Contemporary US Art is Sick with Problems

"Die zeitgenössische US-Kunst ist von Problemen krank"

Artist Josh Kline has sparked a heated debate with a scathing critique of the American art scene, particularly targeting New York City as an unsustainable hub driven by market logic and inequality. Kline argues that contemporary art is "sick with problems" and urges young artists to abandon the city, calling for a shift from institutional critique to a broader industry-wide analysis of class and power. Meanwhile, the German art world sees significant movement with the upcoming auction of Georg Kolbe’s "Tänzerinnen-Brunnen" following a Nazi-looted art settlement, and the Berlin State Museums announcing a phased reopening of the Pergamon Altar starting in 2027.

Prehistoric Stone Altar with Human Remains Discovered in Central Mexico

Archaeologists conducting salvage work for a new passenger train line between Querétaro and Mexico City have unearthed a 1,000-year-old Toltec stone altar. Located within the Tula Archaeological Monument Zone in Hidalgo, the three-level structure was found alongside four human skulls, long bones, a black ceramic bowl, and obsidian blades. Preliminary assessments by the National Institute of Anthropology and History (INAH) suggest the remains belong to individuals offered as ritual sacrifices.

1,000-year-old Toltec altar with four human skulls found in Mexico

Archaeologists from Mexico’s National Institute of Anthropology and History (INAH) have discovered a 1,000-year-old Toltec altar during salvage work for a new high-speed rail line between Mexico City and Querétaro. The stone structure, known as a momoztli, dates back to AD 900-1150 and was found with four human skulls and leg bones arranged at its base, suggesting ritual or sacrificial use. Located near the ancient site of Tula Chico, the find also included ceramic objects and obsidian artifacts within a compound likely belonging to the local elite.

When the Pergamon Altar can be seen again

Wann man den Pergamonaltar wieder sehen kann

The Pergamon Museum in Berlin is set to partially reopen in the spring of 2027 following extensive renovations, allowing public access to the hall containing the world-famous Pergamon Altar. However, the reopening will be staggered and subject to further interruptions; the altar hall is scheduled to close again for five months in 2034 to facilitate connections to the museum island's archaeological promenade. Full completion of the museum's renovation, including the South Wing housing the Ishtar Gate, is not expected until 2037.

Façade collapse and vandalism at the Saint-Roch church in Paris

Effondrement de façade et vandalisme à l'église Saint-Roch de Paris

A significant portion of the cornice on the right side of the façade of the historic Saint-Roch church in Paris collapsed on March 9, 2026. Fortunately, no one was injured. The incident follows a pattern of similar structural failures at Parisian churches like Saint-Paul, Saint-Merry, and Saint-Augustin. Almost simultaneously, the church was targeted by vandals who severely damaged a gilded wooden altar in the shape of the Ark of the Covenant, a work from 1840 designed by architect Charles Lelong, just before its planned restoration was set to begin.

Ofelia Esparza: Mexican Traditions in California Since 1945

OFELIA ESPARZA SINCE 1945 MEXICAN TRADITIONS IN CALIFORNIA

The Vincent Price Art Museum at East Los Angeles College is presenting 'Ofelia Esparza: A Retrospective' until May 2026. This first major museum survey for the Chicana artist and altarista features 85 works, including recreations of her iconic altars and examples of her drawing, painting, and printmaking, tracing her artistic evolution from 1945 to the present.

Michelangelo's Pietà Altarpiece for His Own Tomb Restored and Returned to Public View

altarpiece michelangelo made tomb brought back life conservators see pictures update masterpiece 2014676

The Opera del Duomo Museum in Florence has unveiled the newly restored Bandini Pietà, a monumental sculpture Michelangelo carved for his own tomb between 1547 and 1555. The two-year conservation project, funded by the Friends of Florence Foundation, removed centuries of accumulated dust, wax, and plaster residue from the 5,900-pound marble block, which the artist famously left unfinished after discovering flaws in the stone.