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What We Miss When We Talk About Giacometti

This article explores a critical reevaluation of Alberto Giacometti’s career, specifically focusing on the decade between 1935 and 1945. While Giacometti is globally recognized for his spindly, post-war 'Existentialist' figures, art historian Joanna Fiduccia’s new book, *Figures of Crisis*, argues that his mid-career departure from Surrealism to study human likeness was not a mere transition but a profound response to the political crises and nationalism of interwar France.

Frida-Mania Hits MoMA

The Museum of Modern Art (MoMA) has opened the exhibition 'Frida and Diego: The Last Dream,' a collaboration with the Metropolitan Opera tied to its upcoming production of the opera 'El Último Sueño de Frida y Diego.' The show, designed by stage and costume designer Jon Bausor, transplants theatrical elements like a tree-of-life set model and blue tarp drapes into the gallery, alongside a reshuffling of key Kahlo and Rivera works from MoMA's collection.

MoMA Survey Shows How Marcel Duchamp Changed the Art Game

The Museum of Modern Art (MoMA) has launched a comprehensive survey of Marcel Duchamp’s work, highlighting the artist's revolutionary impact on the definition of art. The exhibition traces Duchamp's transition from traditional painting to his radical 'readymades,' which prioritized intellectual concepts over aesthetic craftsmanship.

David Novros’s Portable Murals

David Novros’s latest exhibition at Paula Cooper Gallery showcases his "portable murals," intricate multi-paneled paintings that challenge the traditional concept of art as a mere object on a wall. Utilizing oil and murano on canvas, Novros assembles monochromatic, L-shaped, and horizontal panels with precise intervals that incorporate the gallery wall into the composition. These works are designed to be experienced kinesthetically, responding to shifting natural light and the viewer's physical movement through the space.

Locating Luigi Ghirri

Fashion photographer Alessio Bolzoni and film director Luca Guadagnino have collaborated on 'Felicità', a new book and exhibition at Thomas Dane Gallery featuring 45 previously unseen color photographs by the late Italian master Luigi Ghirri. The project is divided into two portfolios: the first focuses on intimate, abstract details of found objects and surfaces in Modena, while the second expands into larger vistas and populated spaces across Italy during the 1980s.

Joe Moss, Drones and Caspar David Friedrich

Artist Joe Moss presents his installation 'Automated Fantasy Procedure' at Matt's Gallery in London. The work features a squadron of choreographed drones, two-channel videos with actors portraying figures like a Caspar David Friedrich-inspired wanderer, and a Roman-style mosaic, all experienced in scheduled ten-minute replays designed to mimic the overwhelming sensation of scrolling through a smartphone.

An Analog Tether

A new wave of gallery exhibitions is championing analog physicality and personal intimacy as a direct counter-response to the rise of AI-generated imagery. Artists like Ben Wolf Noam and Joseph Geagan are utilizing traditional mediums such as charcoal, lithography, and oil paint to capture spontaneous, sentimental moments of human connection, from family dinners to portraits of friends. These works emphasize the "hospitable mess" of real life, prioritizing the recognizable faces and tangible textures that AI often flattens.

MoMA PS1’s “Greater New York” Is Gritty, Stunning, and Gutting

MoMA PS1 has launched the sixth edition of "Greater New York," a quinquennial survey featuring over 50 artists living and working in the city. Coinciding with the museum’s 50th anniversary, the 2026 iteration focuses on artists in the formative stages of their careers, emphasizing a gritty, raw aesthetic over the polished, market-driven surfaces often found in major biennials. The exhibition highlights photography and installation work that reflects the city's complex immigrant narratives and evolving urban identity.

Vincent in Brixton review – a radiant portrait of the artist as a young romantic

A revival of Nicholas Wright's 2002 play "Vincent in Brixton" is receiving a tender production directed by Georgia Green at the Orange Tree Theatre. The play dramatizes a speculative romantic episode from the young Vincent van Gogh's life when he lived as a lodger in south London, focusing on his relationship with his widowed landlady, Ursula.

Colours of Time review – Monet meets Mamma Mia in charming French artist comedy

Director Cédric Klapisch’s new film, *Colours of Time* (originally *La Venue de L’Avenir*), is a sentimental French comedy that weaves a fictional romantic history around Impressionist master Claude Monet and pioneering photographer Félix Nadar. The plot follows a group of modern-day descendants who discover a trove of historical secrets in a derelict cottage, leading to a whimsical, time-bending exploration of their ancestors' lives in Belle Époque Paris.

‘Transcription’ by Ben Lerner Review: No Phones

Ben Lerner’s latest novel, Transcription, marks a departure from his previous sprawling autofiction like The Topeka School, opting instead for a spare, three-part structure set during the COVID-19 pandemic. The narrative unfolds through three pivotal conversations involving the protagonist, his aging mentor Thomas, a curator, and Thomas’s son Max. Central to the plot is the protagonist’s failure to record a final interview with Thomas due to a broken phone, forcing a reliance on fallible memory and reconstruction.

In “Discipline,” Larissa Pham Explores Predatory Art-World Mentorship

Larissa Pham’s debut novel, Discipline, follows Christina, a young writer and former painter grappling with the psychological aftermath of a formative affair with her art professor, Richard. Set against the backdrop of a book tour for her own autofictional novel, the narrative uses Christina’s observations of art—ranging from Helen Frankenthaler to Edward Hopper—to slowly peel back the layers of a relationship defined by power imbalances and predatory mentorship.

The Left Side of History: On Haile Gerima’s Black Lions—Roman Wolves

The article is a critical essay analyzing Haile Gerima's 2026 film 'Black Lions—Roman Wolves: The Children of Adwa,' focusing on its exploration of Italy's colonial occupation of Ethiopia and the repression of this history. The author uses a scene from Gerima's earlier film 'Teza'—featuring children playing near a decaying fascist monument in Ethiopia—as a starting point to discuss how colonial memory and trauma are cinematically excavated.

Thailand Biennale 2025 Review: Beyond the Tropical Paradise

The fourth Thailand Biennale, titled 'Eternal [Kalpa]', has launched across 19 venues in Phuket, aiming to challenge the island's reputation as a mere tropical leisure destination. Curated by a team including Hera Chan, the exhibition utilizes diverse locations—from municipal gymnasiums to mangrove forests—to explore themes of subjective time and local history. Despite logistical delays that saw some artists still installing works during the press preview, the biennial presents a series of site-specific commissions that engage with Phuket’s ecological and social complexities.

The Big Review

Tate Britain has launched a major survey dedicated to the visionary artist and poet William Blake, marking one of the most comprehensive exhibitions of his work in London. The show brings together his intricate watercolors, prints, and prophetic books, offering a deep dive into his unique mythological universe and radical political views.

The Big Review | The Woman Question 1550-2025 ★★★★½

The Museum of Modern Art in Warsaw has launched "The Woman Question 1550-2025," a massive survey featuring nearly 200 works by 140 women artists spanning five centuries. Curated by Alison M. Gingeras, the exhibition uses the medieval concept of "la querelle des femmes" to explore how women have asserted their status as "citizen artists" against patriarchal structures. The show juxtaposes historical masterpieces by figures like Artemisia Gentileschi and Sofonisba Anguissola with contemporary provocations by Miriam Cahn and Lubaina Himid, focusing heavily on figurative painting and sculpture.