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rate_review review schedule Apr 10, 2026 visibility 33 link 17 artists, 1 gallery

The Robots Were Never the Problem

The New Museum has reopened with 'New Humans: Memories of the Future,' a massive survey featuring over 150 contributors including Hito Steyerl, Precious Okoyomon, and H.R. Giger. Spanning 13 sections across the museum's new 5,500 square-meter extension, the exhibition traces the intersection of art, technology, and the human body from the early 20th century to the present. It juxtaposes interwar European works, such as Hannah Höch’s photomontages and Bauhaus ballets, with contemporary installations like Simon Denny’s sculpture of an Amazon worker's cage.

newspaper ArtReview open_in_new Read original

rate_review review schedule May 1, 2025 visibility 16 link 4 artists

jack whittens 9 11 01 moma

Jack Whitten's monumental mosaic-painting "9.11.01" (2006) is the focus of this article, which examines the work on view at the Museum of Modern Art. The painting, created in response to the September 11 attacks, uses abstract forms—a cracked black pyramid with dagger-like spines and bootprints—to evoke the trauma of that day. Whitten, who witnessed the first plane strike from his studio in Manhattan, embedded ash and wreckage fragments into the surface, blending abstraction with historical memory.

newspaper Artnet News open_in_new Read original

rate_review review schedule May 8, 2026 visibility 22 link 14 artists, 1 gallery

The National Gallery of Art’s Dear America Needs a Postscript

The National Gallery of Art in Washington, D.C. has opened "Dear America," an exhibition organized around the themes of "Land," "Community," and "Freedom" that attempts to survey the entire history of the United States through its collection. The show features works by artists including Mitch Epstein, Victoria Sambunaris, Sedrick E. Huckaby, and Nancy Andrews, with sections on the American landscape, industrialization, and diverse communities. However, the review notes that the exhibition feels overly literal, with American flags prominently featured and a sense of ticking off boxes rather than offering a challenging or intellectually rigorous presentation.

newspaper Washington City Paper open_in_new Read original

rate_review review schedule Apr 23, 2026 visibility 16 link 21 artists, 1 gallery

Art for Our Age of Chaos

The article reviews two major New York exhibitions opening in 2026: the Whitney Biennial at the Whitney Museum of American Art, featuring over fifty artists, and "New Humans: Memories of the Future" at the newly expanded New Museum, with over a hundred artists. Both shows are described as enormous and defiant, responding to a distracted public and financial pressures. The reviewer notes that both exhibitions juxtapose large-scale immersive works with tiny, intimate pieces, and finds the Whitney Biennial lacking urgency, while preferring the New Museum's historical narrative about technology and modernity.

newspaper The New York Review of Books open_in_new Read original

rate_review review schedule May 12, 2025 visibility 18 link 3 artists

Review | Johns Hopkins exhibit elevates the artists of its city

Kriston Capps reviews a Johns Hopkins exhibition that highlights Baltimore-based artists, focusing on Derrick Adams's 2019 series "Deconstruction Worker." The series features portraits with skewed geometric forms and rich fabrics, referencing Dada, cubism, and contemporary Black artists like Mickalene Thomas and Lorna Simpson. The review positions Adams as a leading figure in contemporary painting.

newspaper The Washington Post open_in_new Read original