Harvard University's Carpenter Center for the Visual Arts has officially appointed Kate McNamara as its John R. and Barbara Robinson Family Director. McNamara, who had been serving in the role on an interim basis since last year, is the founder of the experimental art space ODD-KIN and has held leadership positions at Providence College Galleries, Otis College of Art and Design, and Boston University Art Galleries.
Glenn Ligon, the New York–based artist known for probing identity and language through neons, canvases, and essays, is featured on the cover of Cultured's 2025 Aspen issue. He will receive the 2025 Lewis Family Art Award at the Aspen Art Museum's ArtCrush gala this August, and a solo exhibition of his work focusing on self-portraiture and text will open at the Aspen Art Museum this winter. In an interview, Ligon discusses the current American psyche, his artist-driven institutional roots, and his creative process with curator Daniel Merritt.
Artist Lorna Simpson joins the 'A Brush With...' podcast to discuss the vast array of cultural influences that have shaped her conceptual practice. From her early photo-text works to her recent large-scale paintings, Simpson details how she subverts conventional framing of identity and navigates the boundaries between reality, fiction, and historical archives. She highlights the specific impact of figures such as David Hammons, Francisco de Zurbarán, and filmmaker Chantal Akerman on her evolving visual language.
Hundreds gathered on a cold Monday night in New York at Phillips auction house and the Metropolitan Club to celebrate the life and legacy of Walter Robinson, the beloved art-world figure who died in February 2025. The event, organized by the New York Academy of Art as part of its annual “Take Home a Nude” fundraiser, featured silent and live auctions, a posthumous honorary doctorate awarded to Robinson, and the announcement of the Walter Robinson Scholarship funded by auction proceeds. The evening raised over $800,000, with works by students and acclaimed artists like Richard Prince and Kiki Smith on offer, and Robinson’s painting *Blood on the Sun* (2018) selling for $35,000.
Jacob Pabst, CEO of Artnet, reflects on the company's transformation since taking the helm in 2012, including the launch of Artnet News in 2014 as a digital-first publication. In an interview, he discusses how the platform grew to become the most-read art publication globally, with over 200 million annual page views, by prioritizing real-time news and market analysis over traditional print cycles.
Hal Bromm, a New York art dealer who opened his gallery in Tribeca decades before it became a gallery hub, is celebrating 50 years in the neighborhood. He opened in 1974, predating the wave of galleries that moved to Tribeca around 2013, and has remained at 90 West Broadway since 1977. To mark the milestone, he will present the exhibition “50: The View from Tribeca” on September 19 and publish a book, *New Art, Old Buildings: Stories from Hal Bromm’s Tribeca*. Bromm reflects on his early career, including introducing artists like Donald Judd, Alighiero Boetti, and Mario Merz to New York audiences, and his instinct-driven approach to selecting artists.
Miles Davis, born in 1926 in Illinois, rose from a middle-class background to become a transformative figure in jazz. He left formal studies at Juilliard to play with Charlie Parker, but soon forged his own iconic sound characterized by intimate tone and phrasing, most famously on the seminal *Birth of the Cool* sessions. His career was defined by constant reinvention, pioneering multiple major movements from cool jazz and modal recording to jazz fusion, earning him the nickname "the Picasso of Jazz" from Duke Ellington.
Carlos Soto, a set and costume designer known for his emotionally charged and essentialist approach to theater, is profiled in a feature that traces his career from a childhood encounter with Robert Wilson to collaborations with Solange, Marina Abramović, and Philip Glass. Soto discusses his recent production of Robin Hood at Zurich's Schauspielhaus, where he fused Japanese Noh theater masks with animal memes to create costumes that blur the line between human and beast. The article highlights his uncompromising vision, his early apprenticeship under Frida Parmeggiani at the Met, and his decision to drop out of Pratt Institute to pursue hands-on learning.
Culture Type has published its annual list of new appointments among museum curators and arts leaders for the first half of 2025, highlighting two dozen hires and promotions at major institutions. Notable appointments include Deana Haggag as program director for arts and culture at the Andrew W. Mellon Foundation, Ann Collins Smith as chief curator at the New Orleans Museum of Art (the first Black American in a full-time curatorial role there), and Vincent van Velsen as head of exhibitions at Eye Filmmuseum in Amsterdam. The list also features curators such as Alisa Chiles at the Virginia Museum of Fine Arts and Brittany Webb at the Museum of Fine Arts, Houston.
Peggy Robinson, a graduate of the Elam School of Fine Arts and a former staffer at Page Galleries, has launched her own contemporary art space, PEG Gallery, in Wellington's Newtown district. The gallery debuted in November with a focus on national artists, including the estate of the late Selwyn Muru, fulfilling a long-held professional ambition for Robinson after years of working in the commercial art sector.
Lynda Roscoe Hartigan is stepping down as director and CEO of the Peabody Essex Museum (PEM) in Salem, Massachusetts, to become the director of the Smithsonian American Art Museum (SAAM) in Washington, D.C., starting September 8. Hartigan, who began her career as an intern at SAAM, previously served as PEM's first chief curator in 2003, deputy director in 2016, and returned as director in 2021 after a brief stint at the Royal Ontario Museum. During her tenure at PEM, she oversaw the reinstallation of a 40,000-square-foot wing, guided a five-year strategic plan, and expanded programs in global fashion, contemporary art, photography, and American art.
Fred Hohler, the founder of the Public Catalogue Foundation, is the pivotal figure behind the Art UK project, which has successfully digitized over one million UK public art entries. The letter corrects a previous article that highlighted the project's new chair but omitted Hohler's foundational role.
The Huntington Arts Council has officially opened applications for the 2026 Devlin Starr Memorial Art Award, a $3,000 grant designed to support emerging multimedia artists between the ages of 18 and 28. Established to honor the legacy of the late artist Devlin Starr, who passed away in 2025, the award provides financial assistance for materials, studio space, and equipment. Applicants are required to submit a portfolio of recent work and a personal statement by the May 8 deadline.