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Au Louvre, des directeurs de département entre responsabilités internes et rôle national

Maximilien Durand has been reappointed as head of the Department of Byzantine and Eastern Christian Arts at the Louvre Museum, a role that carries both internal museum responsibilities and national duties on behalf of the French state. Two decrees signed by Culture Minister Catherine Pégard formalize his renewal: one as head of the museum department, and another as head of the corresponding major heritage department, a status held by only nine of the Louvre's departments.

Today’s war, tomorrow’s loot: attempts at stemming the illicit trade in art

The article examines the ongoing challenge of preventing the illicit trade in cultural property looted from conflict zones. It discusses the Hague Convention of 1954 and its protocol, which require signatory countries to prevent theft and pillage during armed conflict and to seize and repatriate unlawful exports. However, the protocol only applies to situations of 'occupation,' leaving a gap for looting that occurs in the chaos of war beyond formal occupation. The article also notes UN Security Council Resolutions that restrict unlawfully removed cultural property from Iraq and Syria, but no similar consensus exists for countries like Afghanistan, Libya, Ukraine, Lebanon, Yemen, Sudan, and Iran. EU Regulation 2019/880 is highlighted as a measure that prohibits introducing goods removed unlawfully from their place of origin into the EU, though its scope has expanded beyond its original anti-terrorist financing purpose.

ACLU and anti-censorship group target UNT over art exhibit removal with mobile billboard

The ACLU of Texas and the National Coalition Against Censorship have deployed a mobile billboard to the University of North Texas (UNT) campus to protest the administration's removal of an art exhibition by Victor Quiñonez, known as Marka27. The show, titled “Ni de Aquí, Ni de Allá,” was abruptly taken down in February after being open for only a week, with administrators later citing concerns that the artist's critiques of U.S. Immigration and Customs Enforcement (ICE) could cause campus disruptions.