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Review of the Italian Pavilion by Chiara Camoni and its relationship with the Biennale

La recensione del Padiglione Italia di Chiara Camoni e la sua relazione con la Biennale

Chiara Camoni's Italian Pavilion at the 2026 Venice Biennale, titled "Con te con tutto," is reviewed in relation to Koyo Kouoh's central exhibition "In Minor Keys." Camoni's installation features a crowd of female figures sculpted in clay and natural materials, described as "donne tronco" (trunk women), which evoke growth, transformation, and the intuitive, manual gestures that Kouoh champions. The review highlights how Camoni's work dialogues with Kouoh's curatorial emphasis on drawing, painting, and craft as intuitive practices, moving away from conceptual art. It also notes a performance by Magdalena Campos Pons at the Tese theatre, which includes a portrait of Toni Morrison and Kouoh, accompanied by music by Kamal Malak.

Renoir, Matisse, and the Temptation of Spectacle

Renoir, Matisse, et la tentation du spectacle

The article criticizes two major Parisian exhibitions scheduled for 2026: "Renoir et l'amour. La modernité heureuse (1865-1885)" and "Renoir dessinateur" at the Musée d'Orsay, and "Matisse 1941-1954" at the Galeries nationales du Grand Palais. The author argues that these shows prioritize spectacle and audience appeal over scholarly rigor, using flashy titles and famous names to attract crowds like movie releases.