Art News. Vasari Codex

rate_review review schedule May 19, 2026 visibility 25 link 14 artists, 1 gallery

What ‘Costume Art’ Gets Wrong About the Body

The Metropolitan Museum of Art's Costume Institute spring exhibition, featuring nearly 400 objects, pairs garments and ensembles with Western figurative artworks from the museum's permanent collection in dyadic, associative displays. The show eschews traditional art-historical timelines and context in favor of visual and thematic parallels—comparing, for example, Rudi Gernreich's Pubikini with an Egyptian statuette, or Ying Gao's sound-responsive dress with a David Hockney drawing. The exhibition is sponsored by Jeff and Lauren Sánchez Bezos.

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rate_review review schedule May 12, 2026 visibility 18 link 25 artists

Two Museums Take on Performative Masculinity, Looksmaxxing, Incels, and Other Macho Buzzwords That Don’t Belong There.

The Stedelijk Museum and Kunstmuseum St. Gallen have co-organized an exhibition titled "Beyond the Manosphere: Masculinities Today," which aims to critically examine contemporary masculinity and its online manifestations such as incels, looksmaxxing, and pickup artists. The show features works by artists including Reba Maybury and Richard Serra, and is curated by Melanie Bühler, with directors Rein Wolfs and Gianni Jetzer overseeing the project. The exhibition will travel from the Stedelijk to the Kunstmuseum St. Gallen later this year.

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rate_review review schedule May 8, 2026 visibility 23 link 14 artists, 1 gallery

The National Gallery of Art’s Dear America Needs a Postscript

The National Gallery of Art in Washington, D.C. has opened "Dear America," an exhibition organized around the themes of "Land," "Community," and "Freedom" that attempts to survey the entire history of the United States through its collection. The show features works by artists including Mitch Epstein, Victoria Sambunaris, Sedrick E. Huckaby, and Nancy Andrews, with sections on the American landscape, industrialization, and diverse communities. However, the review notes that the exhibition feels overly literal, with American flags prominently featured and a sense of ticking off boxes rather than offering a challenging or intellectually rigorous presentation.

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rate_review review schedule May 15, 2026 visibility 11 link 6 artists

Zurbarán: a ‘magnificently choreographed’ showing of the Spanish ‘genius’

The article reviews the first-ever British exhibition dedicated to Spanish Baroque painter Francisco de Zurbarán, held at the National Gallery in London. The show brings together 40 works from collections spanning Seville to San Diego, featuring his hyper-real religious paintings and radiant still lifes, described as a 'magnificently choreographed' trawl through his oeuvre. Critics praise the exhibition for its dramatic lighting and revelatory presentation, though some note uneven quality in his later works.

newspaper The Week open_in_new Read original

rate_review review schedule Apr 28, 2026 visibility 27 link 14 artists

Losing Frida Kahlo in "The Making of an Icon"

The article critiques the Museum of Fine Arts, Houston's (MFAH) exhibition "Frida: The Making of an Icon," arguing that it perpetuates a fetishized, commercialized view of Frida Kahlo by focusing on her biography—her marriage to Diego Rivera, her affairs, her accident—rather than her artistic skill. The author contrasts this with a visit to the Museo de Arte Moderno (MAM) in Mexico City, where the exhibition "Relatos modernos. Obras emblemáticas de la Colección Gelman Santander" presents Kahlo's work alongside other Mexican masters in a quiet, understated manner that allows viewers to appreciate her technical abilities without overwhelming narrative.

newspaper Glasstire open_in_new Read original

rate_review review schedule May 19, 2026 visibility 7 link 3 artists

CUANDO LOS OBJETOS HABLAN. MUSEO HECHIZO, DE JUAN JOSÉ SANTOS

Juan José Santos's book "Museo hechizo" (Metales Pesados, 2025) challenges the perceived neutrality of the Western museum, presenting it as an institution shaped by colonial logics of classification, extraction, and representation. The essay centers on the concept of "lo hechizo"—understood as both artisanal precariousness and disruptive enchantment—and explores small, community-based Latin American museum experiences that operate from precarity, reciprocity, and care. Santos argues that the museum is a space of conflict where voices, narratives, and ways of constructing history are contested, and he proposes thinking of the museum through its minor, situated, and alternative forms in Latin America.

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rate_review review schedule Apr 27, 2026 visibility 21 link 2 artists

Patchwork Lost – A Critique of the Princeton University Art Museum’s American Art Wing

The article critiques the newly opened American art wing at the Princeton University Art Museum, arguing that its curatorial approach prioritizes contemporary social justice narratives over historical accuracy and national pride. The author contends that the exhibition presents a fragmented, politicized view of American history, highlighting slavery and racial injustice while omitting or minimizing the contributions of Princeton alumni to the nation's founding, such as James Madison and John Witherspoon. Specific examples include the inclusion of a 2022 revisionist painting of the Signing of the Constitution and selective signage that emphasizes marginalized figures while ignoring male patriots.

newspaper The Princeton Tory open_in_new Read original

rate_review review schedule May 6, 2026 visibility 15 link 3 artists

New exhibit at Macon Museum of Arts & Science

A new exhibit has opened at the Macon Museum of Arts & Science in Georgia, featuring a collection of spectacular paintings that the reviewer found visually impressive but thematically puzzling. The exhibit departs from the museum's previous shows, which have ranged from solo artist presentations and local Macon artists to Georgia-wide showcases and even more unconventional, psychedelic-themed works.

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