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Review: “Boris Lurie: Nothing To Do But To Try” at the Holocaust Museum Houston

The Holocaust Museum Houston is currently hosting "Boris Lurie: Nothing To Do But To Try," an exhibition focusing on the early works of the Holocaust survivor and NO!art movement founder. Organized by the Museum of Jewish Heritage, the show highlights Lurie’s "War Series," featuring paintings, drawings, and never-before-seen ephemera created as a means of processing the trauma of his imprisonment in camps like Buchenwald. The works, ranging from the immediate post-war period to decades later, serve as a visceral record of memory and loss, including tributes to his family members murdered in the Rumbula Forest massacre.

The Unnameable Artists of the Canton Trade System

Art historian Winnie Wong’s new book, *The Many Names of Anonymity: Portraitists of the Canton Trade*, investigates the lives and legacies of 18th and 19th-century Chinese artists who produced works for Western traders under the Canton system. These artists, often dismissed by history as mere copyists or left anonymous in museum "tombstone" labels, created complex works that blended European techniques with Chinese traditions. Wong challenges the reductive category of "Asian export art," proposing instead the term "Canton trade painting" to better reflect the unique atmosphere of cultural exchange in Guangzhou.

Gardar Eide Einarsson Leaves You in the Dark

Gardar Eide Einarsson’s latest exhibition at Maureen Paley’s East London space presents a haunting exploration of dissociation and coded information. The show features two distinct series: 'Closed Caption,' a collection of monochrome black gouache paintings featuring isolated subtitles from films, and 'Incendiary Test Area,' a set of hyperrealistic woodblock prints created in collaboration with master Shoichi Kitamura. These prints depict the interiors of mock 'Japanese' houses built by the US Army for fire-bombing tests during World War II.

Paula Rego review – tantalising drawings with the shoeprints left on them

Victoria Miro is hosting the largest exhibition of Paula Rego’s drawings to date, curated by the artist’s son, Nick Willing. Spanning from the 1950s until her death in 2022, the show features intimate pencil sketches, pastels, and ink drawings that reveal the foundational narratives of her career, including her early childhood sketches, her fierce opposition to the Salazar dictatorship, and her advocacy for women's rights.