Fee or free? How entry charges affect museums in the US

The article examines the financial impact of eliminating or reducing admission fees at US museums, using Baltimore's Walters Art Museum and Baltimore Museum of Art as case studies. While the Walters saw a 45% attendance increase and a tripling of minority participation after going free in 2006, the surge did not generate enough ancillary revenue from merchandise, food, or memberships to offset lost ticket income. Over time, attendance at both institutions declined—by 18.6% at the Walters and 12.7% at the BMA—according to a 2021 survey. Experts like former Met president Daniel Weiss and economist John Silvia argue that free admission often fails to meaningfully boost visitation and can strain museum finances.

Paris Judge Rejects Bid to Suspend the Replacement of Notre-Dame’s Windows

A Paris judge has rejected a bid to suspend the removal of six 19th-century stained-glass windows by Eugène Viollet-le-Duc from Notre-Dame Cathedral, clearing the way for their replacement with contemporary works commissioned by the French government. The Paris Administrative Court ruled that the project does not constitute an irreversible alteration because the new windows, designed by artist Claire Tabouret and produced by glassmakers Simon-Marq, could be removed in the future, and the original windows will be preserved. The judge did not rule on the legality of the project, which had previously been vetoed by the National Commission of Patrimony and Architecture, leaving the door open for further legal challenges.

If fashion is art, why doesn’t CNZ fund it?

Creative New Zealand (CNZ) explicitly states on its website that it does not fund fashion design, classifying it as primarily part of the commercial creative industries. The article highlights the contradiction that while major institutions like The Dowse Art Museum, Auckland Art Gallery, and World of WearableArt treat fashion as art, CNZ denies funding to fashion designers, with rare exceptions for non-commercial, cross-cultural, or collaborative projects. Fashion designer Doris de Pont, founder of The New Zealand Fashion Museum, notes that even when her trust received CNZ support, it was for the art connection, not the fashion itself.

Federal Bill Creating Smithsonian Women’s Museum Scuttled Over Demand That It Honor Only “Biological” Females

Legislation to advance the construction of the Smithsonian American Women’s History Museum in Washington, DC, failed in the House on May 21 after Democrats rejected amendments added by Republicans. The bill, introduced by Republican Representative Nicole Malliotakis, was defeated 216-204, with six Republicans joining Democrats in opposition. Key changes included language specifying the museum would honor only “biological women” and explicitly barring the depiction of any “biological male as a female,” which critics said would exclude transgender women. Other provisions would have given President Donald Trump unilateral authority to choose an alternative site for the museum, originally planned for the National Mall, and granted approval power over design and construction to commissions controlled by Trump appointees.

Parliamentary Report Outlines Major Issues In French Museums After The Louvre Heist

A French parliamentary commission released a report on May 13 detailing severe security deficiencies in French museums, following a December 2025 heist at the Louvre where French Crown Jewels worth $100 million were stolen. The report, overseen by MPs Alexis Corbière and Alexandre Portier, draws on over 20 hearings and highlights that only 25% of surveyed museums have a finalized security plan, with the Louvre itself criticized for dilapidated conditions and ignored audit warnings from 2017 and 2019 that predicted the thieves' modus operandi. Former Louvre director Laurence des Cars, who resigned in February, faced criticism for delays in implementing a security master plan.

The AfD Rehearses the Seizure of Power

Die AfD probt die Machtergreifung

The article reports that in the German state of Saxony-Anhalt, the far-right party AfD could achieve an absolute majority in the upcoming September election—a first in postwar German history. The state government has preemptively introduced a cultural funding law to protect the arts. The AfD's platform includes a "new patriotic cultural policy" under the slogan "#deutschdenken," which explicitly targets the Bauhaus and modernist art as symbols of an "identity disorder" they promise to "heal."

Victorien Bornéat : « De l’échec de la démocratisation culturelle est né un sentiment d’exclusion »

Victorien Bornéat has published a manifesto arguing that French cultural democratization policy, rooted in André Malraux's vision of making masterworks accessible to all, has failed. He cites budget cuts by regional presidents Laurent Wauquiez and Christelle Morançais, police raids on bookshops like Violette and Co, and statistical studies showing that working-class audiences still do not spontaneously attend theaters, museums, or opera. Bornéat contends that the policy's emphasis on direct confrontation with canonical works ignored the need for cultural codes and institutional literacy, creating an exclusion that politicians now exploit for electoral gain.

America’s Museums Have a Building Problem

A new report from the Government Accountability Office, analyzed by The Art Newspaper, reveals that roughly 85 percent of American museums are dealing with deferred maintenance or major repair needs, and about 77 percent have at least one structural issue that could endanger their collections. Many of the country's 16,700 museums are small, under-resourced operations housed in aging or historic buildings, with half reporting over $100,000 in deferred maintenance. Basic repairs like roofs or HVAC systems can consume large portions of annual budgets, forcing some institutions to store artworks in makeshift spaces like garages or bathrooms.

Comment | Museums are civic institutions. It’s time we acted like it

Lindsay C. Harris, director of the Oakland Museum of California (OMCA), publishes a commentary calling for museums to act as true civic institutions. She outlines concrete internal commitments OMCA has made, including voluntarily recognizing a staff union, adopting a pay equity philosophy with a minimum wage of $30.88 per hour, implementing transparent financial practices, and shifting investments toward socially responsible funds. Externally, she advocates for centering community voices, building social cohesion through inclusive programming, and measuring institutional impact through visitor surveys.

PRESS RELEASE: OK Arts Council announces historic gift of artworks for the Oklahoma State Art Collection

The Oklahoma Arts Council has announced a historic gift of artworks for the Oklahoma State Art Collection. The donation, described as one of the largest in the collection's history, includes a significant number of works by Oklahoma artists and will be formally added to the state's holdings.

Sachsen-Anhalt schützt Kunst und Kultur per neuem Gesetz

Sachsen-Anhalt has enshrined support for art and culture as a state objective in a new law, passed by the state parliament in Magdeburg with the exception of the AfD faction, which abstained. Culture Minister Rainer Robra (CDU) framed the law as fulfilling a promise from 1989, defining what constitutes art and culture in the state, including their roles in education and as an economic factor, and aiming to make cultural structures resilient against future attacks on artistic freedom.

La loi sur les restitutions des biens culturels pillés pendant la colonisation définitivement adoptée

The French Parliament has definitively adopted a permanent law on the restitution of cultural property looted during colonization, replacing the previous case-by-case legislative approach. The Senate unanimously approved the final text on May 7, 2026, following agreement in a joint committee on April 30, and the National Assembly had approved it the day before. The law creates a general derogation from the principle of inalienability of public collections, establishing a bilateral scientific committee to examine provenance, with final decisions made by decree of the Council of State. Key amendments from the National Assembly—including binding parliamentary votes on restitution and conditions on conservation and public access—were removed by the joint committee to avoid perceptions of neocolonial tutelage.

Why Italy's cultural wealth never really enters public accounts and budgets?

Perché la ricchezza culturale italiana non entra mai davvero nei conti e nei bilanci pubblici?

Italy has exceeded the European Commission's structural adjustment path by 0.1 percentage points of GDP, reopening fiscal scrutiny. Amid this debate, the article highlights a deeper issue: Italy's immense cultural heritage is drastically undervalued in public accounts. For example, the Pompeii Archaeological Park is recorded at just €48.9 million, the Colosseum at under €15 million, and the Uffizi at about €2 billion—figures based on outdated 2002 ministerial criteria that bear no relation to actual economic or cultural worth. The State General Accounting Office, with the University of Roma Tre and EU technical assistance, has proposed a new methodology to value cultural assets by discounting their future net financial flows, including direct revenues and indirect tourism-related returns.

Is Museum Wall Text the Next Political Battleground?

The Smithsonian Institution has altered or removed interpretive wall text that accompanies artworks on display, according to a New York Times report. Critics argue these changes amount to self-censorship, suggesting the institution is bowing to political pressure by softening or eliminating contextual language that could be seen as controversial.

Art can officially be a form of therapy. Interview with Undersecretary of Culture Lucia Borgonzoni, godmother of the project

L’arte può essere ufficialmente una forma di cura. Intervista al Sottosegretario alla Cultura Lucia Borgonzoni madrina del progetto

The Italian Ministry of Culture and Ministry of Health have signed a formal protocol recognizing art as a form of therapy and care. The agreement, championed by Undersecretary of State for Culture Lucia Borgonzoni, mandates that museums, libraries, archives, and cultural institutions play a central role in developing therapeutic pathways using art to improve individual and community well-being. Borgonzoni, who has advocated for this initiative for nearly a decade, traces its origin to a 2018 study at the Sanctuary of Vicoforte that measured cortisol levels in visitors before and after viewing frescoes, showing significant stress reduction.

Two Visitors’ Lions have been established for the Biennale Arte 2026

La Biennale di Venezia has announced the establishment of two Visitors' Lions for the 61st International Art Exhibition, following the resignation of the International Jury appointed by curator Koyo Kouoh. The awards ceremony, originally scheduled for May 9, has been moved to November 22, the final public day, echoing a similar shift during the 2021 Architecture Exhibition due to COVID-19. The Visitors' Lions will be voted on by ticket holders who visit both exhibition venues between May 9 and November 22, with one award for the Best Participant in the exhibition "In Minor Keys" by Koyo Kouoh and another for the Best National Participation.

Une souscription pour restaurer le réfectoire des Invalides

La Tribune de l'Art reports that a fundraising campaign has been launched to restore the refectory of the Hôtel des Invalides in Paris, specifically the salle de l'Europe. This room features 17th-century murals attributed to Michel Corneille le Jeune, depicting battles from the Franco-Dutch War (1673–1675), including the sieges of Maastricht, Huy, and Limbourg, as well as allegorical scenes of Louis XIV. The restoration is organized by the Musée de l'Armée, which manages the site.

NRW will Verbot für Handel mit Holocaust-Dokumenten

The German state of North Rhine-Westphalia (NRW) is introducing a legislative bill to ban the commercial trade of personal Holocaust documents and artifacts, such as letters from concentration camps, Gestapo cards, and yellow stars. The initiative follows international outrage over a planned auction in Neuss in November 2025, which was halted at the last moment; around 460 objects from that auction were transferred to the Auschwitz-Birkenau Foundation. The bill, to be presented at the Bundesrat session on May 8, aims to prohibit the sale of items directly linked to Nazi victims, while exempting museums, archives, and research institutions.

Call for Applications: Reiwa 8 (2026) Overseas Training Program for Emerging Artists – Japanese Culture Promotion and Dissemination Project

公募｜令和8年度新進芸術家海外研修制度における「日本文化発信・普及事業」

Japan's Agency for Cultural Affairs (Bunka-cho) is now accepting applications for the "Japanese Culture Promotion and Dissemination Project" under the 2026 (Reiwa 8) Overseas Training Program for Emerging Artists. This separate track supports established cultural figures, artists, and researchers—not just emerging artists—to conduct activities that promote and disseminate Japanese culture abroad. The program covers travel, accommodation, and activity costs up to 1.5 million yen, with派遣 periods ranging from 20 to 80 days between October 1, 2026 and March 31, 2027. Applications must be received by June 5, 2025, and results will be announced by early September.

Sign Language to Bring Art Exhibitions Closer... Ministry Invites Applications for Sign Language Video Production Institutions

South Korea's Ministry of Culture, Sports and Tourism is accepting applications from ten institutions—including museums and art galleries—for its "2026 Exhibition Information Sign Language Video Production Support Project." Applications run from May 21 to June 12, with priority given to institutions offering permanent or long-term exhibitions. The ministry will evaluate regional balance, facility accessibility, video utilization potential, and exhibition suitability, and will survey the deaf community's viewing needs. The final list of selected institutions will be announced on June 22.