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rate_review review schedule May 6, 2025 visibility 16 link 8 artists

Review: “Toshiko Takaezu: Worlds Within” at the Museum of Fine Arts, Houston

The article reviews "Toshiko Takaezu: Worlds Within" at the Museum of Fine Arts, Houston, the artist's first nationally touring retrospective in 20 years. Organized by the Isamu Noguchi Foundation and Garden Museum, the exhibition features some 100 artworks from the 1950s until her death in 2011, including large-scale ceramics, weavings, and paintings. It traces Takaezu's journey from her childhood on a Maui watercress plantation to her transformative studies at Cranbrook Academy of Art and a pivotal trip to Japan, where she studied Zen Buddhism and worked under various ceramicists.

newspaper Glasstire open_in_new Read original

rate_review review schedule Apr 24, 2026 visibility 25 link 10 artists, 1 gallery

From gunshots to gilded plates: Who are the real hooligans of the art world?

Alex Burchmore reviews 'The Hooligans,' an exhibition that explores the Maoist concept of hooliganism in the context of contemporary Chinese art. The show features works by artists like Xiao Lu, who famously fired a gun at her installation during the 1989 'China/Avant-Garde' exhibition, as well as Zhu Yu and He Yunchang, known for incorporating human body parts and surgical procedures into their art. The exhibition contrasts these transgressive acts with more market-friendly works, such as Zhu Yu's gilded plate paintings and Hu Yinping's commercial-style figurines, highlighting the tension between artistic rebellion and commercial success.

newspaper SMH.com.au open_in_new Read original

rate_review review schedule Apr 13, 2026 visibility 24 link 1 artist

REVIEW: Now is not forever, when art mimics reality

Theresa-Anne Mackintosh’s solo exhibition, "Now is not Forever," recently debuted at the Wits Art Museum (WAM), featuring a provocative blend of older paintings and new sculptures. The show centers on anthropomorphic figures and the erasure of senses, notably in the "hear no evil, see no evil, do no evil" series, where body parts are painted over to symbolize the avoidance of moral decay. These works, alongside vivid sculptures representing the artist's alter egos, challenge viewers to look past aesthetic surfaces to confront the inherent chaos and dysfunction of contemporary society.

newspaper Wits Vuvuzela open_in_new Read original