Vasari Art Codex

rate_review review schedule Apr 8, 2026 visibility 32 link 12 artists, 3 galleries

Are We Too Reverent of Marcel Duchamp?

The Museum of Modern Art has launched a major retrospective of Marcel Duchamp, co-organized with the Philadelphia Museum of Art. The exhibition tracks the artist's evolution from his early Cubist experiments and the scandal of 'Nude Descending a Staircase' to his radical invention of the readymade, exemplified by the infamous urinal, 'Fountain'. The show presents a comprehensive look at 'The Duch' through a reverential, church-like atmosphere, concluding with his later years as a dapper, enigmatic figure of the avant-garde.

newspaper Artnet News open_in_new Read original

rate_review review schedule Apr 13, 2026 visibility 32 link 3 artists, 1 gallery

Comment | Catherine Opie shows us that in dark times, looking for joy can be radical

The artist Catherine Opie is currently the subject of a major three-decade portrait survey, 'To Be Seen', at the National Portrait Gallery in London. The exhibition highlights Opie’s career-long commitment to representing the LGBTQ+ community, specifically the leather dyke scene in Los Angeles, through a lens that balances defiance with playfulness. Even her most provocative works, such as the 1993 self-portrait featuring a domestic scene carved into her back, are revealed to contain elements of humor and historical allusion that counter the despair of the AIDS crisis and personal heartbreak.

newspaper The Art Newspaper open_in_new Read original

rate_review review schedule Apr 10, 2026 visibility 9 link 1 artist, 1 gallery

Anne Hardy’s Hollow Humanoids

British artist Anne Hardy presents a suite of floor-based installations and assemblage sculptures titled "Interloper" at Visual. The exhibition features a series of "Beings"—twisted, life-size humanoid entities constructed from rusted wire, crushed cans, soil, and the artist’s own cast body parts and clothing. These figures, often posed in yoga-like positions or meditative stances, appear as hollow, faceless outlines that blend a sense of vitality with physical disintegration.

newspaper ArtReview open_in_new Read original

rate_review review schedule Apr 8, 2026 visibility 11 link 11 artists, 1 gallery

Review: The new LACMA is divisive. It’s also ambitious, disorienting — and radically alive

The Los Angeles County Museum of Art (LACMA) has unveiled its $724-million David Geffen Galleries, a massive concrete structure designed by Swiss architect Peter Zumthor that spans Wilshire Boulevard. Replacing several older pavilions, the new building rejects traditional museum conventions like white-cube galleries and encyclopedic organization in favor of a sinuous, organic form that emphasizes light, atmosphere, and a visceral connection to the surrounding landscape.

newspaper Los Angeles Times open_in_new Read original

rate_review review schedule Apr 14, 2026 visibility 12 link 293 artists, 55 galleries

Desperate, Scared, But Social at UC Irvine Langson Orange County Museum of Art

The group exhibition "Desperate, Scared, But Social" at the UC Irvine Langson Orange County Museum of Art (Langson IMCA) explores the complexities of contemporary social dynamics and collective anxiety. The show brings together diverse artistic perspectives to examine how individuals navigate a landscape defined by political instability, environmental concerns, and the pervasive influence of digital connectivity.

newspaper Contemporary Art Review LA open_in_new Read original

rate_review review schedule Mar 23, 2026 visibility 10 link 1 artist

Why Felix Gonzalez-Torres’s Go-Go Dancer Piece Remains Subversive

The New York Times examines the enduring power of Felix Gonzalez-Torres's 1991 performance piece "Untitled" (Go-Go Dancing Platform), in which a go-go dancer performs on a pedestal for a brief, scheduled period each day. The work, currently on view at the Art Institute of Chicago, uses the dancer's absence as a central component, creating a poignant metaphor for queer presence and loss.

newspaper New York Times Art open_in_new Read original

rate_review review schedule Apr 16, 2026 visibility 3 link 3 artists, 1 gallery

Paula Rego review – tantalising drawings with the shoeprints left on them

Victoria Miro is hosting the largest exhibition of Paula Rego’s drawings to date, curated by the artist’s son, Nick Willing. Spanning from the 1950s until her death in 2022, the show features intimate pencil sketches, pastels, and ink drawings that reveal the foundational narratives of her career, including her early childhood sketches, her fierce opposition to the Salazar dictatorship, and her advocacy for women's rights.

newspaper The Guardian open_in_new Read original

rate_review review schedule Apr 16, 2026 visibility 5 link 4 artists, 2 galleries

Gardar Eide Einarsson Leaves You in the Dark

Gardar Eide Einarsson’s latest exhibition at Maureen Paley’s East London space presents a haunting exploration of dissociation and coded information. The show features two distinct series: 'Closed Caption,' a collection of monochrome black gouache paintings featuring isolated subtitles from films, and 'Incendiary Test Area,' a set of hyperrealistic woodblock prints created in collaboration with master Shoichi Kitamura. These prints depict the interiors of mock 'Japanese' houses built by the US Army for fire-bombing tests during World War II.

newspaper ArtReview open_in_new Read original

rate_review review schedule Apr 6, 2026 visibility 5 link 7 artists, 5 galleries

An Analog Tether

A new wave of gallery exhibitions is championing analog physicality and personal intimacy as a direct counter-response to the rise of AI-generated imagery. Artists like Ben Wolf Noam and Joseph Geagan are utilizing traditional mediums such as charcoal, lithography, and oil paint to capture spontaneous, sentimental moments of human connection, from family dinners to portraits of friends. These works emphasize the "hospitable mess" of real life, prioritizing the recognizable faces and tangible textures that AI often flattens.

newspaper lareviewofbooks.org open_in_new Read original

rate_review review schedule Apr 6, 2026 visibility 9 link 3 artists, 2 galleries

The Unbearable Strangeness of Being

South African artist Cinga Samson makes his New York debut at White Cube with "Ukuphuthelwa," an exhibition of haunting, large-scale oil paintings. The works feature figures with distinctive white pupils engaged in enigmatic rituals within dark, crepuscular landscapes. Drawing from the isiXhosa concept of spiritual alertness during sleeplessness, Samson’s compositions blend the palpable with the unearthly, often depicting scenes that feel choreographed yet remain stubbornly illegible to the Western gaze.

newspaper Hyperallergic open_in_new Read original

rate_review review schedule Apr 9, 2026 visibility 6 link 1 artist, 1 gallery

Jamie Robertson’s soft heat at Houston Center for Photography, Houston

Jamie Robertson’s solo exhibition, "soft heat," at the Houston Center for Photography presents a series of infrared photographs documenting Southern wetlands, including Caddo Lake and the Great Dismal Swamp. Using archival pigment prints and a zine titled "Alligatorwatergreen," Robertson utilizes thermosensational imagery to transform dense marshlands into ethereal, snow-like landscapes. The work incorporates archival figures, such as a liberated formerly enslaved man named Osman, to highlight the historical role of swamps as sites of maroonage and Black resistance.

newspaper Burnaway open_in_new Read original

rate_review review schedule Apr 7, 2026 visibility 3 link 4 artists, 2 galleries

Review: Thomias Radin, Echoes of KA at Esther Schipper, Berlin

Thomias Radin’s fourth solo exhibition at Esther Schipper in Berlin, titled "Echoes of Ka," presents a multidisciplinary environment blending painting, woodwork, and installation. The Guadeloupe-born artist draws heavily from Caribbean embodied knowledge, dance philosophy, and the ancient Egyptian concept of 'Ka'—a vital life force—to transform the gallery into a choreographed 'secret garden.' The works, characterized by vibrant colors and gestural oil paintings on raw linen, are informed by Radin’s collaboration with dance scholar Léna Blou and his own practice of improvisation.

newspaper FAD Magazine open_in_new Read original

rate_review review schedule Apr 9, 2026 visibility 5 link 4 artists, 1 gallery

How to Extract the Story of Appalachia

The artist collective GRIT has issued a sharp critique of Fia Backström’s exhibition, "The Great Society," currently on view at the Queens Museum. The authors argue that Backström, a European artist, engages in "extractive" storytelling by focusing exclusively on trauma, environmental disaster, and poverty in West Virginia. They contend that the exhibition’s aesthetic choices—such as inverting landscape photographs and omitting human subjects—flatten the region's complexity into a spectacle of misery that alienates the very community it claims to represent.

newspaper Hyperallergic open_in_new Read original

rate_review review schedule Apr 16, 2026 visibility 3

Art exhibit review: Fowler’s ‘Mountain Spirits’ highlights indigenous culture in the Philippines

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newspaper Daily Bruin open_in_new Read original

rate_review review schedule Apr 2, 2026 visibility 2 link 22 artists

whitney biennial 2026 systems infrastructure andrea fraser carmen de monteflores emilie gossiaux david johnson 1234775255

The 2026 Whitney Biennial, curated by Marcela Guerrero and Drew Sawyer, moves beyond the traditional geographic borders of the United States to explore 'the greater United States.' Drawing inspiration from historian Daniel Immerwahr, the exhibition features artists from occupied territories, military outposts, and nations impacted by American intervention, including Okinawa, Chile, and Palestine. The show shifts the focus from identity politics to the material reality of infrastructure, examining how global systems of finance, energy, and empire operate and often fail.

newspaper ARTnews open_in_new Read original

rate_review review schedule Mar 25, 2026 visibility 2 link 13 artists, 1 gallery

2026 whitney biennial critics conversation 1234775478

The 82nd edition of the Whitney Biennial has opened at the Whitney Museum of American Art, curated by Marcela Guerrero and Drew Sawyer. Featuring 56 artists from diverse global backgrounds, the exhibition explores themes of American empire, human-nonhuman relationships, and the impact of infrastructure. Early critical reactions highlight a pervasive sense of "horror" and bodily disturbance, with works utilizing AI, sculpture, and painting to address grief, war, and societal transformation.

newspaper ARTnews open_in_new Read original