The National Gallery of Canada in Ottawa has received a donation of 24 contemporary artworks from Vancouver-based collector and real estate tycoon Bob Rennie and his family. The gift includes works by American artists Kerry James Marshall and Christopher Williams, and Canadian artists Brian Jungen and Jin-me Yoon, bringing the total number of works donated by the Rennie family to the NGC since 2012 to 284.
Nathaniel Mary Quinn was commissioned to create the cover art for the Rolling Stones' new album *Foreign Tongues*, due July 10, after a three-way call with Mick Jagger and producer Andrew Watt. Over nine months, Quinn developed a composite portrait merging the faces of Jagger, Keith Richards, and Ronnie Wood, and also redesigned the band's iconic tongue-and-lips logo. The process involved regular conversations with Jagger and Richards, a private rehearsal session, and a lunch at the Baccarat Hotel, culminating in the band choosing Quinn's original composite over a second option featuring a vintage sports car.
ARTnews reporter Daniel Cassady recounts his experience navigating the nightlife and social events surrounding Art Basel Miami Beach 2024. The article details his week from Monday to Wednesday, including parties at Untitled Art's venue at The Moore, a dinner at Joe's Stone Crab hosted by dealer Rob Dimin, Gagosian's party at Mr. Chow, and late-night gatherings at Casa Tua and Mac's Club Deuce. He spotlights art-world figures such as dealer Lindsey Jarvis, collector Beth DeWoody, and artist Lucy de Kooning Villeneuve, while noting the chaotic, phone-thieving atmosphere of the Deuce.
The National Portrait Gallery (NPG) in London is in a last-minute push to raise £50 million ($60 million) to acquire Joshua Reynolds's 1776 portrait of Omai, a Polynesian visitor to Britain, before a temporary export ban expires on March 10. Despite raising roughly £25 million through a grassroots campaign involving public donations, a £2.5 million grant from the Art Fund, and £10 million from the National Heritage Memorial Fund, the NPG remains short of its goal and is reportedly in secret talks with the Getty Museum to jointly purchase the painting.
Christophe Leribault, the new director of the Louvre, has outlined his vision for the museum following a $100 million heist in October 2025. The Apollo Gallery, where the theft occurred, will reopen in July with a redesigned display that removes mineral cases to highlight its Romantic wall paintings, inspired by Versailles’s Hall of Mirrors. Empress Eugénie’s diamond-and-emerald crown, crushed by the thieves, is being restored and will become a new highlight. Security upgrades include window bars, 100 new cameras by 2026, a mobile police station, and a new security coordinator. The heist led to the resignation of former director Laurence des Cars in February.
Laurence des Cars, president of the Louvre, is under pressure to resign after a tense Senate hearing on Wednesday, October 2025, following the theft of $102 million worth of imperial jewels. Lawmakers questioned her failure to act on security warnings from audits commissioned in 2017 and 2018 by her predecessor, Jean-Luc Martinez. Des Cars claimed she was unaware of those audits until after the theft. In response, she has accelerated a $92 million security plan, including 100 additional cameras, a new security coordination hire, and a 20% budget increase for staff training. She also announced a new internal audit on information sharing within the museum's bureaucracy, which she described as disorganized.
The Bodleian Libraries at the University of Oxford has acquired a rare photographic "daybook" compiled by Roland Haupt, a former darkroom assistant at British Vogue. Created between 1943 and 1949, the annotated scrapbook contains hundreds of original photographs and clippings by legendary photographers Lee Miller and Cecil Beaton. The acquisition, brokered by dealer Michael Hoppen, ensures that the album—which includes iconic images of Miller in Hitler’s bathtub and portraits of Picasso—remains intact as a singular historical record rather than being sold piecemeal at auction.
The US Pavilion at the 2026 Venice Biennale, often called the 'art world Olympics,' is mired in controversy and delays under the Trump administration. Curator Jeffrey Uslip insists the process has been smooth and artistically autonomous, but the selection of sculptor Alma Allen and commissioner Jenni Parido—a former pet supply shop owner with a new nonprofit—has raised eyebrows. The usual vetting process by the National Endowment for the Arts was disrupted, new language banning diversity, equity, and inclusion efforts was added to applications, and a government shutdown left only six months to fundraise and plan the exhibition, which coincides with the US's 250th anniversary.
An open letter demanding curatorial independence at the Art Gallery of Ontario (AGO) has gathered over 500 signatures after trustee Judy Schulich reportedly blocked the acquisition of Nan Goldin's moving-image work *Stendhal Syndrome* (2024), calling the Jewish American photographer “antisemitic.” The AGO had planned to acquire the work jointly with the Vancouver Art Gallery and the Walker Art Center, but the vote was 11–9 against acquisition. In response, curator John Zeppetelli resigned, two volunteer committee members stepped down, and Goldin herself criticized the decision as censorship driven by donor influence. The AGO has since announced a restructuring of its modern and contemporary curatorial committee, splitting it into two groups for 20th- and 21st-century art, effective in 2026.
Artnet News published its quarterly analysis of the most exhibited living artists at over 250 U.S. museums in March 2025, identifying more than 3,700 artists. The top artist is photographer Cara Romero, who appears in multiple museum shows including a major retrospective at the Hood Museum at Dartmouth College. Three of the six most featured artists have Native American backgrounds, reflecting a surge in exhibitions celebrating Indigenous art. The list excludes the late Jaune Quick-to-See Smith, a Native painter and curator who died in January 2025 at age 85 and would have ranked highly.
Researchers at the National Portrait Gallery in London have launched a landmark investigation into a rare 17th-century double portrait featuring a Black boy and a white boy standing side-by-side. The painting, which has hung at the historic Penshurst Place in Kent for centuries, is undergoing extensive restoration and technical analysis to identify the sitters. Experts are particularly struck by the composition, which depicts the Black figure at the same scale and status as the white figure, a significant departure from the era's typical portrayal of Black individuals as marginal attendants.
The Hopi-Tewa artist Nampeyo (1859–1942) is being celebrated as a foundational figure in modern ceramics for her role in the Sikyátki Revival. By studying ancestral pottery shards from archaeological excavations, Nampeyo revitalized centuries-old techniques and motifs, transforming Pueblo pottery into a globally recognized art form. Her career spanned from selling works at regional trading posts to becoming a celebrated figure who demonstrated her craft at the Grand Canyon and exhibited at major fairs in Chicago.
A political dispute has erupted between the Madrid and Basque regional governments over a request to temporarily relocate Pablo Picasso’s masterpiece, Guernica. The Basque government is seeking to borrow the painting for the Guggenheim Museum in Bilbao to commemorate the 90th anniversary of the 1937 bombing of the town of Guernica. Madrid’s president, Isabel Díaz Ayuso, has dismissed the request as "provincial," while Basque leaders have challenged the Spanish central government's courage to move the work.
A Swiss artificial intelligence firm, Art Recognition, has claimed with high certainty that two versions of the painting 'Saint Francis of Assisi Receiving the Stigmata' (ca. 1428-32), held by the Royal Museums of Turin and the Philadelphia Museum of Art, are not by the hand of Northern Renaissance master Jan van Eyck. The company's CEO, Carina Popovici, stated the A.I. model determined the works were not authentic with 91% and 86% certainty, respectively, though the museums involved have not officially commented.
France's historic loan of the Bayeux Tapestry to the British Museum has sparked controversy over the proposed £800 million ($1.1 billion) insurance cover, which critics argue is unsuitable for such a fragile, 950-year-old textile. Art historians and conservators have raised concerns that the U.K.'s Government Indemnity Scheme does not cover damage from preexisting conditions or inherent vice, and that no sum can adequately insure an irreplaceable heritage object. A French petition calling on President Emmanuel Macron to cancel the loan has garnered over 75,000 signatures, but the U.K. government has proceeded with plans, including a practice "dry run" using a facsimile and a custom crate designed to minimize vibrations.
The Guggenheim Bilbao has scrapped plans for a €100 million satellite expansion in Spain's protected Urdaibai biosphere reserve after nearly two decades of legal challenges and local opposition. The museum's board of trustees, including the Basque regional government and the Solomon R. Guggenheim Foundation, voted to halt the project due to insufficient public support and scientific objections. The two-site expansion would have placed cultural facilities in Gernika and Murueta, but environmental groups argued that up to 140,000 annual visitors would damage wetlands crucial for migratory birds.
Solange has launched the Saint Heron Community Library, a new initiative making rare and out-of-print art books available to the public for free borrowing. The digital library, run through her Saint Heron platform, includes exhibition catalogs for artists such as Barbara Chase-Riboud, Henry Ossawa Tanner, Martin Puryear, Gary Simmons, and Pope.L, as well as texts like Cedric Dover's 1960 book *American Negro Art*. Books are loaned for 45 days, though most are already checked out. The collection also features works by Black thinkers and writers including Audre Lorde, Ntozake Shange, Octavia Butler, and Wanda Coleman.
The University of Alabama at Birmingham School of Medicine has launched a new course, "Prescribing Art: How Observation Enhances Medicine," in collaboration with the Abroms-Engel Institute for Visual Arts and the Birmingham Civil Rights Institute. The course tasks junior- and senior-level medical students with analyzing famous artworks by artists including Michelangelo, Paul van Somer, Sir Luke Fildes, Mary Cassatt, and David Levinthal to improve their observational skills and address biases in health care. Developed by associate professor Stephen Russell, the course is an updated version of a 2011 program based on a Yale seminar, expanded this year to focus on bias and tolerance of ambiguity amid the COVID-19 pandemic.
The article explores the challenging process for artists to secure gallery representation, a crucial step for income, visibility, and legacy in the art market. It features insights from gallerists like Sadie Coles (Sadie Coles HQ, London) and Stefan Benchoam (Proyectos Ultravioleta, Guatemala City), who emphasize the importance of a unique artistic voice and innovative work over market trends. Curator Yasmil Raymond and artist Nuri Koerfer also contribute perspectives on alternative exhibition strategies and the value of personal connections.
Lost for More Than a Century, the First ‘Sci-Fi’ Film Ever Made Resurfaces
A lost 1897 silent film by pioneering French director Georges Méliès, "Gugusse et l'Automate," has been rediscovered and digitally restored. The 45-second slapstick short, featuring a magician battling a robot, was found in a collection of early film reels passed down through a family of traveling showmen and has now been preserved in 4K by the Library of Congress.
Louvre president Laurence des Cars faced a contentious Senate hearing on Wednesday, where lawmakers pressed her about ignored security warnings that preceded the October theft of $102 million in imperial jewels from the Apollo Gallery. Audits from 2017 and 2018 had flagged structural vulnerabilities, but Des Cars claimed she was not informed until after the theft. She defended the museum's response, citing new cameras, increased security training budgets, and an imminent senior security coordinator appointment. Conservative senators Jacques Grosperrin and Max Brisson demanded her resignation, with Brisson walking out when she declined to answer. Former president Jean-Luc Martinez also testified, saying he had not reinforced windows or balcony due to fire-safety concerns, a rationale security experts rejected.
The Holy See's pavilion at the 61st Venice Biennale presents "The Ear is the Eye of the Soul," a multi-sensory exhibition centered on deep listening and inspired by Hildegard von Bingen, curated by Hans Ulrich Obrist and Ben Vickers with Soundwalk Collective, featuring new commissions by 24 artists including Patti Smith, Brian Eno, FKA twigs, and Dev Hynes across two Venetian sites. Separately, Chanel and the Solomon R. Guggenheim Foundation have launched the Chanel Culture Fund Fellowship, a transatlantic curatorial program for postgraduate scholars at the Guggenheim Museum in New York and the Peggy Guggenheim Collection in Venice. In other news, a father-daughter duo from New Jersey pleaded guilty to a $2 million counterfeit art scheme involving forged works attributed to Andy Warhol, Banksy, and others; Vienna's Burgtheater is offering guided scaffolding tours of Gustav Klimt's early ceiling paintings during restoration; and the sixth edition of the Head Hi Lamp Show opens in New York.
On Wednesday morning, Pussy Riot and FEMEN led a protest outside the Russian Pavilion at the 2026 Venice Biennale, chanting slogans like “Russia kills! Biennale exhibits!” and “Blood is Russia’s art!” Dozens of protesters, some in pink balaclavas and others bare-chested with floral crowns, gathered in the Giardini under light rain, carrying guitars and blasting punk rock and hip-hop. The action was organized by Nadya Tolokonnikova and other Pussy Riot members alongside FEMEN, a Ukrainian-founded women’s movement. They released pink, yellow, and blue smoke, and Tolokonnikova criticized the Biennale for allowing Russian participation while artists who oppose the war in Ukraine are imprisoned. She proposed an alternative exhibition, “Resistance Imprisoned,” currently on view in Strasbourg, featuring incarcerated artists.
French-Lebanese artist Ali Cherri, in collaboration with the International Federation for Human Rights, has filed a civil complaint in a French court regarding a 2024 Israeli airstrike in Beirut. The strike, which occurred in the Noueiri neighborhood just hours before a ceasefire, destroyed Cherri’s family home and killed seven civilians, including his parents and their domestic helper. The legal action, submitted to a specialized war crimes unit, alleges that the targeting of a civilian residence constitutes a war crime under both French and international law.
A donation of 500 guitars to the Metropolitan Museum of Art in May 2025, announced via a profile in The New Yorker, has become embroiled in controversy. Mick Taylor, former guitarist for the Rolling Stones, claims through his manager that one of the donated guitars—a Les Paul stolen from the band's French villa in 1971—is his property. The Met initially declined to comment, but later told The New York Times that Taylor played the guitar but never owned it, asserting a well-documented ownership history. The guitars were donated by collector Dirk Ziff, and the museum plans to open a permanent American guitar gallery in 2027.
Artist Khaled Sabsabi and curator Michael Dagostino have been reinstated to lead Australia’s pavilion at the 61st Venice Biennale, following an independent review of Creative Australia’s decision to drop them in February 2025. The initial removal came after right-wing politicians raised allegations of antisemitism against Sabsabi, whose work often addresses Islamophobia and Arab identity, particularly his 2007 video "You" featuring Hezbollah leader Hassan Nasrallah. The reversal follows resignations, boycotts, and widespread protests from the Australian arts community.
The jury for the Golden and Silver Lion awards at the 61st Venice Biennale has announced it will not consider the national pavilions of any country whose leaders are currently charged with crimes against humanity by the International Criminal Court. This decision specifically excludes Russia, whose president Vladimir Putin is charged with unlawful deportation of Ukrainian children, and Israel, whose prime minister Benjamin Netanyahu is charged with targeting Palestinian civilians and using starvation as a weapon. The jury, presided over by Solange Oliveira Farkas and including Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, issued a full statement explaining their commitment to human rights and alignment with the curatorial vision of the late Koyo Kouoh.
Alexandre Singh and Natalie Musteata's black-and-white short film *Two People Exchanging Saliva* has been nominated for an Academy Award in the live action short film category. The 36-minute dystopian romance, set in a Paris where kissing is forbidden and punishable by death, premiered at the Telluride Film Festival and has since won multiple prizes. It is distributed by the New Yorker and produced by Misia Films and art[cc]corp, and was also shortlisted for a 2026 César Award.
The Indianapolis Museum of Art at Newfields has officially closed The Lume, its controversial immersive digital art gallery, following the conclusion of its final exhibition on Indigenous Australian art. Since its 2021 launch, the high-tech space hosted popular digital spectacles featuring the works of Van Gogh, Monet, and Dalí, but it will now be repurposed for a new contemporary art initiative that the museum claims will expand how audiences experience art.
Serpentine Galleries in London and the FLAG Art Foundation in New York have announced a new biennial artist prize that will award £200,000 ($264,700) to five artists, one selected every two years, making it the largest single-artist prize in the United Kingdom. The total payout over the next decade is £1 million ($1.32 million). Each winner will receive a solo exhibition at Serpentine, which will then travel to the FLAG Art Foundation in New York. The prize launches in 2026, with the first exhibition scheduled for fall 2027 in London and spring 2028 in New York. Eligible artists must be actively working, have a strong exhibition record, and no more than 10 years of professional show history. A jury of art historians, curators, and artists will select winners from nominations.