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Are We Too Reverent of Marcel Duchamp?

The Museum of Modern Art has launched a major retrospective of Marcel Duchamp, co-organized with the Philadelphia Museum of Art. The exhibition tracks the artist's evolution from his early Cubist experiments and the scandal of 'Nude Descending a Staircase' to his radical invention of the readymade, exemplified by the infamous urinal, 'Fountain'. The show presents a comprehensive look at 'The Duch' through a reverential, church-like atmosphere, concluding with his later years as a dapper, enigmatic figure of the avant-garde.

15th Shanghai Biennale Review: Code Switching

The 15th Shanghai Biennale, titled 'Code Switching,' has opened at the Power Station of Art (PSA). The exhibition, centered on the theme of what hears and what can be heard, features immersive installations like Allora & Calzadilla's floating yellow synthetic flowers in the atrium, which create a striking yet artificial environment that visitors eagerly photograph. The experience is framed by promotional gestures, such as free manuka honey samples, blurring lines between art, commerce, and audience participation.

MoMA Survey Shows How Marcel Duchamp Changed the Art Game

The Museum of Modern Art (MoMA) has launched a comprehensive survey of Marcel Duchamp’s work, highlighting the artist's revolutionary impact on the definition of art. The exhibition traces Duchamp's transition from traditional painting to his radical 'readymades,' which prioritized intellectual concepts over aesthetic craftsmanship.

An Analog Tether

A new wave of gallery exhibitions is championing analog physicality and personal intimacy as a direct counter-response to the rise of AI-generated imagery. Artists like Ben Wolf Noam and Joseph Geagan are utilizing traditional mediums such as charcoal, lithography, and oil paint to capture spontaneous, sentimental moments of human connection, from family dinners to portraits of friends. These works emphasize the "hospitable mess" of real life, prioritizing the recognizable faces and tangible textures that AI often flattens.

Theresa Hak Kyung Cha Made Human Again

The Berkeley Art Museum and Pacific Film Archive (BAMPFA) is hosting "Theresa Hak Kyung Cha: Multiple Offerings," a comprehensive exhibition that draws from the artist’s complete archives. The show highlights Cha’s multidisciplinary practice, spanning film experiments, performance documentation, and her signature linguistic explorations. By pairing finished artworks with archival materials and personal ephemera, the exhibition reveals a playful, puckish side of the artist that is often obscured by the tragic circumstances of her death and the heavy themes of exile and dislocation in her work.

Ai Weiwei and the Art of Keeping Your Mouth Shut

Dissident artist Ai Weiwei explores the corrosive nature of state control and self-restraint in his new book, "On Censorship" (2026). Drawing from a lifetime of persecution—including his father’s exile to a labor camp, his own 81-day detention in 2011, and recent digital erasure by Chinese AI—Ai argues that censorship fundamentally strips individuals of their humanity. He highlights how the mechanism of silencing has evolved from overt state violence in the East to a more insidious culture of self-censorship in the West, exemplified by the cancellation of his own 2023 exhibition at Lisson Gallery following comments on the conflict in Gaza.

Review: “Boris Lurie: Nothing To Do But To Try” at the Holocaust Museum Houston

The Holocaust Museum Houston is currently hosting "Boris Lurie: Nothing To Do But To Try," an exhibition focusing on the early works of the Holocaust survivor and NO!art movement founder. Organized by the Museum of Jewish Heritage, the show highlights Lurie’s "War Series," featuring paintings, drawings, and never-before-seen ephemera created as a means of processing the trauma of his imprisonment in camps like Buchenwald. The works, ranging from the immediate post-war period to decades later, serve as a visceral record of memory and loss, including tributes to his family members murdered in the Rumbula Forest massacre.

Jamie Robertson’s soft heat at Houston Center for Photography, Houston

Jamie Robertson’s solo exhibition, "soft heat," at the Houston Center for Photography presents a series of infrared photographs documenting Southern wetlands, including Caddo Lake and the Great Dismal Swamp. Using archival pigment prints and a zine titled "Alligatorwatergreen," Robertson utilizes thermosensational imagery to transform dense marshlands into ethereal, snow-like landscapes. The work incorporates archival figures, such as a liberated formerly enslaved man named Osman, to highlight the historical role of swamps as sites of maroonage and Black resistance.

All and Nothing review – inspiring tale of the Chinese artist who cultivated a grassroots scene in Cumbria

A new documentary film, 'All and Nothing,' profiles the life and legacy of Chinese artist Li Yuan-chia, who founded the influential LYC Museum and Art Gallery in rural Cumbria, England, in 1972. The film, directed by Liao I-ling and Chu Po-ying, uses his abstract art and archival materials to trace his journey from China and Taiwan to Italy and London, before he settled in Brampton.

carol bove guggenheim museum retrospective review 1234775914

The Solomon R. Guggenheim Museum has launched a major retrospective of Carol Bove, filling the iconic Frank Lloyd Wright rotunda with approximately 100 works spanning her career. The exhibition showcases Bove’s evolution from her early assemblages of driftwood, peacock feathers, and vintage books to her more recent large-scale, brightly colored steel sculptures. A defining feature of the show is Bove’s inclusion of "para-artworks"—pieces by other artists such as Lionel Ziprin, Agnes Martin, and Arnaldo Pomodoro—integrated into her own installations to highlight the influences and histories that inform her practice.

cindy sherman office killer blu ray review 1234777215

Vinegar Syndrome has released a new 4K UHD and Blu-ray restoration of 'Office Killer', the only feature film directed by renowned photographer Cindy Sherman. Originally released in 1997 to critical derision and box-office failure, the film follows a meek magazine editor who begins murdering her colleagues during a period of corporate downsizing. The restoration highlights Sherman's transition from her iconic 'Untitled Film Stills' to the more visceral, abject imagery of her 'Disasters' and 'Sex Pictures' series.