What will the future Louvre museum look like? The architects of the century's construction site have been chosen

À quoi ressemblera le futur musée du Louvre ? Les architectes du chantier du siècle désignés

On May 18, the French Ministry of Culture announced the winner of the international competition for the 'Louvre Nouvelle Renaissance' plan, championed by President Emmanuel Macron in January 2025. The winning consortium, led by Studios Architecture Paris and Selldorf Architects with landscape firm Base, will design a major renovation of the Louvre. The project includes a new entrance on the east side near Saint-Germain-l’Auxerrois to relieve congestion at the pyramid, a belvedere overlooking vegetated moats, and a new 3,000-square-meter gallery dedicated to the Mona Lisa. Construction is not expected to begin before 2028.

A New Landmark Survey Aims to Bring Transparency to Museum Collecting Practices

The Penn Cultural Heritage Center (PennCHC) at the University of Pennsylvania's Penn Museum will launch the National Survey of Museum Collecting Practices on May 20, running through August 20. This first-of-its-kind survey, part of the Museums: Missions and Acquisitions Project (M2A Project), will collect data on acquisitions, deaccessions, loans, provenance research, and policies from U.S. nonprofit museums and libraries. Results will be published in 2027, with only generalized insights to maintain anonymity.

How the State Supports Provenance Research

Comment l’État soutient la recherche de provenance

The French Ministry of Culture has created two specialized missions to assist museums in researching the provenance of their collections, addressing looted artworks, human remains, colonial acquisitions, and illicit trafficking. The Mission for Research and Restitution of Looted Cultural Property (M2RS), established in 2019, focuses on Nazi-era spoliations (1933-1945) with a budget of €220,000 annually, while the newer Mission "Provenance," launched in 2024 under curator Catherine Chevillot, covers human remains, colonial-era objects, and illicit goods with a €450,000 budget. These missions provide expertise, funding, and coordination with institutions like the Commission for the Restitution of Property and Compensation of Victims of Anti-Semitic Spoliation (CIVS), though most museums still only initiate provenance checks during acquisitions or donations.

Victorien Bornéat : « De l’échec de la démocratisation culturelle est né un sentiment d’exclusion »

Victorien Bornéat has published a manifesto arguing that French cultural democratization policy, rooted in André Malraux's vision of making masterworks accessible to all, has failed. He cites budget cuts by regional presidents Laurent Wauquiez and Christelle Morançais, police raids on bookshops like Violette and Co, and statistical studies showing that working-class audiences still do not spontaneously attend theaters, museums, or opera. Bornéat contends that the policy's emphasis on direct confrontation with canonical works ignored the need for cultural codes and institutional literacy, creating an exclusion that politicians now exploit for electoral gain.

Parliamentary report calls for major changes at French museums in the wake of Louvre heist

A French parliamentary report published on 13 May, following the October 19 heist of the crown jewels at the Louvre, issues a damning assessment of the country's museum security and management. The commission heard around 100 testimonies and examined some 2,000 museums, dedicating a special chapter to the Louvre. It blames former director Laurence des Cars's leadership for a "dysfunctional drift" that prioritized contemporary art interventions and fashion shows over basic infrastructure and collection protection, allowing the heist to occur. The report lists rising threats including riots, burglaries, cyberattacks (which forced the National Museum of Natural History in Paris to cancel an exhibition after a ransomware attack in July 2025), and terrorist plots. It proposes 40 recommendations, including raising budgets by an estimated €20–25 billion over a decade, enhancing staff training, and overhauling museum leadership.

L'excellent rapport de la commission d'enquête sur la sûreté des musées est paru

A French parliamentary commission of inquiry into museum security, initiated by Alexandre Portier (president) and reported by Alexis Corbière, has published its findings. The report, unanimously adopted across party lines, includes forty recommendations and is notably critical of the Louvre's management under director Laurence des Cars, accusing her of neglecting security priorities and causing significant delays in the museum's master plan. The commission validated earlier criticisms by La Tribune de l'Art, describing the Louvre as an "État dans l'État" (state within a state) and estimating that twenty to twenty-seven months were lost due to postponed decisions.

Au Royaume-Uni les contraintes budgétaires des musées pèsent sur les effectifs

A survey of 329 museum directors in the UK, published in the Art Fund's Museum Directors Research 2026 report, reveals that staff shortages have overtaken building maintenance as the top concern for cultural institutions. Conducted by Wafer Hadley between January and March 2026, the study shows that 85% of directors cite team size and capacity as the main barrier to programming, ahead of budget constraints (67%) and lack of specialized expertise (23%). The National Gallery in London launched a voluntary redundancy plan in February 2026 to address a projected deficit of £8.2 million, while the Museum of Cambridge cut a third of its staff and reduced opening hours. Local authority grants have decreased or ceased for 45% of institutions between 2024-2025 and 2025-2026, and over a third of museums have reduced or plan to reduce opening hours and annual exhibitions.

Two Visitors’ Lions have been established for the Biennale Arte 2026

La Biennale di Venezia has announced the establishment of two Visitors' Lions for the 61st International Art Exhibition, following the resignation of the International Jury appointed by curator Koyo Kouoh. The awards ceremony, originally scheduled for May 9, has been moved to November 22, the final public day, echoing a similar shift during the 2021 Architecture Exhibition due to COVID-19. The Visitors' Lions will be voted on by ticket holders who visit both exhibition venues between May 9 and November 22, with one award for the Best Participant in the exhibition "In Minor Keys" by Koyo Kouoh and another for the Best National Participation.

The Guest of La Tribune de l'Art No. 29: Alexis Corbière and Alexandre Portier

L'invité de La Tribune de l'Art n° 29 : Alexis Corbière et Alexandre Portier

This podcast episode of L'invité de La Tribune de l'Art features two guests: Alexis Corbière, the rapporteur, and Alexandre Portier, the president of the Commission d'enquête sur la protection du patrimoine national et la sécurisation des musées. Recorded at the Assemblée nationale, the discussion delves into the commission's findings on protecting national heritage and securing museums, following up on a previous article published by La Tribune de l'Art.

Berliner Kulturverwaltung arbeitet an Reformen

Berlin's cultural administration is pressing ahead with reforms to make funding for projects against antisemitism legally secure, following the resignation of Culture Senator Sarah Wedl-Wilson. Cultural State Secretary Cerstin Richter-Kotowski told the culture committee that a working group established under Wedl-Wilson is now implementing recommendations from the state audit office report, which had found serious legal violations and omissions in the allocation of funds for antisemitism prevention projects. Richter-Kotowski emphasized that the administration continues its normal operations despite the leadership change, and she publicly thanked both Wedl-Wilson and the recently dismissed State Secretary Oliver Friederici for their service.

Pablo Diaz, directeur de Sciences Po Rennes : « L’acte II de l’INSEAC de Guingamp »

Pablo Diaz, director of Sciences Po Rennes, announces that the Institut national supérieur de l'éducation artistique et culturelle (INSEAC) in Guingamp has been transferred from the Conservatoire national des arts et métiers (Cnam) to Sciences Po Rennes as of January 1, 2026. The institute, which opened in 2021 and focuses on training, research, and resources for arts and cultural education, will now operate under public-sector governance with oversight from the French ministries of Culture, Education, and Higher Education. Diaz outlines plans to appoint a dedicated site director in Guingamp and establish a strategic orientation committee chaired by interministerial delegate Emmanuel Ethis, aiming to resolve past management and governance issues.

Reasoning beyond accounting: here is the first step for a valuation of cultural heritage

Ragionare oltre la contabilità: ecco il primo step per una valutazione del patrimonio culturale

Angelo Argento recently published an article examining the valuation of cultural heritage in light of ongoing public accounting reforms in Italy. The piece moves beyond iconic landmarks like the Colosseum or Uffizi to focus on smaller, territorial assets such as archives, civic museums, and lesser-known archaeological sites, questioning how and whether a specific economic value can be assigned to them. It explores different international approaches—from market-based valuations in Australia and France to symbolic €1 entries in the U.S.—highlighting the global trend toward quantifying cultural heritage.

Cultural Observatories: Dinosaurs or Subjects Capable of Interpreting the Present?

Osservatori culturali. Dinosauri o soggetti in grado di interpretare il presente?

The Cultural Observatory of Canton Ticino has published a study on cultural observatories worldwide, including a map and list of surveyed organizations. The analysis reveals that cultural observatories are not a global phenomenon but are concentrated mainly in Europe and South America, with occasional presence in North America (especially Canada and Hispanic-oriented organizations in the US). Africa, Asia, and Oceania are almost entirely absent from the map. The study also highlights a high rate of inactive observatories: among the top 10 countries by active observatories, only Germany shows an effective activity ratio. Spain has 26 active observatories out of about 45 total, while Italy has 11 active out of over 20 inactive. The research defines observatories as non-profit organizations that combine cultural and statistical expertise to deepen and transfer knowledge about the cultural sector, and classifies as inactive those with no recent activity on web or social channels.

Call for Applications: Reiwa 8 (2026) Overseas Training Program for Emerging Artists – Japanese Culture Promotion and Dissemination Project

公募｜令和8年度新進芸術家海外研修制度における「日本文化発信・普及事業」

Japan's Agency for Cultural Affairs (Bunka-cho) is now accepting applications for the "Japanese Culture Promotion and Dissemination Project" under the 2026 (Reiwa 8) Overseas Training Program for Emerging Artists. This separate track supports established cultural figures, artists, and researchers—not just emerging artists—to conduct activities that promote and disseminate Japanese culture abroad. The program covers travel, accommodation, and activity costs up to 1.5 million yen, with派遣 periods ranging from 20 to 80 days between October 1, 2026 and March 31, 2027. Applications must be received by June 5, 2025, and results will be announced by early September.