The British Museum has revised labels for ancient Middle Eastern artifacts in its Levant and Egypt galleries, removing the term 'Palestine' from descriptions of ancient civilizations. The institution states the changes are part of an ongoing review, driven by audience feedback and a recognition that the term is no longer historically neutral due to contemporary political sensitivities.
UNESCO's executive board has nominated Khaled El-Enany Ezz as its sole candidate for the next director-general, following a decisive vote during the organization's meetings at United Nations High Week. El-Enany, a 54-year-old Egyptian professor of Egyptology and former minister of tourism and antiquities, previously oversaw the construction and renovation of more than 20 museums, including the Grand Egyptian Museum. He will be the first Arab to lead UNESCO, replacing outgoing director-general Audrey Azoulay.
Hollyhock House, Frank Lloyd Wright's Los Angeles masterpiece, faced potential closure after Mayor Karen Bass proposed a budget on April 21 that cut $283,000 in city funding and eliminated three of four staff positions, threatening its operations and UNESCO status. The Department of Cultural Affairs warned the cuts would make the property inoperable, but after advocacy from the Frank Lloyd Wright Building Conservancy and others, Bass fully restored funding, allowing the house to retain its two full-time staff and UNESCO designation.
The British Museum has launched a new long-term lending program, transferring some 80 Greek and Egyptian antiquities to the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS) in Mumbai, India, for a three-year exhibition. Director Nicholas Cullinan presented the initiative as a collaborative alternative to the contentious debate over repatriation, aiming to share artifacts with former British colonies without permanently deaccessioning them. The loans are part of a 15-year partnership between the two museums, and Cullinan has signaled plans to negotiate similar arrangements with China, Nigeria, and Ghana.
Egyptian Member of Parliament Freddy Elbaiady publicly criticized the Grand Egyptian Museum's ticketing system, which imposes separate quotas for foreign tourists and Egyptian nationals. The controversy erupted after overcrowding on a single day saw over 27,000 tickets sold—exceeding the daily limit of 20,000—leading to thousands of frustrated visitors being denied entry. Elbaiady submitted a formal request to remove the quota, calling it discriminatory, and demanded a briefing from the Prime Minister and Minister of Tourism. In response, the museum announced a shift to a pre-booking system with designated entry times, implemented last week, and starting December 1, online booking will be the only method for purchasing tickets.
Manchester Museum in the UK is asking visitors whether the mummified remains of Asru, an Egyptian woman who lived around 2,700 years ago, should remain on display. The public consultation, running until the end of August, invites comments online or in a box next to her case. The museum notes that Asru's body was acquired in the early 1800s by the sons of a man who profited from slavery, shipped to Manchester, and unwrapped in 1825.
I futuri professionisti della cultura in Africa saranno formati da sei musei italiani
The fourth edition of the International School of Cultural Heritage (Scuola Internazionale del Patrimonio Culturale) is underway, with 23 cultural professionals from 12 African nations participating in a hands-on training program hosted by six Italian museums. After online modules and a week of lectures in Rome, the residential phase runs from April 27 to May 22, 2025, placing participants at the Museo delle Civiltà (MUCIV), the Archaeological Parks of Praeneste and Gabii, the National Archaeological Museum of Taranto (MArTA), the National Archaeological Museum of Naples (MANN), the National Archaeological Museum of Reggio Calabria (MArRC), and the National Archaeological Museum of Agro Falisco and Forte Sangallo in Civita Castellana. The program, titled "Managing Art Collections: from ancient to contemporary," focuses on collection management, conservation, and public programming, linking archaeological heritage with contemporary practices.