The Making of a Maintenance Artist

A new documentary titled "Maintenance Artist" (2025) traces the decades-long practice of Mierle Laderman Ukeles, a pioneering artist who focused on marginal, unpaid, and feminine labor. The film covers her career from her 1969 "CARE" manifesto, through her role as artist-in-residence at the New York City Department of Sanitation, to her first retrospective at the Queens Museum in 2017. It highlights her critique of art-world gender biases and her efforts to recognize discounted labor in all fields.