly, with 14 galleries from the region, including Campeche from Mexico City, Isla Flotante from Buenos Aires, and Central from São Paulo. Christine Messineo, Frieze’s director of fairs for the Americas, highlights the fair’s increasingly international scope and the strong Brazilian contingent.

Kiss and Tell! In Venice, Nude Tino Sehgal Work Is Talk of the Town

Laurent Asscher's AMA Venezia foundation in Venice is showcasing Tino Sehgal's live performance piece "Kiss (Clean Version)" during the 61st Venice Biennale. The work features a nude couple reenacting famous kisses from art history, performed by rotating dancers over hours. Asscher acquired the piece after meeting Sehgal, having previously bought a different Sehgal work at a charity auction. The performance has become a standout attraction amid the Biennale's crowded opening week.

The New York Fairs Are Done. What Remains?

The article reflects on the conclusion of New York's spring art fair season, highlighting TEFAF New York at the Park Avenue Armory and the Independent Art Fair, which relocated to Pier 36. It notes the ongoing Focus fair for emerging Asian art and spotlights specific artists, including Taiwanese painter Tseng Chien-Ying at Kiang Malingue's booth and Frank Gaard at Post Times, describing their works and the fair's atmosphere of discovery.

Think you have strong opinions about the 2026 Archibald prize? Check out the portraits that didn’t make the cut | Dee Jefferson

The article explores the annual ritual of the Archibald Prize, Australia's most famous portrait competition, through the lens of the 2026 edition. The author, Dee Jefferson, describes the predictable cycle of public enthusiasm, critical disdain, and media coverage that surrounds the prize, noting recurring trends like brown suits, oversized heads, and the dominance of male artists painting male subjects. The piece highlights specific works in this year's exhibition, including a portrait of musician Keli Holiday by Sindy Sinn that the author finds disorienting, and contrasts the main exhibition with the Salon des Refusés, the showcase of rejected entries, which includes a provocative portrait of Patricia Piccinini by Wendy Sharpe featuring exaggerated anatomy.

Ornamental Carpets Release Wild Animals in Debbie Lawson’s Provocative Sculptures

Debbie Lawson presents a solo exhibition, "In a Cowslip's Bell I Lie," at Sargent's Daughters in New York, featuring her signature large-scale sculptures of life-size animals cloaked in ornamental Persian carpets. Using wire mesh, masking tape, and Jesmonite resin, she meticulously wraps each limb in carpet, creating the illusion that the animals have emerged from the textiles themselves. The show includes works such as "Wild Dog Sundown" (2025), "Red Eagle" (2026), and "Black Cougar" (2025), and draws its title from Shakespeare's *The Tempest*.

The Broad Los Angeles: Inside the Museum’s Quiet Pull

The Broad in Los Angeles offers visitors a polished yet intimate contemporary art experience, housed in a distinctive honeycomb-like building on Grand Avenue designed by Diller Scofidio + Renfro with Gensler. Opened in 2015, the museum displays the postwar and contemporary art collection assembled by philanthropists Eli and Edythe Broad, featuring free general admission and a tightly edited selection of works that makes it approachable for first-time museumgoers. The museum is a key anchor in downtown LA's Grand Avenue arts corridor, alongside Walt Disney Concert Hall.

Liu Ding and Carol Yinghua Lu to curate 2027 Istanbul Biennial

The Istanbul Foundation for Culture and Arts (ISKV) has announced that Liu Ding and Carol Yinghua Lu will curate the 2027 Istanbul Biennial. Liu Ding is a Beijing-based artist and curator who has participated in numerous international biennials and taught at NABA Milan, while Carol Yinghua Lu is an art historian and director of the Inside-Out Art Museum in Beijing, with a background at OCAT Shenzhen, Museion Bolzano, and Asia Art Archive. The pair, who have collaborated since 2007, most recently served as artistic directors of the 2024 Yokohama Triennale. The 19th edition of the Istanbul Biennial is scheduled for 18 September to 14 November 2027.

A Londra si allestisce un’installazione di Christo e Jeanne-Claude che non si era mai vista prima

An unprecedented installation by Christo and Jeanne-Claude, titled "Air Package on a Ceiling," is being exhibited for the first time at Gagosian's Grosvenor Hill space in London, opening May 21, 2026. The work was originally conceived in 1968 for the Institute of Contemporary Art in Philadelphia but never realized due to technical constraints. It was rediscovered in 2018 when Lorenza Giovanelli, Christo's former studio manager, found a detailed scale model hidden inside a pedestal. The exhibition also includes early works such as "Wrapped Automobile—Volvo, Model PV-544" (1981), not seen in thirty years, alongside preparatory drawings and collages.

art venice biennale gallery exhibition guide

Cultured magazine has published a guide to art exhibitions during the Venice Biennale, highlighting several major shows across the city. Featured exhibitions include "If All Time Is Eternally Present" at Palazzo Nervi-Scattolin with works by Tai Shani, Meriem Bennani & Orian Barki, and Kandis Williams; "Michael Armitage: The Promise of Change" at Palazzo Grassi; "Amoako Boafo: It doesn’t have to always make sense" at Palazzo Grimani; "Transforming Energy" by Marina Abramović at Gallerie dell’Accademia; and "Helter Skelter" by Arthur Jafa and Richard Prince at Fondazione Prada. The guide provides details on dates, locations, and curatorial themes for each show.

Several Eternities in a Day: Form in the Age of Living Materials

The Hammer Museum in Los Angeles presents "Several Eternities in a Day: Form in the Age of Living Materials," a spring 2026 exhibition running from April 5 to August 23. Curated by Jill Spalding, the show features works by artists including Edgar Calel, Guadalupe Maravilla, Carmen Argote, and others, exploring the concept of "Brownness"—a fluid identity rooted in ancestral memory, animal kinship, and a profound connection to living materials. The exhibition is organized into three acts: large-scale installations, paintings and works on paper, and ceramics, offering a visceral and immersive experience that draws on precolonial traditions across the Americas.

India's Kiran Nadar Museum to take over Christie's London headquarters this summer

The Kiran Nadar Museum of Art (KNMA) in New Delhi will take over Christie’s London headquarters this summer for a month-long non-selling exhibition titled "The Meeting Ground: Scenes from the KNMA Collection" (16 July-21 August). The show will feature 180 works by 60 Indian, Pakistani, and Bangladeshi artists from the 1950s to the present, drawn from billionaire collector Kiran Nadar’s vast collection of South Asian Modern art. The exhibition anticipates the delayed relocation of KNMA to a new 100,000 sq. m building near Delhi airport, designed by David Adjaye and now about 60% complete, with former Louvre Abu Dhabi director Manuel Rabaté appointed to run the museum.

Tate Britain previews new garden at RHS Chelsea Flower Show

Tate Britain is previewing its new garden at the 2026 RHS Chelsea Flower Show, offering a sneak peek of the forthcoming Clore Garden designed by Tom Stuart-Smith and scheduled for completion in 2027. The show garden features Barbara Hepworth's 1949 sculpture *Bicentric Form*, the first work Tate acquired by the artist, alongside Mediterranean plants adapted to London's warming climate, a wildlife pond, and recycled materials from the Millbank site. After the show, the garden will be relocated to Tate Britain.

Our pick of the best pavilions at the 61st Venice Biennale

The article highlights standout national pavilions at the 61st Venice Biennale. The Belarus Pavilion features a powerful installation by the Belarus Free Theatre, including a wheat field built by former political prisoners, straw spiders made from prison bars, and a confession booth that runs facial recognition. The Brazil Pavilion presents a joint exhibition by Rosana Paulino and Adriana Varejão, focusing on colonial wounds and trauma through works like Paulino's 'Aracnes' and Varejão's 'Still Life amid Ruin'. The Bosnian Pavilion by Mladen Bundalo invites tactile engagement with themes of diaspora and migration, while the Austrian Pavilion by Florentina Holzinger draws attention with nude performers in water-filled pools.

Arthur Jafa: ‘America has always been a demonic state. And we love it’

The article covers the exhibition "Helter Skelter: Richard Prince and Arthur Jafa" at the Prada Foundation’s Ca’ Corner della Regina in Venice, curated by Nancy Spector. It brings together over 50 works by Prince and Jafa in a call-and-response format, exploring themes of appropriation, race, violence, and American identity. The show pairs Prince’s iconic rephotographed images and Jafa’s video work "Love Is The Message, The Message is Death" (2016) with new and existing pieces, including Jafa’s "Big Wheel II" and Prince’s "Blasting Mats."

Fred Tomaselli Turns Newspaper Headlines Into Mulch at His New Show at James Cohan

Fred Tomaselli presents his new exhibition “Blooms Disrupted,” opening May 15 at James Cohan’s 48 Walker Street location in New York. The show features his signature densely layered resin paintings embedded with organic matter like leaves and pharmaceutical pills, alongside a new series of collages constructed from New York Times front pages. The anchor piece, *Month of August (evening)*, combines a geometric spiral of headlines with a photographic Mexican sunflower, while other works reference art-historical gardens such as Frederic Edwin Church’s estate. Tomaselli, a Brooklyn-based artist born in 1956, uses the garden as both subject and metaphor throughout the exhibition.

Independent art fair makes the most of more spacious digs

The Independent art fair in New York has relocated from Spring Studios in Tribeca to Pier 36 on the East River, doubling its footprint while slightly reducing the number of exhibitors from 87 to 76. The move creates a more spacious, single-level layout with larger stands and improved circulation, allowing for more ambitious installations. Dealers report strong early collector turnout, with over a third of exhibitors presenting solo stands by artists showing in New York for the first time, including Omar Mismar and Julia Maiuri. Notable presentations include Charles Moffett’s revival of late textile artist Silvia Heyden, James Fuentes’s cross-generational downtown New York showcase, and a large-scale installation by Gretchen Bender.

With New Tribeca Outpost, Gratin Gallery Doubles Down on Young Artists

Gratin Gallery, founded by Talal Abillama, is opening a new outpost in Tribeca at 15 White Street, leased for ten years. The space will debut on May 15 with “Blinds and Shutters,” the first U.S. solo exhibition of Spanish sculptor Mónica Mays. The gallery, which started on Avenue B in 2022 and later moved to Grand Street, is expanding despite a challenging art market. Abillama cites the need to be closer to collectors who avoid the 15-minute walk from Tribeca to Chinatown. The new location sits near Luhring Augustine and Ortuzar Projects, and will officially open in November after renovations.

Frieze New York Diary: a charity sale and rogue underwear

Frieze New York is underway, with notable highlights including a provocative marble sculpture of underwear by Reza Aramesh at the Iranian gallery Dastan, representing the last garment removed before imprisonment. Meanwhile, collectors Susan and Michael Hort are hosting a charity sale at their Tribeca townhouse benefiting the Rema Hort Mann Fund, featuring a popular "Buy What You Love" section where $150 works on paper are sold anonymously. Actor Lucy Liu is also making waves with a new exhibition titled "Hard Feelings" at Alisan Fine Arts on the Upper East Side, showcasing deeply personal paintings about memory and family.

Tuan Vu Paints Vietnam Through the Haze of Memory and Imagination

Self-taught Vietnamese artist Tuan Vu presents his solo exhibition "Annam" at Kristin Hjellegjerde Gallery in Berlin, featuring paintings that blend memory, imagination, and history. The show includes works such as *Tranquil South* (2026), *A Usual Day* (2026), and *The Official Portrait* (2026), which explore Vu's childhood recollections of Vietnam and the country's colonial past. Vu, who relocated from Ho Chi Minh City to Quebec, Canada, for his studies and now resides there, uses the exhibition's title to reference the term used for Vietnam during Chinese and French colonial periods, highlighting the distance and interpretive nature of memory.

Ralph Lemon: The Physical Traces of Racism

Ralph Lemon's exhibition at Paula Cooper Gallery presents 13 black-and-white photographs and three short videos focusing on sites in the Mississippi Delta connected to the 1955 lynching of Emmett Till. Rather than dramatizing the incident, Lemon records physical traces of the locations—such as Bryant's Grocery and Meat Market, the barn where Till was killed, the Tallahatchie River, and a funeral home—capturing dilapidated buildings and landscapes that suggest history slipping away. The show includes the titular video "From Out of Space" (2018–21), which offers closeups and drone footage of these sites, creating a meditative, detective-like examination of memory and erasure.

Amy Sherald Comes Home: “American Sublime” Opens at the High Museum

The High Museum of Art in Atlanta opens "Amy Sherald: American Sublime" on May 15, a mid-career retrospective featuring over 35 paintings from 2007 to 2024. The exhibition was originally scheduled to conclude at the National Portrait Gallery in Washington, D.C., but Sherald canceled that stop after a Trump administration executive order directed Smithsonian institutions to remove so-called "un-American content." The High Museum secured the final slot after the Baltimore Museum of Art, following months of coordination with SFMOMA, Sherald's studio, and Hauser & Wirth. The show includes Sherald's portrait of Breonna Taylor and her iconic Michelle Obama portrait, organized into five thematic sections.

Dear Mary, For Chicago, Sincerely Nathaniel Mary Quinn

The National Public Housing Museum in Chicago opened its doors on April 4, 2025, becoming the only museum in the United States dedicated to the histories of public housing and its residents. Located on the site of the historic Jane Addams Homes, the museum was remodeled by architect Peter Landon and features permanent installations, artist residencies, and temporary exhibitions. Current initiatives include Open Mike Eagle's residency as 'Artist as Instigator,' building on his album 'Brick Body Kids Still Daydream' (2017) about life in Robert Taylor Homes, and the art-glass frieze 'Resilient Hues' by Amanda Williams and Olalekan Jeyifous. The museum is led by executive director Lisa Yun Lee and has earned third place on USA Today's list of 'Best New Museums.'

Figurative Painter Solo Exhibitions

The Lisa Yuskavage exhibition has opened at David Zwirner's 533 West 19th Street location in New York, running from May 14 through June 26, 2026. The show features new and recent paintings, works on paper, and a body of collages made on green Color-aid paper, incorporating pastel, egg tempera, gouache, and pasted elements. Many paintings expand on the theme of the artist's studio, with recurring figures appearing across compositions. This marks Yuskavage's tenth solo exhibition with David Zwirner, twenty years after her first show with the gallery in 2006. The exhibition follows her first comprehensive museum presentation of works on paper, 'Lisa Yuskavage: Drawings,' at The Morgan Library and Museum in New York from June 2025 through January 2026.

Firelei Báez paintings at Hauser & Wirth New York

Firelei Báez presents her first New York exhibition with Hauser & Wirth, featuring a constellation of new paintings, works on paper, and large-scale bronze sculptures across two floors of the gallery's 22nd Street location. The show includes 'View of Nature' (2026), an eight-panel painting based on John Emslie's 1852 engraving, alongside bronze ciguapa figures from Dominican folklore and a series of monumental works on paper that explore atmospheric and cosmic themes.