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design miami exhibitors art craft design

At Design Miami 2025, artist Nicole Cherubini presented monumental ceramic sculptures at Friedman Benda's booth, alongside Molly Hatch's installation of 288 ceramic plates at Todd Merrill's booth. The fair, curated under the theme "Make.Believe" by Glenn Adamson, saw 15 previous exhibitors drop out due to President Trump's tariffs—including a 50 percent tariff on steel and aluminum—while eight more booths appeared overall, dominated by younger, emerging talent and organic, pastel-hued designs. Established galleries like Donzello, Patrick Seguin, and Sarah Myerscough did not return, while first-time exhibitors included Arte y Ritual and Mass Modern Design.

Latin American galleries dominate at Frieze New York

Frieze New York 2025 features a surge of 14 Latin American galleries from Mexico, Argentina, and Brazil, reversing a trend of withdrawal seen during the first 100 days of Donald Trump’s second presidency. Non-profit support from organizations like Latitude, which helped all eight Brazilian exhibitors, and a concerted effort by Frieze’s Americas team have enabled this increased presence, despite ongoing challenges such as high shipping costs, tariffs, and visa denials—exemplified by Mexican artist Dr Lakra being unable to attend his own show at Kurimanzutto.

design miami announces 2025 programming new event seoul

Design Miami has announced its 2025 programming for its 20th anniversary year, including a new initiative called Design Miami.In Situ. The schedule features a one-day event in Aspen in July, a 14-day exhibition in Seoul in September, the third edition of its Paris fair in October, and the 21st edition of its flagship fair in Miami Beach in December. The Seoul exhibition, curated by Hyeyoung Cho and held at the Dongdaemun Design Plaza, is a collaboration with the Seoul Design Foundation focusing on Korean collectible design. CEO Jen Roberts described this as the organization's largest global expansion and most ambitious program to date.

art toronto 2025 showcasing indigenous art

Art Toronto, Canada's oldest and largest international fair for modern and contemporary art, opens to the public on Friday with a strong focus on Indigenous artists. Over half of the fair's 100-plus booths feature works by Indigenous makers from Canada, Australia, New Zealand, and Latin America. The fair includes a mix of Canadian, European, Latin American, and US galleries, with a dedicated 'Arte Sur' section highlighting Mexican and Central and South American art. Notable exhibitors include Ceremonial Art, Fazakas, Feheley Fine Arts, and N. Smith Gallery, showcasing works by artists such as Ningiukulu Teevee, Shuvinai Ashoona, Gerardo Ramírez, and Manuel Mathieu.

Tentatively, Photo London's tenth edition moves away from traditional content and crowds

Photo London's tenth edition, under new director Sophie Parker, opened at Somerset House with a deliberate shift away from its traditional focus on established male photographers and celebrity subjects like Kate Moss. The fair eliminated its 'Master of Photography' award and revived the Positions section for unrepresented artists, featuring Palestinian-American Adam Rouhana and British Indian photographer Kavi Pujara. While the main pavilion still showcased familiar names like Sebastião Salgado, newer galleries reported strong early sales, including a £10,000–£15,000 portrait by Chou Ching Hui sold to a Norwegian museum via Taipei's Chini Gallery, and multiple sales at Amsterdam's Hungry Eye Gallery and Paris's Galerie XII.

Amid tariff and economic struggles, the newly rebranded Beijing Art Season persevered

Beijing's art week, rebranded as the Beijing Art Season, ran from 22 May to 1 June, featuring three concurrent events: Art021 Beijing (formerly JingArt) at a new venue in the 798 Art District, Gallery Weekend Beijing (GWBJ), and the fair Beijing Dangdai. The 798 gallery complex merged with the adjacent 751 complex, becoming the 798 751 Art District. GWBJ scaled back this year, suspending its curated selling exhibition and international visiting sector, instead hosting only one pop-up gallery. Organizers cited economic struggles and tariffs as challenges, with gallerists reporting slower sales and cancelled US orders due to new tariffs.

Future Fair updates portraiture for 2025

Future Fair returns for its fifth anniversary from May 7-10 at Chelsea Industrial in Manhattan, featuring 67 exhibitors. The fair is impacted by President Donald Trump’s tariffs, with one Bologna-based gallery, Magazzeno Art Gaze, displaying a sign that its shipment is stuck at JFK customs, showing only works brought in luggage. Montreal’s Wishbone Gallery narrowly avoided a similar fate after its artist consulted a psychic, and the works arrived just in time. Despite trade disruptions, the fair continues its focus on portraiture, showcasing artists such as Saki Sonoda (depicting Bushwick club House of Yes), Émile Brunet (Dutch Golden Age-inspired portraits), Izere Antoine (impastoed Black women), Matthew Rosenquist (wooden reliefs of Americana), Katie Commodore (digital textile tapestries), and Catie Cook (animal stand-ins for Southern womanhood).

Collectible design fair’s second New York outing marries ‘folly’ and practicality

The Collectible design fair returns to New York for its second edition, taking place from September 4-7 at the WSA building in the Financial District during Armory Week. Founded in Brussels in 2018 by Clélie Debehault and Liv Vaisberg, the fair brings together international galleries, designers, and architects for a curated showcase of 21st-century design. This year's edition occupies the 39th floor, spanning over 30,000 square feet, and features six curated sections including a buzzy section titled "In Praise of Folly" curated by Architectural Digest's Hannah Martin. Around 60% of exhibitors are from the United States, with the rest from Europe and beyond, including Australia, Brazil, Colombia, Mexico, South Korea, and Turkey.