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Holly Stevenson – interview

London-based ceramic artist Holly Stevenson discusses her recent and upcoming projects in an interview with Studio International. She had a joint exhibition, "A Hyena Wore My Face Last Night," at C+N Gallery Canepaneri in Milan, with works titled after Leonora Carrington's short story "The Debutante," and a solo exhibition, "Tracing the Irretraceable," at the Freud Museum in London in collaboration with the Jane McAdam Freud Estate. Stevenson reflects on the resurgence of surrealism, particularly feminist perspectives, and the influence of psychoanalysis on her work, noting coincidental timing with a major Carrington exhibition at Palazzo Reali in Milan.

ceo jacob pabst interview

Jacob Pabst, CEO of Artnet, reflects on the company's transformation since taking the helm in 2012, including the launch of Artnet News in 2014 as a digital-first publication. In an interview, he discusses how the platform grew to become the most-read art publication globally, with over 200 million annual page views, by prioritizing real-time news and market analysis over traditional print cycles.

Artist interview

The article is an interview with an artist, though the provided text is incomplete and primarily consists of a subscription prompt for The Art Newspaper's digital newsletter. The core content of the interview itself is missing from the given snippet, which only includes the title "Artist interview" and standard footer information about the publication.

A brush with... Elyse Gonzales, director of San Antonio's Ruby City art centre

Elyse Gonzales, director of San Antonio's Ruby City art centre, is featured in The Art Newspaper's 'A brush with...' interview series. She discusses her formative experience working at Devin Borden Hiram Butler Gallery in Houston as a high school senior, which led to an internship at the Menil Collection and a master's degree at Williams College. Gonzales also shares her curatorial interests, including a forthcoming show of Tracey Rose's drawing and video works, and reveals that Ruby City was born from founder Linda Pace's dream of the building, which she sketched and commissioned David Adjaye to realize in 2007.

Did Andrea Fraser’s Career Bloom Because Her Mother’s Career Died?

A New York Times article examines the complex relationship between artist Andrea Fraser's career and her mother's unfulfilled artistic ambitions. It details how Fraser's mother, a talented painter, largely abandoned her own practice to support her daughter's education and early career, a sacrifice that Fraser has grappled with both personally and within her institutional critique-focused artwork.

Pulitzer Prize-winning art critic Christopher Knight is retiring

Christopher Knight, the Pulitzer Prize-winning art critic for the Los Angeles Times, is retiring after more than 40 years in the field, with his final day set for November 28. Knight spent 36 of those years at the Los Angeles Times, becoming one of the last full-time art critics at a major U.S. daily newspaper. He won the Pulitzer Prize for criticism in 2020 for his incisive coverage of the Los Angeles County Museum of Art's proposed overhaul, and received a $50,000 Lifetime Achievement Award for Art Journalism from the Dorothea and Leo Rabkin Foundation the same year. Knight also authored two books and appeared on programs like 60 Minutes and PBS NewsHour.

Eve Kahn

Eve Kahn has been appointed as a contributing editor at The Art Newspaper, where she will cover art market news, auctions, and collecting trends. Kahn brings extensive experience as an award-winning journalist specializing in art, design, and cultural history, having previously written for publications including The New York Times and Smithsonian Magazine.

Chris Erik Thomas

Chris Erik Thomas has been appointed as the new editor of The Art Newspaper, taking over the role from previous editor Ben Luke. Thomas brings extensive experience in arts journalism, having previously served as an editor at Artsy and as a contributor to publications including The New York Times and Artforum. His appointment marks a leadership change at one of the art world's most influential trade publications.