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ceo jacob pabst interview

Jacob Pabst, CEO of Artnet, reflects on the company's transformation since taking the helm in 2012, including the launch of Artnet News in 2014 as a digital-first publication. In an interview, he discusses how the platform grew to become the most-read art publication globally, with over 200 million annual page views, by prioritizing real-time news and market analysis over traditional print cycles.

A tribute to two great dealers

Un hommage à deux grands marchands

Two major Parisian art dealers, Giovanni Sarti and Jean-Marie Rossi, have recently retired. This spring, exhibitions are being held to honor their pivotal roles as discoverers of artistic treasures, highlighting specific masterpieces they brought to light, such as the 'Sarti Madonna' attributed to Duccio and Bramantino's 'Pietà Artaria'.

Maximilien Durand reconduit au Louvre

Maximilien Durand, aged 50, has been reappointed for a three-year term as head of the Department of Byzantine and Eastern Christian Arts at the Louvre Museum in Paris. He has been preparing the department's opening since 2022. Durand previously served as director of the Musée des Tissus in Lyon and deputy director of collections at Paris Musées. His role includes overseeing collections, acquisitions, loans, and exhibitions, as well as a national expertise mission. Separately, Sophie Jugie moved to the Musées de France service after her non-renewal as head of the Sculptures department.

New Currents: Zhang Mingxuan’s Politics of Skin

Chinese artist Zhang Mingxuan, 27, debuted her first mature body of work in a 2023 solo exhibition at Hive Center for Contemporary Art in Shanghai, featuring paintings and prints of distorted human forms wrapped in torn nylon hosiery. Her process involves stretching, tearing, and pressing nylon-clad boards onto canvas to create uncanny impressions of compressed, fetal-like bodies. The works, created after she completed her MA in printmaking at the Royal College of Art in London, explore themes of violence, embodiment, and the limits of the body through a labor-intensive method blending painting and printmaking.