Paris Judge Rejects Bid to Suspend the Replacement of Notre-Dame’s Windows

A Paris judge has rejected a bid to suspend the removal of six 19th-century stained-glass windows by Eugène Viollet-le-Duc from Notre-Dame Cathedral, clearing the way for their replacement with contemporary works commissioned by the French government. The Paris Administrative Court ruled that the project does not constitute an irreversible alteration because the new windows, designed by artist Claire Tabouret and produced by glassmakers Simon-Marq, could be removed in the future, and the original windows will be preserved. The judge did not rule on the legality of the project, which had previously been vetoed by the National Commission of Patrimony and Architecture, leaving the door open for further legal challenges.

What will the future Louvre museum look like? The architects of the century's construction site have been chosen

À quoi ressemblera le futur musée du Louvre ? Les architectes du chantier du siècle désignés

On May 18, the French Ministry of Culture announced the winner of the international competition for the 'Louvre Nouvelle Renaissance' plan, championed by President Emmanuel Macron in January 2025. The winning consortium, led by Studios Architecture Paris and Selldorf Architects with landscape firm Base, will design a major renovation of the Louvre. The project includes a new entrance on the east side near Saint-Germain-l’Auxerrois to relieve congestion at the pyramid, a belvedere overlooking vegetated moats, and a new 3,000-square-meter gallery dedicated to the Mona Lisa. Construction is not expected to begin before 2028.

A new wing to solve the problems of the Galleria Borghese in Rome. Beautiful challenge, tedious controversy

Una nuova ala per risolvere i problemi della Galleria Borghese a Roma. Bella sfida, stucchevoli polemiche

The Galleria Borghese in Rome, one of Italy's most extraordinary museums, faces significant accessibility and capacity issues due to its historic 17th-century structure. The museum is difficult for visitors with disabilities, overcrowded, and forces visitors to book far in advance—often waiting over a month for a time slot—while many masterpieces remain in storage. In 2025, the engineering firm Proger offered to sponsor a feasibility study for a new wing, contributing nearly 900,000 euros to fund an international architecture competition and a technical-economic feasibility plan. The study, currently underway, aims to explore whether a new annex can be built within the protected Villa Borghese park to create new entrances, exhibition spaces, and services.

Sainsbury Centre Receives £91.2 Million Donation for Refurbishments

The Sainsbury Centre in Norwich, England, has received a £91.2 million donation from politician and philanthropist Lord David Sainsbury, one of the largest gifts ever made to a UK museum. The funds will support a major refurbishment of the Grade II* listed building, originally designed by Norman Foster, including the conversion of the south cafe terrace into a sustainable space and the installation of photovoltaic panels. The museum was founded in 1973 through a donation from Lord Sainsbury’s parents, Sir Robert and Lady Lisa Sainsbury, who also commissioned Foster to design the gallery.

Sylvie Retailleau : « Pendant cinq ans, tout a été remis en jeu »

Sylvie Retailleau, former French Minister of Higher Education and current president of Universcience since January 2026, details the tense negotiations between the Grand Palais and the Palais de la découverte. She reveals that the Palais de la découverte nearly disappeared during the Grand Palais renovation, but will reopen in March 2027. Universcience ceded a 1,200 m² gallery to the Grand Palais as a financial contribution (worth about €30 million over ten years) and is lending another 350 m² gallery until June 2030 for Centre Pompidou exhibitions during its renovation. In exchange, Universcience gains full control over the programming of the Palais des enfants.

Giuli Buys Everything! The Ministry of Culture Also Wants to Take Over Rome's Teatro delle Vittorie and Venice's Palazzo Labia?

Giuli compra tutto! Il Ministero della Cultura vuole prendersi anche Il Teatro delle Vittorie di Roma e Palazzo Labia a Venezia?

Italian Minister of Culture Alessandro Giuli is pursuing an aggressive acquisition campaign for cultural properties. After high-profile purchases including Antonello da Messina's *Ecce Homo* and Caravaggio's *Portrait of Monsignor Maffeo Barberini* (€30 million), the Ministry has now expressed interest in acquiring Rome's Teatro delle Vittorie and Venice's Palazzo Labia—both part of a real estate portfolio being sold by state broadcaster Rai. The Ministry also recently bought Verona's historic Cinema Astra (with a €7.5 million restoration plan) and Naples' Teatro Sannazzaro after a fire.

Sylvie Retailleau explains how she saved the Palais de la Découverte

Sylvie Retailleau explique comment elle a sauvé le Palais de la Découverte

Sylvie Retailleau, a physicist, former president of Paris-Saclay University, and former Minister of Higher Education, has been president of Universcience since January 2026. In an interview, she explains how the Palais de la Découverte, housed within the Grand Palais, nearly disappeared during the Grand Palais renovation. Intense debates over whether to dedicate the renovated space entirely to classical culture threatened the science museum. Retailleau negotiated a compromise: the Palais de la Découverte ceded one gallery (1,200 m²) to the Grand Palais for about €30 million in revenue over ten years and is lending another gallery (350 m²) until June 2030 for Centre Pompidou exhibitions. In return, Universcience gains full control of the programming for the Palais des Enfants. The Palais de la Découverte is set to reopen in March 2027.

Sainsbury Centre receives one of largest ever UK museum donations

The Sainsbury Centre, an art museum in Norwich, England, has received a £91.2 million donation from British politician and businessman David Sainsbury through his charitable foundation, Gatsby. The funds will be used to renovate the grade II* listed building, originally designed by Norman Foster and completed in 1978. The renovation, led by Foster + Partners, includes improvements to the building envelope, photovoltaic panels, and upgraded visitor facilities, aiming to halve the museum's energy use and support the University of East Anglia's net zero campus goal by 2045.

Hamburg Culture Prize Renamed After Namesake’s Nazi Ties Emerge

Hamburg's Senator Biermann Ratjen Medal, a culture prize awarded for nearly five decades, is being renamed the Medal for Art and Culture in Hamburg after historian Helmut Stubbe da Luz uncovered evidence that the prize's namesake, Hans Harder Biermann-Ratjen, confirmed his Nazi Party membership in a 1943 application. Biermann-Ratjen, who later served as Hamburg's senator for culture, had been deemed not to have been a member during post-war de-Nazification, but the new research prompted the city to rebrand the award.

The appalling mediocrity of the chosen project for the 'Grande Colonnade' of the Louvre

L'effarante médiocrité du projet retenu pour la « Grande Colonnade » du Louvre

The French Ministry of Culture has announced the winning team for the 'Grande Colonnade' project at the Louvre, selecting STUDIOS Architecture Paris and Selldorf Architects. The ministry's press release, described as self-congratulatory and written in trendy bureaucratic language, celebrates the choice as a major advancement. However, the article criticizes the lack of transparency, noting that only three exterior visuals have been released, and argues that the project is unfunded and threatens necessary renovations at the museum, as previously highlighted by the Cour des Comptes and parliamentary representatives.

In Rome, the extension of the Galleria Borghese provokes a revolt

À Rome, l’extension de la Galerie Borghèse provoque une fronde

The Galleria Borghese in Rome has sparked controversy by initiating a feasibility study for a new building attached to its 17th-century villa. Museum director Francesca Cappelletti, in office since 2020, cites the need to increase visitor capacity, improve security, and create spaces for mediation, conferences, and temporary exhibitions. The museum, which saw nearly 630,000 visitors in 2025, operates with strict two-hour time slots capped at 180 people, often sold out in high season. Engineering firm Proger has offered to fund the study for €875,750 in exchange for institutional visibility, and Rome's mayor Roberto Gualtieri has declared the project of public interest.

Five Scottish museum collections awarded national significance status

Five museum collections in Scotland have been awarded national significance status on International Museum Day, bringing the total number of recognized collections in Scotland to 56. The newly designated collections are the Linoleum Collection (managed by OnFife), the Photographic Collection (University of St Andrews), the Duncan of Jordanstone College of Art & Design Collection (University of Dundee Museums), the Oakbank Collection (Scottish Crannog Centre), and the Art Collection (University of Stirling). The Recognition Scheme, managed by Museums Galleries Scotland, highlights collections beyond those held in national museums and galleries, spanning from Shetland to Dumfries and Galloway.

La loi sur les restitutions des biens culturels pillés pendant la colonisation définitivement adoptée

The French Parliament has definitively adopted a permanent law on the restitution of cultural property looted during colonization, replacing the previous case-by-case legislative approach. The Senate unanimously approved the final text on May 7, 2026, following agreement in a joint committee on April 30, and the National Assembly had approved it the day before. The law creates a general derogation from the principle of inalienability of public collections, establishing a bilateral scientific committee to examine provenance, with final decisions made by decree of the Council of State. Key amendments from the National Assembly—including binding parliamentary votes on restitution and conditions on conservation and public access—were removed by the joint committee to avoid perceptions of neocolonial tutelage.

Why Italy's cultural wealth never really enters public accounts and budgets?

Perché la ricchezza culturale italiana non entra mai davvero nei conti e nei bilanci pubblici?

Italy has exceeded the European Commission's structural adjustment path by 0.1 percentage points of GDP, reopening fiscal scrutiny. Amid this debate, the article highlights a deeper issue: Italy's immense cultural heritage is drastically undervalued in public accounts. For example, the Pompeii Archaeological Park is recorded at just €48.9 million, the Colosseum at under €15 million, and the Uffizi at about €2 billion—figures based on outdated 2002 ministerial criteria that bear no relation to actual economic or cultural worth. The State General Accounting Office, with the University of Roma Tre and EU technical assistance, has proposed a new methodology to value cultural assets by discounting their future net financial flows, including direct revenues and indirect tourism-related returns.

Cultural alliance between Rome and New York. The two cities sign the first agreement between major historic centers

Alleanza culturale tra Roma e New York. Le due città siglano il primo accordo tra grandi centri storici

Rome and New York have signed the first cultural cooperation agreement between their historic centers, Municipio I Roma Centro and Manhattan. The protocol was formalized during the Forum Cultura Roma Centro at the Temple of Vibia Sabina and Hadrian, aiming to establish an international network based on collaboration between cultural institutions and governance models. It includes exchanges, youth programs, artistic initiatives, and public art projects involving museums, archives, libraries, universities, and educational entities.

EU sanctions Mikhail Piotrovsky, director of the Hermitage

L’UE sanctionne Mikhaïl Piotrovski, directeur de l’Ermitage

The European Union has added Mikhail Piotrovsky, the 81-year-old director of the State Hermitage Museum in St. Petersburg, to its sanctions list as part of the 20th package of measures against Russia. Brussels accuses him of publicly supporting the war in Ukraine and of conducting archaeological excavations by the museum in occupied Crimea. His assets in the EU are frozen and he is banned from entering European territory.