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rate_review review schedule May 20, 2025 visibility 21 link 31 artists, 11 galleries

independent picks

The article reviews the Independent art fair, highlighting its curated approach that results in a visually cohesive and easeful experience compared to other fairs. It notes the prevalence of neo-bucolic landscapes and animal paintings by artists like Sameen Agha, Tim Braden, and Lisa Sanditz, as well as delicate abstractions and small ceramic works. Standout pieces include Pope.L's provocative paint-scribbled underwear at Mitchell-Innes and Nash, Rosa Barba's kinetic painting at Vistamare, Ibrahim El-Salahi's silkscreen painting at Vigo Gallery, and works by emerging artists such as Constanza Camila Kramer Garfias and Ada Friedman at Kendra Jayne Patrick Gallery.

newspaper Artnet News open_in_new Read original
rate_review review schedule Mar 26, 2026 visibility 15 link 3 artists

A Mirrored Monet review – painter reflects on his past in a musical with heart and humour

A new musical titled 'A Mirrored Monet' explores the life of Impressionist painter Claude Monet, focusing on his later years as he reflects on his youth, his artistic struggles, and the personal sacrifices he made, particularly regarding his first wife Camille. The production uses innovative set design to immerse the audience in the Impressionist style and features a strong cast portraying Monet and his contemporaries.

newspaper The Guardian open_in_new Read original
rate_review review schedule Apr 30, 2025 visibility 18 link 5 artists

Turner vs Constable: is it time for art historians to choose?

Art historian and author James Hall, writing in The Art Newspaper, reviews Nicola Moorby's new book "Turner and Constable: Art, Life, Landscape" and uses it as a springboard to argue that art historians should not shy away from making value judgments about artists. He compares the legacies of J.M.W. Turner and John Constable, noting that Turner currently dominates popular and institutional esteem—appearing on banknotes, celebrated by Tate Britain as the greatest British artist, and fitting modern conceptions of the artist as a rebellious, eccentric genius. Hall contrasts this with Constable's more conservative image and declining presence in commercial culture.

newspaper The Art Newspaper open_in_new Read original

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