The Borghese Gallery in Rome has proposed building an adjacent facility to expand its exhibition space and increase visitor capacity beyond the current limit of 360 people per two-hour slot. The museum, which welcomed over 630,000 visitors in 2025, argues the expansion is needed to display works long held in storage. A press conference is scheduled for May 19 to provide further details.
Schwierige Suche nach neuem Kultursenator in Berlin
Berlin's culture senator Sarah Wedl-Wilson resigned on Friday after a state audit found that her allocation of anti-Semitism prevention funds was unlawful. The CDU politician is being succeeded by former justice senator and Bundestag member Thomas Heilmann (CDU), who is reportedly the favorite for the post. Heilmann, 61, studied law, ran a successful advertising firm, and served as Berlin's justice senator from 2012 to 2016 before sitting in the Bundestag from 2017 to 2025. Governing Mayor Kai Wegner has not yet made a final decision, but transport senator Ute Bonde publicly endorsed Heilmann, citing his experience with Berlin's administration.
The article examines the financial impact of eliminating or reducing admission fees at US museums, using Baltimore's Walters Art Museum and Baltimore Museum of Art as case studies. While the Walters saw a 45% attendance increase and a tripling of minority participation after going free in 2006, the surge did not generate enough ancillary revenue from merchandise, food, or memberships to offset lost ticket income. Over time, attendance at both institutions declined—by 18.6% at the Walters and 12.7% at the BMA—according to a 2021 survey. Experts like former Met president Daniel Weiss and economist John Silvia argue that free admission often fails to meaningfully boost visitation and can strain museum finances.
The French Senate has definitively adopted a law on the restitution of cultural property looted during the colonial period, marking a major legislative step in France's approach to colonial-era artifacts. The law establishes a legal framework for returning objects held in French public collections to their countries of origin, potentially affecting thousands of items in museums across the country.
Chanel will launch an annual, one-year fellowship in fall 2026 in collaboration with the Guggenheim. The Chanel Culture Fund Fellowship will host a fellow in New York and at the Peggy Guggenheim Collection in Venice, targeting MA and PhD-level scholars dedicated to collection studies and curatorial research. The program complements existing Guggenheim fellowship and internship programs, aiming to nurture emerging talent in modern and contemporary art curation.
Una nuova ala per risolvere i problemi della Galleria Borghese a Roma. Bella sfida, stucchevoli polemiche
The Galleria Borghese in Rome, one of Italy's most extraordinary museums, faces significant accessibility and capacity issues due to its historic 17th-century structure. The museum is difficult for visitors with disabilities, overcrowded, and forces visitors to book far in advance—often waiting over a month for a time slot—while many masterpieces remain in storage. In 2025, the engineering firm Proger offered to sponsor a feasibility study for a new wing, contributing nearly 900,000 euros to fund an international architecture competition and a technical-economic feasibility plan. The study, currently underway, aims to explore whether a new annex can be built within the protected Villa Borghese park to create new entrances, exhibition spaces, and services.
Gustave Courbet's painting *Le Désespéré* (1843-1845), owned by Qatar Museums Authority, was loaned to the Musée d'Orsay in Paris. The French art publication La Tribune de l'Art requested the loan agreement under transparency laws, but the museum refused, citing a confidentiality clause. The publication then appealed to the Commission d'Accès aux Documents Administratifs (CADA), which has not responded for five months. Separately, the heritage association Sites & Monuments made a similar request to the Ministry of Culture and received a negative response from CADA in March 2026, citing a Conseil d'État ruling that disclosure could harm France's foreign policy.
Maximilien Durand has been reappointed as head of the Department of Byzantine and Eastern Christian Arts at the Louvre Museum, a role that carries both internal museum responsibilities and national duties on behalf of the French state. Two decrees signed by Culture Minister Catherine Pégard formalize his renewal: one as head of the museum department, and another as head of the corresponding major heritage department, a status held by only nine of the Louvre's departments.
The Getty Foundation has awarded $1.8 million in grants to eight institutions through its Black Visual Arts Archives initiative, a multi-year program aimed at increasing access to archival collections related to Black artists and arts organizations. The grants will support processing, digitization, and public programming at venues including Afro Charities, Auburn Avenue Research Library, Berkeley Art Museum and Pacific Film Archive, Charles H. Wright Museum, Morgan State University, South Side Community Art Center, the University of Chicago's South Side Home Movie Project, and the David C. Driskell Center. This brings Getty's total funding for the initiative to $4.5 million since 2022, supporting 20 grants nationwide.
Giuli compra tutto! Il Ministero della Cultura vuole prendersi anche Il Teatro delle Vittorie di Roma e Palazzo Labia a Venezia?
Italian Minister of Culture Alessandro Giuli is pursuing an aggressive acquisition campaign for cultural properties. After high-profile purchases including Antonello da Messina's *Ecce Homo* and Caravaggio's *Portrait of Monsignor Maffeo Barberini* (€30 million), the Ministry has now expressed interest in acquiring Rome's Teatro delle Vittorie and Venice's Palazzo Labia—both part of a real estate portfolio being sold by state broadcaster Rai. The Ministry also recently bought Verona's historic Cinema Astra (with a €7.5 million restoration plan) and Naples' Teatro Sannazzaro after a fire.
The Kremlin is systematically erasing the memory of Soviet repression under Joseph Stalin from Russian museums. The Gulag Museum in Moscow, which documented Stalin-era crimes, has been rebranded as a "Museum of Memory" focused on Nazi war crimes, with its entire website replaced and exhibitions packed up. Simultaneously, Russia's supreme court banned Memorial, a human rights organization founded to document Stalin-era atrocities, labeling it an "anti-Russian" extremist group. The Yeltsin Presidential Center in Yekaterinburg has also removed references to Memorial from its walls, and the Sakharov Center in Moscow was disbanded and evicted from its facilities.
On May 19, 2026, the Paris administrative court rejected requests from heritage associations Sites & Monuments and SOS Paris to suspend the removal and replacement of the stained-glass windows at Notre-Dame Cathedral. The associations had sought to block the prefect's authorization to remove the 19th-century windows by Alfred Gérente and install six new contemporary windows designed by Claire Tabouret, arguing legal doubts about the project. The judge ruled that the operation was reversible—since the new panels are the same size as the originals and the removed windows will be restored and displayed—thus no urgent suspension was warranted.
In Romagna c’è discussione attorno all’eredità artistica del Ventennio fascista
Recent developments in Romagna, Italy, have sparked debate over the artistic legacy of the Fascist era. The 102-meter-long Flight Mosaics at the former Aeronautical College in Forlì are now open to the public, and the Conad-Città di Forlì Auditorium, converted from a former GIL cinema, will inaugurate on May 13, 2026. Regional President De Pascale has announced initial funding to secure the Colonia Varese in Cervia, a Rationalist masterpiece, while long-awaited consolidation work has begun on the Casa del Fascio in Predappio, Benito Mussolini's birthplace. A 2010 plan to turn the Casa del Fascio into a cultural center documenting Fascism has stalled due to political changes and bureaucratic hurdles.
Hamburg's Senator Biermann Ratjen Medal, a culture prize awarded for nearly five decades, is being renamed the Medal for Art and Culture in Hamburg after historian Helmut Stubbe da Luz uncovered evidence that the prize's namesake, Hans Harder Biermann-Ratjen, confirmed his Nazi Party membership in a 1943 application. Biermann-Ratjen, who later served as Hamburg's senator for culture, had been deemed not to have been a member during post-war de-Nazification, but the new research prompted the city to rebrand the award.
Italian Culture Minister Alessandro Giuli has launched an official inspection of the Russian Pavilion at the 61st Venice Biennale, just days before the exhibition opens. An inspector has been sent to Venice to review all documentation related to Russia's participation, focusing on potential irregularities such as visa issues for Russian artists and delegation members. The investigation follows the Biennale's international jury decision to exclude Russia and Israel from awards due to accusations of crimes against humanity. The Russian Pavilion will be open only during the pre-opening vernissage, after which it will close, with digital documentation displayed in its windows.
À Rome, l’extension de la Galerie Borghèse provoque une fronde
The Galleria Borghese in Rome has sparked controversy by initiating a feasibility study for a new building attached to its 17th-century villa. Museum director Francesca Cappelletti, in office since 2020, cites the need to increase visitor capacity, improve security, and create spaces for mediation, conferences, and temporary exhibitions. The museum, which saw nearly 630,000 visitors in 2025, operates with strict two-hour time slots capped at 180 people, often sold out in high season. Engineering firm Proger has offered to fund the study for €875,750 in exchange for institutional visibility, and Rome's mayor Roberto Gualtieri has declared the project of public interest.
The Oklahoma Arts Council has announced a historic gift of artworks for the Oklahoma State Art Collection. The donation, described as one of the largest in the collection's history, includes a significant number of works by Oklahoma artists and will be formally added to the state's holdings.
Sachsen-Anhalt has enshrined support for art and culture as a state objective in a new law, passed by the state parliament in Magdeburg with the exception of the AfD faction, which abstained. Culture Minister Rainer Robra (CDU) framed the law as fulfilling a promise from 1989, defining what constitutes art and culture in the state, including their roles in education and as an economic factor, and aiming to make cultural structures resilient against future attacks on artistic freedom.
Perché la ricchezza culturale italiana non entra mai davvero nei conti e nei bilanci pubblici?
Italy has exceeded the European Commission's structural adjustment path by 0.1 percentage points of GDP, reopening fiscal scrutiny. Amid this debate, the article highlights a deeper issue: Italy's immense cultural heritage is drastically undervalued in public accounts. For example, the Pompeii Archaeological Park is recorded at just €48.9 million, the Colosseum at under €15 million, and the Uffizi at about €2 billion—figures based on outdated 2002 ministerial criteria that bear no relation to actual economic or cultural worth. The State General Accounting Office, with the University of Roma Tre and EU technical assistance, has proposed a new methodology to value cultural assets by discounting their future net financial flows, including direct revenues and indirect tourism-related returns.
Die Biennale muss offen bleiben – auch für Russland
The article argues against calls to exclude Russia from the Venice Biennale, focusing on the controversy surrounding the Russian pavilion's planned exhibition titled "Der Baum ist im Himmel verwurzelt" (The Tree Is Rooted in Heaven). The pavilion is set to feature musicians from Russia, Argentina, Mali, and Mexico, and its theme revolves around the idea that politics is time-bound. The author contends that while the demand to exclude Russia is understandable given the geopolitical context, it is dangerous because once a biennial begins disinviting states, it undermines the very concept of the international exhibition.
Tapisserie de Bayeux : un voyage à blanc qui ne teste rien
A confidential interim report obtained by La Tribune de l'Art reveals that the "blank voyage" test transport of the Bayeux Tapestry from Bayeux to London in February 2026 failed to measure actual risks to the artwork. The report admits that the vibration threshold used (2 mm/s) is arbitrary and based on paintings, not on a textile of this size and fragility. Because the tapestry has been stored and inaccessible since September 2025, no mechanical tests could be conducted beforehand to determine safe vibration levels, rendering the test meaningless. A second test took place on April 15, 2026, but its report has not yet been finalized; the actual loan is planned for July 2026, with transport via Eurostar.
Alleanza culturale tra Roma e New York. Le due città siglano il primo accordo tra grandi centri storici
Rome and New York have signed the first cultural cooperation agreement between their historic centers, Municipio I Roma Centro and Manhattan. The protocol was formalized during the Forum Cultura Roma Centro at the Temple of Vibia Sabina and Hadrian, aiming to establish an international network based on collaboration between cultural institutions and governance models. It includes exchanges, youth programs, artistic initiatives, and public art projects involving museums, archives, libraries, universities, and educational entities.
I futuri professionisti della cultura in Africa saranno formati da sei musei italiani
The fourth edition of the International School of Cultural Heritage (Scuola Internazionale del Patrimonio Culturale) is underway, with 23 cultural professionals from 12 African nations participating in a hands-on training program hosted by six Italian museums. After online modules and a week of lectures in Rome, the residential phase runs from April 27 to May 22, 2025, placing participants at the Museo delle Civiltà (MUCIV), the Archaeological Parks of Praeneste and Gabii, the National Archaeological Museum of Taranto (MArTA), the National Archaeological Museum of Naples (MANN), the National Archaeological Museum of Reggio Calabria (MArRC), and the National Archaeological Museum of Agro Falisco and Forte Sangallo in Civita Castellana. The program, titled "Managing Art Collections: from ancient to contemporary," focuses on collection management, conservation, and public programming, linking archaeological heritage with contemporary practices.
Berlin's finance senator Stefan Evers (CDU) has been appointed to temporarily lead the city's cultural administration, marking the third change in leadership within a year. This follows the resignation of Joe Chialo in May 2025 and the departure of his successor Sarah Wedl-Wilson on the previous Friday, after months of controversy over the approval of funding grants. Evers will hold both finance and culture portfolios until the Berlin state election on September 20, 2025. The decision was made by CDU district chairpersons after initial talks with former justice senator Thomas Heilmann fell through.
L’UE sanctionne Mikhaïl Piotrovski, directeur de l’Ermitage
The European Union has added Mikhail Piotrovsky, the 81-year-old director of the State Hermitage Museum in St. Petersburg, to its sanctions list as part of the 20th package of measures against Russia. Brussels accuses him of publicly supporting the war in Ukraine and of conducting archaeological excavations by the museum in occupied Crimea. His assets in the EU are frozen and he is banned from entering European territory.
French art training institutions are expanding their curricula to include provenance research, responding to a 2022 government report that identified gaps in conservator education. The Institut national du patrimoine (INP) now offers seminars on Nazi-era spoliation (1933-1945) and has added a five-day provenance research module for external competition students since 2024-2025. Paris-Nanterre University launched a master's-level diploma in 2022 covering legal, historical, and methodological aspects of provenance research. The École du Louvre now offers a specialized master's in "sensitive goods and provenance research" addressing spoliated works, human remains, colonial acquisitions, and illicit trafficking, while also integrating provenance methodology into its general curriculum from master's level one.
公募｜令和8年度新進芸術家海外研修制度における「日本文化発信・普及事業」
Japan's Agency for Cultural Affairs (Bunka-cho) is now accepting applications for the "Japanese Culture Promotion and Dissemination Project" under the 2026 (Reiwa 8) Overseas Training Program for Emerging Artists. This separate track supports established cultural figures, artists, and researchers—not just emerging artists—to conduct activities that promote and disseminate Japanese culture abroad. The program covers travel, accommodation, and activity costs up to 1.5 million yen, with派遣 periods ranging from 20 to 80 days between October 1, 2026 and March 31, 2027. Applications must be received by June 5, 2025, and results will be announced by early September.