At the 17th edition of the Independent art fair in New York, six galleries are presenting solo booths dedicated to Asian artists, including a U.S. debut by Taiwanese artist Tseng Chien-Ying and works by Japanese painter Rika Minamitani and Chinese conceptual artist Pu Yingwei. Founder Elizabeth Dee highlights the trend as reflecting broader geopolitical shifts and artists' desire to engage with complex cultural debates in New York.
At Frieze New York, curator Lucien Zayan searches for artworks exploring the relationship between food and art, finding a piece by Aki Goto at Europa gallery that reflects on sugar, colonization, and cavities. The fair features works like David Lamelas's "To Pour Milk into a Glass" (1972) from Dia Art Foundation and Mungo Thomson's "Snowman" (2023) at Karma, while a performance by Kite (Oglála Lakȟóta) at the Counterpublic triennial booth offers a reprieve from the monotonous fair experience.
The Brooklyn Museum has opened "Iris van Herpen: Sculpting the Senses," a major exhibition surveying two decades of the Dutch designer's avant-garde fashion. Curated by Matthew Yokobosky and Imani Williford, the show features over 140 of van Herpen's biomorphic couture pieces, including designs worn by Lady Gaga and Björk, alongside works by contemporary artists like Agostino Arrivabene and Tara Donovan. The exhibition, which originated at the Musée des Arts Décoratifs in Paris in 2023, highlights van Herpen's use of cutting-edge technology such as 3D printing and magnetic sculpting, as well as her deep inspiration from natural phenomena like fossils, coral, and water.
New York Art Week 2026 is set to be a packed event, with major art fairs including Frieze, TEFAF, and Independent all scheduled within a single week this May. The art world will arrive directly from the Venice Biennale, and New York galleries are opening their major spring exhibitions to coincide with the influx of curators and collectors.
The Independent Art Fair has moved to Pier 36 on the Lower East Side waterfront for its 17th edition, running through May 17. The fair features 76 booths with a more spacious, warehouse-like layout, and a noticeably older, glossier crowd compared to previous years. Exhibitors include Los Angeles-based ATLA and Diane Rosenstein galleries, as well as international participants like Bogotá's SGR Gallery, showcasing solo presentations by artists such as Yoshikazu Tanaka, Kuniko Kinoto, and Johan Samboní. The fair has also announced partnerships with Sotheby's for its 20th-century edition and with the nonprofit Henry Street Settlement, signaling a tension between upscale ambitions and local community ties.
Au Centre Pompidou-Metz, 100 œuvres pour comprendre le double visage de François Morellet
The Centre Pompidou-Metz presents a centenary retrospective of French artist François Morellet (1926–2016), featuring 100 works that explore the dual nature of his practice. Curator Michel Gauthier has divided the exhibition into two mirrored halves—one dedicated to reason and geometric rigor ("the Mondrian side"), the other to disorder and irrationality ("the Picabia side")—reflecting Morellet's own description of himself as the "monstrous son of Mondrian and Picabia." The show traces his evolution from early figurative works and self-taught experiments to his embrace of concrete art, Islamic decorative systems, and systematic absurdity.
The 2026 Carnegie International, titled “If the word we,” opened at the Carnegie Museum of Art in Pittsburgh, featuring 61 artists from around the world. Curated by Ryan Inouye, Liz Park, and Danielle A. Jackson, the exhibition emphasizes collective survival and interdependence, with works including Khalil Rabah’s video about Palestinian resilience, Shala Miller’s abstraction inspired by Toni Morrison, and a performance by Brooke O’Harra and collaborators celebrating teamwork through a historic basketball dunk by Julius Erving. The show extends to three other venues, including the Mattress Factory, where married artists Claudia Martinez Garay and Artur Kameya present a sprawling installation.
The article explores the annual ritual of the Archibald Prize, Australia's most famous portrait competition, through the lens of the 2026 edition. The author, Dee Jefferson, describes the predictable cycle of public enthusiasm, critical disdain, and media coverage that surrounds the prize, noting recurring trends like brown suits, oversized heads, and the dominance of male artists painting male subjects. The piece highlights specific works in this year's exhibition, including a portrait of musician Keli Holiday by Sindy Sinn that the author finds disorienting, and contrasts the main exhibition with the Salon des Refusés, the showcase of rejected entries, which includes a provocative portrait of Patricia Piccinini by Wendy Sharpe featuring exaggerated anatomy.
New York City is hosting a packed week of art fairs in May 2025, including Frieze at The Shed, Independent Art Fair at Pier 36, TEFAF New York at the Park Avenue Armory, and NADA New York at the Starrett-Lehigh Building. The fairs feature hundreds of international galleries, with Frieze emphasizing Central and South American exhibitors, Independent exploring a dystopian theme, TEFAF offering antiquities and fine art, and NADA celebrating its 12th edition with 121 galleries. The article also notes recent major exhibitions at the New Museum, Whitney Biennial, MoMA PS1, The Met, and MoMA, and includes a guide to Upstate New York art destinations.
MoMA PS1 held its annual gala on Tuesday night, celebrating the institution's 50th anniversary and honoring founding director Alanna Heiss and former MoMA Director Glenn D. Lowry. More than 500 guests attended the Surrealist-themed event, which featured artistic direction by the fashion and art collective Women’s History Museum, with stilt walkers, custom posters, performances, and DJ sets. Notable attendees included artists Wolfgang Tillmans and Camille Henrot, dealers Jeffrey Deitch, and musicians Swizz Beatz, along with museum leadership and collectors.
Fred Tomaselli presents his new exhibition “Blooms Disrupted,” opening May 15 at James Cohan’s 48 Walker Street location in New York. The show features his signature densely layered resin paintings embedded with organic matter like leaves and pharmaceutical pills, alongside a new series of collages constructed from New York Times front pages. The anchor piece, *Month of August (evening)*, combines a geometric spiral of headlines with a photographic Mexican sunflower, while other works reference art-historical gardens such as Frederic Edwin Church’s estate. Tomaselli, a Brooklyn-based artist born in 1956, uses the garden as both subject and metaphor throughout the exhibition.
Amanita gallery in New York’s Bowery is presenting a rare exhibition pairing a John Chamberlain sculpture, *Gondola Marianne Moore* (1982), with three full, mounted Maiasaura dinosaur skeletons from the Upper Cretaceous period. The fossils, which are 62% to 85% real bone, have never before been exhibited in New York, let alone in a commercial gallery. Amanita partner Jacob Hyman emphasizes the show is not a gimmick but a serious exploration of sculpture, compression, and time, linking Chamberlain’s crushed automobile-part gondolas to the natural preservation of fossils.
ArtReview and Dirimart London are hosting a conversation between artist Çağla Ulusoy and ArtReview editor Fi Churchman about Ulusoy's book 'Overworked', which features 83 selected abstract paintings and accompanying collages. The event takes place on 6 June 2026 at Dirimart's London gallery, coinciding with the group exhibition 'Colour is the Place', which includes Ulusoy's work alongside artists Hashel Al Lamki, Tala Worrell, and Berke Yazıcıoğlu. Ulusoy's practice integrates lived experiences from various cultures into abstract compositions using materials like acrylic, oil paint, sand, and wax.
SFMOMA has opened 'Matisse’s Femme au chapeau: A Modern Scandal,' an exhibition that revisits the 1905 debut of Henri Matisse's iconic painting at the Salon d’Automne in Paris, which sparked the Fauvist movement. The show reconstructs Gallery VII of that salon, reuniting works by all ten original artists—including Matisse, André Derain, and Maurice de Vlaminck—and places the painting in dialogue with contemporary artists to trace its lasting influence. The painting, which was purchased by collectors Leo and Gertrude Stein at the 1905 salon, entered SFMOMA’s collection in 1991 as a bequest from Elise S. Haas and never travels, making this the exclusive venue for the exhibition.
SFMOMA has opened "Matisse's Femme au chapeau: A Modern Scandal," a new exhibition centered on Henri Matisse's iconic 1905 painting "Femme au chapeau" (Woman with a Hat). The show recreates the atmosphere of the 1905 Salon d'Automne in Paris, where the painting first caused a scandal for its bold, fauvist colors. It reunites the work with three other Matisse paintings from that debut, alongside pieces by contemporaries like André Derain, Albert Marquet, and Jelka Rosen, and later artists inspired by the painting, such as Mickalene Thomas. The exhibition also includes a gallery dedicated to the Haas bequest, which brought the painting to SFMOMA in 1991.
Tabish Khan, the London-based art critic, selects his top gallery and museum exhibitions to see in late May in London. Highlights include Christopher Page's illusionistic mirror paintings at Ben Hunter, Dirk Braeckman's chemically altered photographs at Grimm, a historical exhibition on Hawai'i's relationship with the UK at The British Museum, a pairing of James Capper's claw-like machines with Anthony Caro's metal sculptures, and a focused display of George Stubbs' horse portrait and anatomical drawings at The National Gallery.
British artist Tracey Emin has debuted a new series of six intimate lithographs titled "I Need tomorrow" at the London Original Print Fair, held at Somerset House in London. The prints, which include the work "You Never made me sad" (2026), are on display until Sunday and are published in editions of 50 by Counter Editions. Emin describes the series as a "gift" to herself, created spontaneously while working on a print for her major Tate Modern exhibition. The fair appearance coincides with her landmark retrospective "A Second Life" at Tate Modern, running until August 31, which spans 40 years of her career and features iconic pieces like the 1998 installation "My Bed."
The Museum of Fine Arts, Boston, has opened a new exhibition that challenges traditional gender norms in art history, featuring a dozen artists who disrupt the conventional nude. The show includes Xandra Ibarra's performance "Nude Laughing," where she paraded naked through the museum's European galleries, and works by Betty Tompkins, whose "Fuck Paintings" and "Women Words Painting" series confront misogyny and the male gaze. The exhibition juxtaposes these contemporary pieces with historical works like Jean-Léon Gérôme's "Moorish Bath" to highlight entrenched racial and gender hierarchies in art.
The article highlights ten notable museum and gallery exhibitions opening in the Bay Area during summer 2026, including Ranu Mukherjee's solo show 'The Long Middle' at Gallery Wendi Norris, a group survey 'Slice of the Pie' at Fraenkel Gallery featuring 14 Bay Area galleries, and 'Giant Steps' at Personal Space in Vallejo focusing on innovative ceramic works. Other featured shows include Will Yackulic's 'A Certain Slant of Light' at pt.2 in Oakland and several other exhibitions across San Francisco and Oakland.
Munich's art festival "Various Others" kicks off this week with major city museums participating. The Pinakothek der Moderne presents "Reflexion," a group show of 100 works across fine art, architecture, graphic design, and design by artists including Isa Genzken, Ludwig Mies van der Rohe, Piet Zwart, and Ettore Sottsass. The Alexander-Tutsek-Stiftung celebrates its 25th anniversary with a glass-focused exhibition featuring Monica Bonvicini, Tony Cragg, and Laure Prouvost. The Villa Stuck reopens after renovation with four shows: Philipp Messner's sculptures, Ilit Azoulay's macro-film installation, a returning Franz von Stuck painting, and Delschad Numan Khorschid and Jan-Hendrik Pelz's migration-themed "Zehn Leben." The Lenbachhaus presents "Ein Ferngespräch. Szenen aus der Weimarer Republik" with works by Jeanne Mammen, Gabriele Münter, and Christian Schad. Museum Brandhorst's "Carrying" addresses the history of the Maxvorstadt art district, once site of a military barracks built by Ottoman prisoners. The Eres Stiftung continues "Seeing the Unseen" on quantum physics. The Flux meeting space, designed by Morag Myerscough, moves indoors at the Pinakothek der Moderne.
A trove of paintings by Eddie Johnson, an obscure artist who photographed President John F. Kennedy in 1962 as assistant to Elaine de Kooning, has been discovered in a storage unit in Albuquerque, New Mexico. The archive, saved from disposal by the artist's estate, includes a major series of bunny-themed works created between 1972 and 1995, all based on a worn plush toy. Artist Matthan Cowart organized the exhibition "Hares on the Mountain" at his gallery Desert Mystery Center, pairing Johnson's bunny paintings with works by 11 living artists including David Altmejd and Ed Haddaway.
The Museum of Contemporary Art North Miami (MOCA) celebrates its 30th anniversary with a new exhibition, “Anchors of Light,” which opened on April 15. Curated by Miami native Catherine Camargo, founder of Queue Gallery, the show features nearly 50 artists from the museum’s collection, including historical figures like Robert Rauschenberg and Claes Oldenburg, past retrospective subjects such as Maryan S. Maryan and Edouard Duval-Carrie, and local favorites Purvis Young and Pepe Mar. The exhibition includes a video corridor for multiple video works, addressing space constraints, and highlights Camargo’s preference for dark, muted colors and unconventional materials, exemplified by Will Boone’s painting “Widowmaker.”
Ayan Farah and Asmaa Jama, two of the three artists representing Somalia at the 61st Venice Biennale (2026), discuss their plans for the national pavilion in an interview with ArtReview. Farah will present an installation of large-scale embroidered landscape paintings using clay pigment sourced from Somalia and shell-derived pigment from Scotland, alongside silk paintings exploring time and nature. Jama will focus on the Somali poetry form saddexleey, creating a sensorial experience through moving image, installation, and visual artworks that draw on magical realism and cinematic surrealism. The pavilion is located in the Palazzo Caboto, and the third representative is poet Warsan Shire.
A Genova una mostra dedicata a Giovanni Korompay, il futurista che amava i Pink Floyd
A major retrospective exhibition dedicated to Giovanni Korompay, a Venetian painter, sculptor, and illustrator associated with the second wave of Futurism, has opened at the Wolfsoniana in Genoa Nervi. Titled "Korompay, un’antologica," the show runs until November 1st and features around sixty works, including paintings, sculptures, graphic works, photographs, and documents. It explores Korompay's evolution from traditional training under Ettore Tito to his embrace of Futurist aeropainting, exemplified by works such as "Alta velocità" (High Speed), which celebrates a 1934 world speed record set by a Macchi-Castoldi MC 72 seaplane. The exhibition is curated by Alex Casagrande, Matteo Fochessati, Franco Tagliapietra, and Anna Vyazemtseva, with loans from public museums (Mart, Mambo), private collections, and the Fondazione Korompay.
Gió Marconi Gallery in Milan, Italy, is presenting 'Ron Nagle. Phantom Banter,' the first solo exhibition in Italy dedicated to West Coast sculptor Ron Nagle. The show features eleven ceramic sculptures produced between 2024 and 2026, along with recent drawings, highlighting Nagle's refined small-scale works and his process of translating drawings into three-dimensional objects. Nagle, born in 1939 in San Francisco, apprenticed with Peter Voulkos in the 1960s and became a key figure in the California Clay Movement, influenced by artists like Ken Price.
Frieze New York's VIP preview at the Shed drew celebrities including CNN anchor Anderson Cooper, actor Leonardo DiCaprio, artist and REM singer Michael Stipe, and actress Sharon Stone. A party in Tribeca celebrated the upcoming Counterpublic Triennial in St. Louis, featuring a custom scent by artist Emma McCormick Goodhart. Highlights include a musical performance by Oglála Lakȟóta artist Kite and a special Look Book photo studio capturing art-world figures like collector Beth Rudin DeWoody and Frieze London director Eva Langret.
Der Künstler, der Pixel malte, bevor wir in Pixel sahen
Reinhard Voigt, a German artist little known to the public, painted grid-based pictures as early as 1968—years before pixels became ubiquitous in daily life. Despite early discouragement from Gerhard Richter and fellow artist Alan Jones, Voigt persisted, creating meticulous works on paper and canvas using transparent paper, rulers, pencil, and oil paint. His first major exhibition, "Pure Pleasure," took place in 2023/2024 in Nuremberg, and his current duo show "High on Low" with Anna-Sophie Berger is on view at Berlin's Kunstraum Grotto, featuring his Word Paintings series. Voigt lives and works in Berlin-Prenzlauer Berg with his wife, artist Susan Elias.
En images : les grands moments de la Biennale de Venise 2026
The 2026 Venice Biennale, titled "In Minor Keys" and curated by Koyo Kouoh, opened on May 9, 2026, at the Arsenale and Giardini venues. Kouoh, who died suddenly in May 2025 at age 57, conceived the event as a counterpoint to global noise and fury, inviting visitors to slow down and tune into minor tonalities. The exhibition features works addressing colonial memory, slavery, and Gaza, with a team of four curators executing her vision. Highlights include Maria Magdalena Campos-Pons's tribute to Kouoh and Toni Morrison, Hala Schoukair's installation, and Gabrielle Goliath's "Elegy," alongside collateral shows like the Dries van Noten Foundation at Palazzo Pisani Moretta and the Victor Pinchuk Foundation's "Still Joy – from Ukraine into the World."
The 2026 Venice Biennale is plagued by controversy and structural issues. Curator Koyo Kouoh died of cancer in 2025, leaving her team to execute the main exhibition "In Minor Keys" without her. The Biennale's jury resigned after refusing to judge entries from countries charged with war crimes, and media coverage during preview week focused on protests against the Israeli and Russian pavilions rather than the art. The sprawling exhibition features 96 national pavilions and 110 artists, with works ranging from Daniel Lind-Ramos's found-material figures to María Magdalena Campos-Pons's tribute to Toni Morrison and Kouoh.
Sarasota Art Museum presents 'Penumbra,' a solo exhibition by textile artist Maria A. Guzman Capron. The show features 10 works, including traditional wall hangings and a suspended 15-foot textile sculpture titled 'Sombra,' all exploring how identity shifts based on context and experience. Curator Lacie Barbour explains that the title refers to the penumbra—a liminal space between light and dark—serving as a metaphor for the multiplicity of identities. Capron, who was born in Milan to Peruvian and Colombian parents and later moved to Texas, draws on her own cross-cultural experiences, using hand-dyed, painted, and screen-printed fabrics to create layered portraits of multi-faceted figures.