Judge Orders Return of Slavery Exhibit at President's House; Barbican Director Devyani Saltzman Departs | Morning Links for February 17, 2026

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A federal judge has ordered the Trump administration to temporarily rehang an exhibition about slavery at the President's House monument in Philadelphia, blocking its removal by the Interior Department and National Park Service. The judge compared the government's attempt to alter historical facts to the "Ministry of Truth" from George Orwell's '1984'.

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Photographer Sally Mann has spoken out about government censorship after her photographs were seized from the Modern Art Museum of Fort Worth in Texas earlier this year. The controversy stemmed from her 1990s images of her children, which included nude depictions that some critics characterized as "child porn," leading to their removal from an exhibition following an open letter from the conservative Christian advocacy group Danbury Institute. Though the photos were returned and charges dropped, Mann expressed deep concern about the future of American museums, warning of a "new era of culture wars" and describing the situation as "Orwellian." She noted that social media has given censors more tools, and that the Trump administration is actively rolling out policies targeting museum programs, including a review of the Smithsonian.

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The Hirshhorn Museum and Sculpture Garden has launched the "50 for 50" loan program, a landmark initiative to disperse over 200 artworks from its collection to museums in all 50 U.S. states and Puerto Rico. Major works by artists like Jackson Pollock, Georgia O'Keeffe, and Willem de Kooning will be loaned for up to five years, with a focus on reaching underserved and rural communities.

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Unionized staff at the Guggenheim Museum staged a rally outside the institution during a VIP preview for artist Carol Bove, demanding a more robust second contract. Members of UAW Local 2110, including conservators, archivists, and educators, are protesting recent layoffs that cut 7% of the workforce and left remaining employees with unsustainable workloads. The union is currently negotiating for higher wages, lower healthcare benefit costs, and improved job security following a grievance filed against the museum in February 2025.

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The Andy Warhol Foundation for the Visual Arts has announced its Fall 2025 grant recipients, awarding over $4 million to 57 arts organizations across 17 states, Washington, D.C., and two international locations. Grantees range from established institutions like the Contemporary Arts Museum Houston and Independent Curators International to smaller artist-run spaces such as Mini Mart City Park in Seattle and Transformer in Washington, D.C. Twenty organizations are first-time recipients, including Path with Arts in Seattle and Access Gallery in Denver. Exhibition support covers solo shows for artists like Ching Ho Cheng, Gisela Colón, and Leilah Babirye, as well as group exhibitions such as “Telenovelas” at the Americas Society and the Counterpublic 2026 Triennial.

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President Donald Trump posted on Truth Social criticizing the Smithsonian and museums nationwide, claiming they focus excessively on negative aspects of U.S. history such as slavery. He described these institutions as the last remaining segment of 'WOKE' culture. The article counters his remarks by highlighting the National Museum of African American History and Culture (NMAAHC), which presents both the horrors of slavery and themes of survival, liberation, and perseverance through objects like Harriet Tubman's handkerchief and artworks by Jacob Lawrence and Alison Saar. It also references the 2022 exhibition 'Afro-Atlantic Histories' at the National Gallery of Art, which balanced depictions of violence with messages of freedom and resilience.

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Bank of America has awarded its 2025 Art Conservation Project grants to sixteen cultural institutions worldwide, including the Rothko Chapel in Houston, the Barnes Foundation in Philadelphia, and Sainte Chapelle in Paris. The grants support the conservation of diverse works such as Rembrandt's "The Blinding of Samson," William Hogarth's "A Rake's Progress," and Niki de Saint Phalle's "Tableau Tir" at Moderna Museet in Stockholm. Since 2010, the program has awarded over 275 grants across 40 countries.

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Museums worldwide are urgently searching for new financial models as government funding declines, wealthy patrons pull back, and corporate sponsors face pressure. A global study published in January by the International Research Alliance on Public Funding for Museums found that in 37 percent of responding countries, 71 to 100 percent of museums now receive most funding from private sources. Institutions are exploring endowments, new revenue streams, and collaborative approaches, with the Louvre becoming the first French museum to create an endowment fund in 2009, raising €175 million. The $85 trillion Great Wealth Transfer offers hope, but next-generation donors prioritize transparency and meaningful engagement over prestige.

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On June 24, New Yorkers will vote in the Democratic primary for mayor, with candidates including embattled incumbent Eric Adams, former governor Andrew Cuomo, and Democratic Socialist Zohran Mamdani, who is gaining support from artists and art dealers. The article outlines the arts-related positions of several candidates: City Council Speaker Adrienne Adams restored $53 million in cultural funding after proposed cuts; Eric Adams has an uneven record, having proposed cuts but later launching the 'NYC Create in Place' pilot program; and Andrew Cuomo's arts stance is mentioned but not detailed.

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The Trump administration is moving to eliminate the National Endowment for the Humanities (NEH) while simultaneously cutting its funding and reshaping its priorities. In early May, the NEH announced $9.55 million for 68 projects, a sharp drop from $26.2 million for 238 projects the previous year. The number of Summer Stipends was slashed from nearly 100 to just 18, with total funding cut by three-fourths to $144,000. Only one Media Project grant was awarded, down from ten. The administration has also sought to lay off NEH workers, cancel grants, and divert funds to a National Garden of American Heroes, a presidential pet project.

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The Smithsonian’s National Museum of Asian Art (NMAA) has signed a formal partnership agreement with Saudi Arabia’s Royal Commission for AlUla (RCU), formalizing two years of behind-the-scenes collaboration. Signed by NMAA director Chase Robinson and RCU chief executive Abeer Al Akel, the deal covers joint archaeological research, exhibition loans, curatorial exchange, and professional development, with a focus on the ancient site of Dadan, a key stop on the Incense Road. The partnership is part of Saudi Arabia’s Vision 2030 plan to rebrand the kingdom as a global cultural destination.

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Berlin's culture senator, Joe Chialo, has resigned due to a dispute over deep budget cuts to the city's arts sector. He stated that the planned cuts would force the closure of nationally renowned cultural institutions, and he stepped down to allow for new perspectives. Meanwhile, Australia's center-right Liberal-National Coalition has proposed cutting over 10 percent of funding to Creative Australia, the body that organizes the country's Venice Biennale pavilion, redirecting the money to support Jewish arts and broadcasting in Melbourne. This follows controversy over Creative Australia's decision to drop artist Khaled Sabsabi as Australia's Venice Biennale representative.

Participating Artists and Curators Push Back on Venice Biennale’s Relocation of Israeli Pavilion, Call for Exclusion of Russia, Israel, and US

Seventy-three artists and curators participating in the main exhibition of the 2024 Venice Biennale have issued an open letter objecting to the organizers' decision to relocate the Israeli national pavilion to the Arsenale. They argue this move creates an intimidating atmosphere contrary to the late curator Koyo Kouoh's vision of "radical solidarity" and will necessitate a heightened security presence. The signatories, which include key curators tasked with realizing Kouoh's exhibition, also call for the exclusion of Israel, Russia, and the United States from the event, citing their governments' alleged commission of war crimes.

Historic $116M Gift Endows Lending Program at National Gallery of Art

The National Gallery of Art (NGA) has received a historic $116 million donation from the Mitchell P. Rales Family Foundation to permanently endow its 'Across the Nation' lending program. This initiative loans artworks from the NGA's collection to smaller regional museums across the United States, covering all associated costs. In its pilot year, the program reached an estimated 900,000 visitors at ten institutions, bringing works by artists like Georgia O'Keeffe, Rembrandt, and Mark Rothko to communities from Alaska to Michigan.

V&A Pulls Catalog Materials Due to Chinese Censorship Laws

The Victoria and Albert Museum (V&A) in London has admitted to removing maps and images from two exhibition catalogs following censorship demands from a Chinese printing firm. Documents revealed that C&C Offset Printing flagged content in the catalogs for the exhibitions "Music Is Black" and "Fabergé: Romance to Revolution" as violating Chinese law. The censored items included a 1930s map of British trade routes and a photograph of Vladimir Lenin, which the printer claimed could not be produced under Beijing’s strict regulations.

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The Pérez Art Museum Miami (PAMM) has announced two major gifts totaling $7 million for its Caribbean Cultural Institute (CCI). The Mellon Foundation contributed an additional $2 million, while the Green Family Foundation (GFF) donated $5 million, leading to the institute's renaming as the Green Family Foundation Caribbean Cultural Institute. The funds will support operating expenses and the endowment of the CCI, which was originally established in 2019 with a $1 million Mellon grant. The Green Family Foundation, founded by Steven J. Green and Dorothea Green, has deep philanthropic roots in Miami, including ties to Florida International University and local art initiatives. Current CCI fellows include artist M. Florine Démosthène, writer Rianna Jade Parker, and anthropologist Celia Irina González.

Is Chinese Censorship Reaching Inside Britain’s Museums?

London’s Victoria and Albert Museum (V&A) has come under fire following reports that it altered exhibition catalogues to comply with Chinese government censorship. To reduce production costs, the museum utilized printers in China, which are subject to Beijing’s General Administration of Press and Publication (GAPP) regulations. Consequently, the museum removed historical maps and an image of Vladimir Lenin from publications for the "Music is Black" and "Fabergé: Romance to Revolution" exhibitions after they were flagged by Chinese authorities.

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President Donald Trump has unveiled a rendering for his planned presidential library in downtown Miami, envisioned as a 47-story skyscraper. The proposal features a gold entranceway, a 20-foot-tall golden statue of the former president, and a replica of the Oval Office, alongside a hotel and office space. The project is being designed by architecture firm Bermello Ajamil and is reportedly seeking to raise nearly $1 billion in donations to fund the construction on highly valuable waterfront land.

Claire Tabouret’s Stained-Glass Windows for Notre-Dame Divide French Society, with a Legal Threat Looming

French contemporary artist Claire Tabouret has been commissioned to create six new stained-glass windows for the Notre-Dame de Paris cathedral, replacing six existing 19th-century grisaille windows designed by architect Eugène-Emmanuel Viollet-le-Duc. The project, announced by President Emmanuel Macron and the Archbishop of Paris as a "contemporary gesture" following the 2019 fire, has sparked a major public and institutional controversy, with a petition against it gathering over 335,000 signatures.

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Over 250 prominent cultural figures have signed an open letter protesting the abrupt departure of Devyani Saltzman from her role as Director of Arts and Participation at London’s Barbican Centre. Saltzman, who was appointed just last year to modernize the institution's programming, is set to leave in May following the recent arrival of new Chief Executive Abigail Pogson. High-profile signatories, including Salman Rushdie, John Akomfrah, and Isaac Julien, are demanding transparency regarding the decision-making process and the future of the position.

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The Museum of Fine Arts, Boston (MFA) has denied targeting Diversity, Equity, and Inclusion (DEI) staff after laying off 33 employees, including its only Muslim, Native American, and Black curators. The layoffs, effective January 30, 2026, prompted a petition with nearly 2,000 signatures and a demand from 130 staff at the Massachusetts College of Art and Design for the curators' reinstatement. MFA Director Pierre Terjanian attributed the cuts to financial deficits from the COVID-19 pandemic, stating the proportion of staff of color remained unchanged.

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Arts Council England announced the results of the 2024-25 Cultural Gifts Scheme and Acceptance in Lieu initiatives, through which 32 artworks valued at nearly $80 million entered public collections. Highlights include Edgar Degas's pastel *Danseuses roses* (ca. 1897–1901) donated to the National Gallery, paintings by Max Liebermann and Max Pechstein given to the Ashmolean Museum, a historic desk used by Prime Ministers Benjamin Disraeli and Winston Churchill acquired by the National Trust, and 77 photographs by Bill Brandt donated to Tate. The report covers transfers from April 2024 to March 2025.

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Artist Mika Rottenberg, whose work is included in an upcoming show at the Smithsonian-run Hirshhorn Museum and Sculpture Garden, called the Trump administration's interference with the Smithsonian "fucked up" in a Vanity Fair article. She praised Amy Sherald for canceling a Smithsonian show, calling it "amazing." British artist Richard Long also expressed concern about the administration "strangling everything" at the institution. The article notes that many other artists with works slated for Smithsonian presentations—including Nick Cave, Paul Chan, Olafur Eliasson, Spencer Finch, and Rashid Johnson—declined to speak to Vanity Fair, reflecting a cautious environment. Dread Scott, however, has been vocal, calling for the regime to be driven from power and urging art institutions to support dissenting artists.

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The Texas Historical Commission announced that buildings repurposed by minimalist artist Donald Judd in Marfa, Texas, have been added to the U.S. National Register of Historic Places. Approved by the National Park Service in May 2025, the designation expands the existing Fort D.A. Russell Historic District to include 15 buildings and a large-scale installation, all altered or created by Judd between 1973 and his death in 1994. The properties are managed by the Chinati Foundation and the Judd Foundation, which operate as separate entities. This is the second Judd-linked historic district in Marfa, following the Central Marfa Historic District’s designation in 2022.

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President Donald Trump announced on Truth Social that he had fired Kim Sajet, director of the National Portrait Gallery in Washington, D.C., citing her as a "highly partisan person" and a "strong supporter of DEI." Sajet had led the museum since 2013, and her termination follows a series of executive orders targeting the Smithsonian Institution, including one in March that criticized "anti-American ideology" at its museums. The museum currently features the exhibition "America’s Presidents," which includes a portrait of Trump with a caption referencing his impeachments and the January 6 Capitol attack. The National Portrait Gallery did not respond to requests for comment, and no replacement has been named.

Trump Arts Impact 2025

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The Trump administration has initiated a sweeping overhaul of the American cultural landscape, marked by aggressive oversight of the Smithsonian Institution and the termination of numerous National Endowment for the Arts (NEA) grants. Key actions include the disbanding of the Institute of Museum and Library Services (IMLS), the removal of leadership at the National Portrait Gallery, and the implementation of content audits to remove references to Trump's impeachments and information regarding slavery from federal sites. These moves are part of a broader effort to eliminate Diversity, Equity, and Inclusion (DEI) initiatives and enforce 'American values' in cultural programming ahead of the nation's 250th anniversary.

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The Louvre will raise ticket prices by 45 percent for non-E.U. visitors starting January 14, 2026, with tickets increasing to €32 ($37) for travelers from the U.S., U.K., and China, while E.U. visitors continue to pay €22. The price hike, announced on November 27, is expected to generate €15–20 million annually to fund modernization plans, following intense criticism over aging infrastructure and a $102 million jewel heist in October. The museum also faces structural issues, including the temporary closure of parts of its Sully wing due to fragile support beams, and has implemented an €80 million security master plan.

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Several major French cultural institutions, including the Louvre, the Château de Versailles, and potentially the Arc de Triomphe, have implemented a "differential tariff" that raises ticket prices for non-European Union visitors. Starting January 1, 2026, non-E.U. tourists will pay €30 ($35) to enter the Louvre, up from €22 ($25). The policy, first reported by Le Monde, is expected to generate up to €20 million annually for the Louvre alone, helping to fund urgent renovations estimated at €400 million over 15 years. The move follows a leaked letter from Louvre director Laurence des Cars to culture minister Rachida Dati warning of severe building deterioration, including temperature fluctuations endangering artworks and water damage. French president Emmanuel Macron has announced a sweeping restoration, but state funding will cover only a fraction of the cost.

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The Helen Frankenthaler Foundation and the Andy Warhol Foundation are jointly providing $800,000 in emergency grants to replace funding lost when the Trump administration abruptly cut the National Endowment for the Arts' Challenge America grants in February 2025. The grants, each worth $10,000, will support 80 small and medium-sized visual arts programs across the country that had been promised NEA funding for underserved communities, including the Kids & Art Foundation, Allentown Art Museum, Free Arts for Abused Children, InToto Creative Arts Forum, and Latinitas.

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UNESCO's executive board has nominated Khaled El-Enany Ezz as its sole candidate for the next director-general, following a decisive vote during the organization's meetings at United Nations High Week. El-Enany, a 54-year-old Egyptian professor of Egyptology and former minister of tourism and antiquities, previously oversaw the construction and renovation of more than 20 museums, including the Grand Egyptian Museum. He will be the first Arab to lead UNESCO, replacing outgoing director-general Audrey Azoulay.