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‘The story can be almost as important as the piece itself’: philanthropist Christian Levett on his approach to collecting

Philanthropist and collector Christian Levett, who opened the Mougins Museum of Classical Art in 2011 in southern France, closed that institution in 2023 and replaced it with Female Artists of the Mougins Museum, reflecting his growing focus on abstraction by women artists. Levett, a former investment manager, now owns around 1,700 works spanning antiquity to contemporary art, with significant holdings in post-war American art, African cutting-edge works, and the Zero movement. He recently bought Françoise Gilot's 1942 painting 'Geneviève Pensive' privately through Christie's and will speak at Tefaf Talks in New York on a panel titled 'Collecting with a Mission for Public Access.'

Art Basel Qatar Taps Former Mathaf Director Wassan Al-Khudhairi to Shape 2027 Fair

Art Basel has appointed Iraqi curator Wassan Al-Khudhairi as artistic director for the 2027 edition of Art Basel Qatar, succeeding Egyptian artist Wael Shawky who shaped the inaugural edition. The fair will take place January 28–30, 2027, with preview days on January 26–27, at Doha Design District and M7 in Msheireb Downtown Doha. Al-Khudhairi, former founding director of Mathaf: Arab Museum of Modern Art, brings deep ties to Qatar and international curatorial experience from biennials including Gwangju and the Asian Art Biennial.

Felix Art Fair Founder Mills Morán Steps Back From Gallery Duties

Mills Morán, cofounder of the Los Angeles gallery Morán Morán, is stepping away from its day-to-day operations to focus on Felix Art Fair, the fair he cofounded with his brother Al Morán and collector Dean Valentine in 2018. The fair, held at the Hollywood Roosevelt Hotel alongside Frieze Los Angeles, has staged eight editions. Morán announced the decision in a statement shared with artists and colleagues, citing personal recalibration after nearly two decades in the art world and a desire to be more present for loved ones.

You Can’t Drive It; You Can Only Look At It: A Conversation with Heidi Vaughan

Houston gallerist, secondary market art broker, and fine art appraiser Heidi Vaughan discusses her gallery Heidi Vaughan Fine Art (HVFA), the recent opening of McKay Otto's show 'GOLD,' and her multifaceted role in the art world. Vaughan represents established Houston artists like McKay Otto and Thedra Cullar-Ledford, as well as emerging painter Afi Lane, and offers services ranging from valuation and authentication to collection management and liquidation. She also hosts a radio show, 'The Houston Hour,' on 90.1 KPFT HD2, and is a prominent advocate for the arts in Houston.

The Interview: Amar Kanwar

ArtReview interviews Amar Kanwar, a New Delhi-based artist known for films and multimedia installations that blend poetry, activism, and documentary to explore power, conflict, and social justice. Kanwar discusses his career trajectory from documentary filmmaking to occupational health research in a coal mining region, and back to filmmaking on his own terms. His best-known work, *The Sovereign Forest* (2012), addresses government-corporate collusion in Odisha, while his latest, *The Peacock's Graveyard* (2023), is a seven-channel film installation currently paired with *The Torn First Pages* (2004–08) at Palazzo Grassi in Venice under the heading "Co-Travellers." Kanwar has participated in four consecutive editions of Documenta (2002–2017) and was a curator of the 2022 Istanbul Biennial.

Serralves museum director steps down

Philippe Vergne, the French curator who has served as director of the Serralves Museum of Contemporary Art in Porto since 2019, will step down at the end of July 2026 at his own request. The Serralves Foundation announced that Vergne will continue contributing to exhibition curation until his departure, and the search for a new director will begin immediately. During his tenure, the museum presented major exhibitions of artists including Alexander Calder, Joan Miró, Cindy Sherman, Mark Bradford, and Maurizio Cattelan, and expanded its space with the Álvaro Siza Wing.

Adam Budak dismissed as director of MOCAK amid controversy

Adam Budak has been dismissed as director of the Museum of Contemporary Art in Krakow (MOCAK), effective from 12 May, with his employment ending on 30 June. The city of Krakow cited improper performance of duties related to work organization and team management, following an investigation triggered by a complaint signed by 37 employees. Budak disputes the decision, calling it baseless and made under time pressure, and is considering an appeal. Artists including Paulina Ołowska and Robert Knoke have rallied in support, with several artists withdrawing from MOCAK's 2026–27 programme in solidarity.

Discover the Mapplethorpe Snapshot of Peter Berlin Hiding in This São Paulo Gallerist’s Bedroom

Alexandre Gabriel, a partner at São Paulo gallery Fortes D’Aloia & Gabriel, opens his home in the Praça da República neighborhood to reveal his personal art collection, which includes works by friends and a Robert Mapplethorpe photograph of Peter Berlin (1976). Gabriel describes how his collection began with gifts from artist friends he met while interning at a film production company in 1996, including Ivens Machado, Luiz Zerbini, Barrão, and Ernesto Neto, and emphasizes that his collection is strictly personal, guided by love and memory rather than market trends.

BLANCA DE LA TORRE Y EL “MUSEO ANFIBIO”: “A MÍ ME INTERESA EL PÚBLICO, NO NECESARIAMENTE LAS MASAS”

Blanca de la Torre, director of the Institut Valencià d’Art Modern (IVAM), discusses her concept of the "Museo Anfibio" (Amphibious Museum) in an interview for Artishock Revista's series on Ibero-American museum leaders. She proposes reimagining the museum as a relational institution that mediates between physical and symbolic territories, communities, and ecosystems, structured around two axes: Territories-Earth and Aquatic Environments. The interview is part of a series leading up to International Museum Day, with previous entries including Nicolás Gómez Echeverri of the Banco de la República de Colombia.

'It keeps me in touch with life': The London artist still working at 103

London painter Anthony Eyton, who turned 103, is preparing to exhibit new works at the 258th Royal Academy Summer Exhibition, the world's oldest open-submission exhibition. A figurative painter and Royal Academician since 1976, Eyton has shown at Tate Modern, Tate Britain, and the Imperial War Museum. He continues to paint daily, finding satisfaction in the act of creation, and has embraced social media with his daughter Sarah, posting regularly on Instagram to reach a global audience.

MANUEL SEGADE: “PRESERVAR LA COMPLEJIDAD DEL MUNDO ES UNA DE LAS TAREAS FUNDAMENTALES DEL MUSEO”

Manuel Segade, director of the Museo Nacional Centro de Arte Reina Sofía, is interviewed as part of a series for International Museum Day. He discusses the museum's role as a space historically tied to critique, conflict, and negotiation with tradition, emphasizing the need to preserve the world's complexity. Segade advocates for institutions that can speak on multiple levels, from introductory lectures to para-academic research, and stresses transforming internal structures toward more horizontal and interdependent models.

Exciting evolution for SJIMA

Blake DeYoung is stepping down as Executive Director of the San Juan Islands Museum of Art (SJIMA) at the end of May to become Executive Director of the Skagit Valley College San Juan Center branch, replacing Randy Martin. Deputy Director Wendy Smith will serve as Acting Director during the transition. The museum board remains unchanged, and the institution views this as an opportunity to realign its structure and build on recent successes, including record attendance in 2025.

Artist Keith Tyson on why he’s funding Oxford’s 400-year-old astronomy professorship

Turner Prize-winning artist Keith Tyson is funding Oxford University's 400-year-old Savilian Professorship of Astronomy, a prestigious academic chair established in 1619. Tyson, whose work frequently engages with probability, orbital mechanics, and cosmic themes, is making a donation to support the position, merging his artistic practice with scientific patronage.