artists resisted fascism comrades in art andy friend 1234752655

A group of British artists, frustrated by the Great Depression and inspired by socialist ideologies, founded the Artists International Association (AIA) in the early 1930s. Initially a Communist-inflected agit-prop group, it rebranded in 1935 to broaden its anti-fascist coalition, a move that sparked internal debates about ideological purity. The article, reviewing Andy Friend's book *Comrades in Art: Artists Against Fascism, 1933–1943*, highlights key episodes such as the AIA's 1940 exhibition 'The Face of Britain,' which opened amid the Blitz after bombs damaged the gallery.

The Making of a Maintenance Artist

A new documentary titled "Maintenance Artist" (2025) traces the decades-long practice of Mierle Laderman Ukeles, a pioneering artist who focused on marginal, unpaid, and feminine labor. The film covers her career from her 1969 "CARE" manifesto, through her role as artist-in-residence at the New York City Department of Sanitation, to her first retrospective at the Queens Museum in 2017. It highlights her critique of art-world gender biases and her efforts to recognize discounted labor in all fields.

art ai digital guide brian droitcour

Brian Droitcour curates a guide to navigating the current media landscape through the work of tech-savvy artists and writers, focusing on exhibitions in Brooklyn and Queens. The guide highlights Porpentine's show "Xrafstar World" at Haul Gallery in Gowanus, which features poster-prints of drawings depicting characters from their stories and games, made with different digital brushes. Droitcour contrasts this DIY, performance-driven work with major institutions' engagement with AI, such as Sasha Stiles' "A Living Poem" at MoMA, which he criticizes for echoing technology's promises of polish rather than probing its complications.

What is the international exhibition of the Venice Biennale like? Review of "In minor keys" by Koyo Kouoh

Com’è la mostra internazionale della Biennale di Venezia? Recensione di “In minor keys” di Koyo Kouoh

The 2026 Venice Biennale, titled "In minor keys" and curated by the late Koyo Kouoh, opens to the public on May 9 amid controversies including the absence of the president's name in the colophon at the Arsenale entrance. The exhibition, organized by Kouoh's team (Rory Tsapayi, Siddharta Mitter, Marie Helene Pereira, Gabe Beckhurst Feijoo, and Rasha Salty), unfolds across the Giardini and the Arsenale's Corderie, featuring works that balance strength and beauty with a harmonious mix of voices and themes. The Giardini section is particularly compelling, with a non-linear, polycentric layout that feels like a living organism, while the Arsenale offers further depth.