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Artists v fascists, Khmer Rouge horrors, fab flowers and an eye-popping nude – the week in art

This week's art roundup from The Guardian features a major exhibition at Towner Eastbourne titled 'Comrades in Art: Artists Against Fascism,' which examines how artists, poets, and intellectuals used their work to resist the rise of extremism in 1930s Europe, drawing on the history of the Artists International Association (AIA). Other highlights include 'Hidden: Photography and Displacement Under the Khmer Rouge' at The Wiener Holocaust Library in London, a show of early Netherlandish drawings at the British Museum, Katharina Grosse's colorful installations at White Cube, and a flower-themed survey at Kettle's Yard. The image of the week is Sylvia Sleigh's 1963 portrait 'The Bridge (Johanna Lawrenson),' part of a new exhibition of the Welsh artist's work. The article also covers news items such as Lydia Ourahmane's Venice Biennale installation, a Holbein portrait mystery, a restored stained-glass window by Edward Burne-Jones and William Morris, and Anish Kapoor's call to exclude the US from the Venice Biennale due to 'politics of hate.'

10 Art Shows to See in Los Angeles This May

Hyperallergic's May guide for Los Angeles highlights ten art shows, including a posthumous exhibition of Celeste Dupuy-Spencer's paintings at Jeffrey Deitch, Yoko Ono's first solo museum show in Southern California at The Broad, and a survey of Richard Mayhew's abstract landscapes at Karma. Other notable shows include Joe Brainard's matchbook miniatures at Chris Sharp Gallery, Gordon Parks's musical output at the California African American Museum, and a two-venue presentation of Magdalena Suarez Frimkess's ceramics and drawings.

‘Shocking? It’s only what you see in ancient temples’: painter T Venkanna on his joyous carnivals of copulation

T Venkanna, an Indian painter known for his sexually explicit and mythologically-infused works, is the subject of his first institutional solo show. The exhibition features an altarpiece shaped like a juvenile phallus, populated with scenes of graphic copulation, including figures from Hindu mythology and Adam and Eve. Venkanna draws inspiration from ancient Indian temple sculptures, which he says depict similar acts, and his work challenges the disparity between puritanical religious doctrine and licentious reality. The artist, who grew up as the son of a Hindu priest, has faced death threats and accusations of blasphemy in India for his provocative imagery.

« Le jardin anglais incarne une vision de la société » : une expo à Versailles explore cette passion de l’Europe des Lumières

The article explores an exhibition at the Grand Trianon in Versailles dedicated to the English garden, a style that emerged in 18th-century Europe as a deliberate contrast to the rigid symmetry of the formal French garden. Curator Élisabeth Maisonnier and museum director Laurent Salomé explain how these gardens, with their winding paths, irregular flowerbeds, and surprise features like grottoes and pagodas, were carefully constructed to imitate and amplify nature's complexity, drawing on influences from antiquity, the Middle Ages, and China.

In Performance Series, Artists Tackle the Nature of Images, and Reality, in the Face of AI

At Giorno Poetry Systems (GPS) in New York, a three-day program titled “Exert: The Physics of Metaphysics” featured performances and readings by artists including Mark Leckey, Hari Kunzru, and Gideon Jacobs. The works explored how emerging technologies like AI, VR, and AR are reshaping perceptions of reality and simulation, with Kunzru reading from a novel-in-progress about a man navigating a world where simulation encroaches on everyday life, and Jacobs presenting a performance lecture blending theater, essay, and AI-generated video.

At the Grand Palais, Hilma af Klint, a pioneer of abstraction

The article reports on an exhibition at the Grand Palais in Paris dedicated to Hilma af Klint, the Swedish artist recognized as a pioneer of abstract art. The show presents her visionary works, which predate those of better-known male abstractionists like Kandinsky and Mondrian.

Paris exhibition celebrates the visionary world of Hilma af Klint, an artist ahead of her time

A major exhibition at Paris's Grand Palais presents Hilma af Klint's visionary abstract series "Paintings for the Temple" (1906–1915) for the first time in France. The show features works like "The Ten Largest" (1907), which predate the abstract art of Kandinsky, Mondrian, and Malevich by several years. Curated by Pascal Rousseau, the exhibition highlights Af Klint's pioneering use of spirals, geometric forms, and spiritual themes, created in seclusion and long hidden from public view.

Summer Previews: The Season’s Most Anticipated Shows

Artforum's editors preview twenty-five anticipated institutional exhibitions opening worldwide between May and August. Highlights include "Fade" at the Studio Museum in Harlem, the latest in its career-making "F show" series featuring seventeen emerging artists of African descent; "Modernity and Opulence: Women of the Wiener Werkstätte" at the Jewish Museum in New York, showcasing over 180 women designers from Austria's famed atelier; "Replica of a Chip: The Weaving Technology of Marilou Schultz" at the Hessel Museum of Art, exploring the intersection of Navajo weaving and microchip history; the 59th Carnegie International at the Carnegie Museum of Art, with 61 artists spread across Pittsburgh venues; and "Mary Ellen Carroll: How to Talk Dirty and Influence People" at the Contemporary Arts Museum Houston.

At the GAM in Turin, the Fourth Resonance between drawing, paper and twentieth-century collections

From May 21 to November 1, 2026, the GAM—Galleria Civica d’Arte Moderna e Contemporanea in Turin—launches its new exhibition season titled "Fourth Resonance," a program dedicated to the languages of drawing, sign, and stroke. The season includes multiple exhibitions, notably "Un altro Novecento. Works on Paper from the GAM Collections," curated by Fabio Cafagna and Elena Volpato, which brings together over 600 works on paper spanning the 20th century, from Symbolism to the 1990s. Featured artists include Lucio Fontana, Giorgio Morandi, Filippo de Pisis, Max Beckmann, and many others, with monographic rooms and contemporary interventions woven into the museum's collections.